Reviews a book that finds that Jews had a minuscule role in the slave trade and played only a minor role as slave owners wherever they resided in the New World
The article discusses the history of philosophy in the Caribbean. Particular focus is given to the philosophies of the peoples who lived and worked on sugar cane plantations, also called the canepiece. These include the Taíno people, enslaved Africans, indentured Indian and Chinese workers, and their descendants. Details related to Taíno ontology, the roles of slavery and liberty in Afro-Caribbean philosophy, and the role of labor in Indo-Caribbean philosophy are presented. Other topics include genocide, social harmony, and the relationship between the Enlightenment and colonialism.
271 p., Uses W.E.B. Du Bois' reference to the worlds 'within and without the veil' as the narrative setting for presenting the case of an African-Bahamian urban cemetery in use from the early 18th century to the early 20th century. The author argues that people of African descent lived what Du Bois termed a 'double consciousness.' Thus, the ways in which they shaped and changed this cemetery landscape reflect the complexities of their lives. Since the material expressions of this cemetery landscape represent the cultural perspectives of the affiliated communities so changes in its maintenance constitute archaeologically visible evidence of this process. Evidence in this study includes analysis of human remains; the cultural preference for cemetery space near water; certain trees planted as a living grave site memorial; butchered animal remains as evidence of food offerings; and placement of personal dishes on top of graves.
The article focuses on the interactions between anglophone blacks, black Caribbeans, and indigenous southern Mesoamericans during the second half of the 18th century. The author discusses the history of race relations between Europeans, Africans, and Indians within the British and Spanish empires, examines the relationship between Mayas and Spanish colonists, and analyzes the role of religious differences within their encounters.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
211 p, Contents: Introduction: Historicising 'Woman' and Slavery -- Black Women and the Political Economy of Slavery -- Property Rights in Pleasure: marketing Black Women's Sexuality -- Phibbah's Price: A black 'wife' for Thomas Thisleewood -- White women and freedom -- Fenwick's Fortune: A White Woman's West India Dream -- A Governor's Wife's Tale: Lady Nugent's "Blackies" -- A Planter's Wife's Tale: Mrs. Carmichael's Pro-Slavery Discourse -- Old Doll's Daughters: Flight from Bondage and Blackness -- An Economic Life of Their Own: Enslaved Women as Entrepreneurs -- Taking Liberties: Enslaved Women and Anti-Slavery Politics -- Historicising Slavery in Caribbean Feminism.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
202 p, "Why do the people of the French Caribbean still continue to be haunted by the memory of their slave past more than one hundred and fifty years after the abolition of slavery? What process led to the divorce of their collective memory of slavery and emancipation from France's portrayal of these historical phenomena? How are Martinicans and Guadeloupeans today transforming the silences of the past into historical and cultural manifestations rooted in the Caribbean? This book answers these questions by relating the 1998 controversy surrounding the 150th anniversary of France's abolition of slavery to the period of the slave regime spanning the late Enligtenment and the French Revolution. By comparing a diversity of documents - including letters by slaves, free people of color, and planters, as well as writings by the philosophes, royal decrees, and court cases - the author untangles the complex forces of the slave regime that have shaped collective memory. The current nationalization of the memory of slavery in France has turned these once peripheral claims into passionate political and cultural debates." --Jacket.
