African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
182 p., Explores the dialogue between two central institutions in African Caribbean life: the church and the dancehall. Beckford highlights how Dub – one of the central features of dancehall culture – can be mobilized as a framework for re-evaluating theology, taking apart doctrine and reconstructing it under the influence of a guiding theme.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
546 p, In-depth treatment of Jewish images of and behavior toward Blacks during the period of peak Jewish involvement in Atlantic slave-holding. Based on a wide-range of sources in several languages.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
560 p, Describes the ways Jews imagined and treated Blacks during the first three centuries of the Atlantic slave trade and European colonialism. Using many previously unexamined sources, it goes beyond mere inter-ethnic polemics to lay out for the first time the scope of Jewish anti-Blackness in places such as Portugal, the Ottoman Empire, Italy, Amsterdam and the Caribbean. Readers will see that Jewish attitudes and behavior remained barely distinguishable from general European trends, hardly benign, but far less intense.
Writer Zora Neale Hurston notes the identity and culture of the Africans in the U.S., in which there is struggle in resisting with violence against the slave societies and racial discrimination to maintain the culture. Mentions the association of black ritual practices on Hurston's writings, "Mules and Men" and "Moses, Man of the Mountain," where slavery is considered as factor of spreading the folk arts.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
Originally presented as the author's thesis (master's)--Programa de Pós-Graduação em História da Faculdade de Ciências e Letras da Universidade Estadual Paulista, 1998., 204 p.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
309 p., Drawing from Haitian Vodou and New Orleanian Voudou and from Cuban and South Floridian Santería, as well as from Afro-Baptist (Caribbean, Geechee, and Bahamian) models of encounters with otherness, this book reemplaces deep-southern texts within the counterclockwise ring-stepping of a long Afro-Atlantic modernity. Includes "Down to the Mire : Travels, Shouts & Fe Chauffe, Balanse, Swing : Saint Domingue Refugees in the Govi of New Orleans."
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
309 p., Offers a corrective to some of America's institutionalized invisibilities by delving into the submerged networks of ritual performance, writing, intercultural history, and migration that have linked the coastal U.S. South with the Caribbean and the wider Atlantic world. Draws from Haitian Vodou and New Orleanian Cuban and South Floridian Santería,and Afro-Baptist (Caribbean, Geechee, and Bahamian) models of encounters with otherness.
