Analyzes the portrayal of blacks in the magazine Vistazo, one of the most popular publications of Ecuador, since the year of its creation in 1957 until the year 1991. Mainstains that the construction of the Ecuadorian national identity deprives humanity in representation of African-Ecuadorians in favor of appreciation and exaltation of Euro-Ecuadorians and, secondarily, the white-mestizo
Against the backdrop of a tremendous surge in ethnic identity politics and social movement organizing over the last two decades in Ecuador, two complementary musical trends are explored that have emerged in reference to the country's Afro-Ecuadorian population. The first showcases the traditional music and dance of the marimba as a symbol of Afro-Ecuadorian identity. The second features numerous popular music fusions of the marimba repertoire with genres including rock, salsa, reggaetón, and more, with broad appeal to audiences throughout the country and beyond.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
417 p, Includes Mary J. Weismantel's "Racist stereotypes and the embodiment of blackness: some narratives of female sexuality in Quito" and Norman E. Whitten, Jr.'s "Mothers of the patria: la chola cuencana and la mama negra"
Quito , Ecuador: Observatorio de los Derechos de la Niñez y Adolescencia
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
97 p., Contents: La población esmeraldeña -- Cumplimiento de los derechos de la niñez y adolescencia -- Los programas sociales : la respuesta del Estado -- Acciones para el cambio.