AFRICANDO Arts and Culture Festival, a collaboration between the Foundation for Democracy in Africa and Miami-Dade County, is a one-day event that will feature contemporary African, Afro-American, Caribbean & Afro-Latino cultures. MDCC and the Black Heritage Museum will display masks, statues and murals from the Caribbean, South America, Brazil and Cuba. A special "Children's Activities Village" will feature traditional African and Caribbean folk tales, puppet shows, African mask and instrument making, African textile weaving, Miami Metrozoo's exotic animal show and more. The festival, which is the closing event for AFRICANDO 2001, will be promoted in Africa, AFRICANDO organizers say. A trade delegation from Miami and Washington, D.C., will conduct trade seminars promoting the conference and festival in Nigeria, Mali, Ghana, Senegal, South Africa, Botswana, Zimbabwe, Kenya and Tanzania.
The celebration officially started with a combination press conference and job fair at FIU's Biscayne Campus. Co-sponsored by Miami-Dade County and the South Florida Workforce, the FIU event featured a luncheon hosted by Emiline Alexis of the County Mayor's office. The job fair was held in honor of Haitian Labor Day and was held in the lobby and patio of FIU's Wolfe Center. Sunday was an especially busy day with a book reading at the Mapou Bookstore in Little Haiti, a complimentary buffet featuring foods (and music) from all nine of Haiti's Departments (provinces), and an infectious and intoxicating display of Haitian drumming and vocal performances called "Zaka" in the Design Destrict.
Haitian konpa groups have developed a reputation as one of the liveliest facets of the West Indian celebrations. "Everybody agreed to bring costumes, which could mean that they will be all in uniformity and coordinated with the leader of the group of whichever band it is," said Jean Alexander, spokeswoman for the Carnival Association. "They are going to be visited by some of the members, to see what it is they are portraying." Haitian konpa groups have developed a reputation as one of the liveliest facets of the West Indian celebrations. "Everybody agreed to bring costumes, which could mean that they will be all in uniformity and coordinated with the leader of the group of whichever band it is," said Jean Alexander, spokeswoman for the Carnival Association. "They are going to be visited by some of the members, to see what it is they are portraying."
The daytime workshops will be complemented by evening community programs held at the Historic Lyric Theatre, 819 NW Second Avenue in Overtown. On Monday, June 18 at 5:30 p.m. a special "Maroon Double Feature" film showing will celebrate the Pan African spirit of resistance with a presentation of "Maluala" by Cuban filmmaker Sergio Giral and "Quilombo" by Brazilian filmmaker Carlos Diegues. Both have become modern classics. Based on historical fact, these powerful dramas depict the struggle of those who dared to escape from slavery and establish independent, fiercely defended Maroon communities. Time will be allowed for discussion after the films. June 19 is officially celebrated in several states as "Juneteenth," commemorating that date in 1865 when the last of the enslaved African American population in East texas received word of the Emancipation Proclamation at the end of the Civil War. Because "No one was really free until everyone was free," this date, shortened by custom over the years to "Juneteenth." was considered the true end of the institution of slavery in the United States.
It ran for more than six years and playing one of [Desmond]'s barbershop cronies was a highlight of [Ram John Holder]'s long career. "It only had half of the audience of Desmond's, but it had much bigger audiences than the shows they replaced it with." In it, the colourful and exuberant traditions of Trinidad's Carnival provide the setting for a stage event which transforms Handel's Messiah into an musical combining song, dance and spectacle with the spirit of Caribbean storytelling.
"I wanted to write a play that celebrated the journey of our parents," explains [Kwame Kwei-Armah]. "A lot of the previous plays tell us the old, grey story about `No Blacks, No Dogs, No Irish,' but that isn't very entertaining. "Growing up, I had a big nose but when Afrocentricty came in the '80s suddenly I had an African nose," recalls Kwame. "[Chris Monks] is White and together we have a play that is accessible to all communities," says Kwame. "It's not just about Black issues, it deals with universal themes like love, feeling inadequate and beauty."
"[Daniel Beauxhomme] comes from the lighter skin mixed class," said Kevin Johnson, who plays Daniel. "It's the story of two different people from two different worlds falling in love. Fate brings them together and fate takes them apart. It's similar to `Romeo and Juliet.'" "In Haiti, it's very confusing. It's fuzzier than here (the United States). A lot of it has more to do with money and name than this," said Shirley Julien, who is Haitian. "And that's what the musical focuses on. Ti Moune means `little orphan' in the play. But, in Haiti it means `little person.' That drives the theme more because she doesn't have a real name. In Haiti every little kid is called ti moune." "I don't think that there is that much of a difference," said Julien, who is also the musical's choreographer. "It's just highlighted more. The division is put on us and we accept it. It's up to us to say `I don't believe this' and take time to learn about Haitians, Jamaicans and Trinidadians. Our commonalities are so much stronger and deep inside of us."
Plans to celebrate Haiti's 2004 bicentennial were discussed recently by Minister Leslie Voltaire at the Center for Constitutional Rights in Manhattan NY. He said plans were underway to have a large exhibition commemorating the international slave trade and a symposium of African writers in the diaspora.
Prophet and loss: A [Bob Marley] documentary forms the centrepiece of a Channel 4 special series on the Caribbean The music continues on August 7 with Top Ten: Caribbean, a celebration of Latino, reggae, ragga, hip-hop and everything in between with the 10 most successful Caribbean chart acts in pop history. Representing the lighter side of Caribbean life is rising star Richard Blackwood in a one-off Caribbean special of his entertainment series, The Richard Blackwood Show.
