Just as dance forms originating from Saint-Domingue made their way into southern culture, religion also left its indelible marks. It is well documented that the Vodou religion in New Orleans began to blossom around 1800 with Sanite Dede, a free woman of color who arrived from Saint-Domingue. The Saint-Domingan Vodou priestess was replaced in 1820 by New Orleans's native Marie Laveau, who became legendary. Haitians were for the most part Catholic; their presence in the various U.S. cities where they settled gave rise to the establishment of a number of biracial congregations. In Baltimore, in 1829, four colored Saint-Domingan women--Elizabeth Lange, Marie Magdelene Baas, Marie Rose Boegue, and Marie Therese Duchemin--established the Oblate Sisters of Providence, the world's first Black religious community, and founded the School for Colored Girls.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
546 p, In-depth treatment of Jewish images of and behavior toward Blacks during the period of peak Jewish involvement in Atlantic slave-holding. Based on a wide-range of sources in several languages.
Obeah encompasses a wide variety of beliefs and practices involving the control or channelling of supernatural/spiritual forces, usually for socially beneficial ends such as treating illness, bringing good fortune, protecting against harm, and avenging wrongs. Although obeah was sometimes used to harm others, Europeans during the slave period distorted its positive role in the lives of many enslaved persons. In post-emancipation times, colonial officials, local white elites and their ideological allies exaggerated the antisocial dimensions of obeah, minimizing or ignoring its positive functions. This negative interpretation became so deeply ingrained that many West Indians accept it to varying degrees today, although the positive attributes of obeah are still acknowledged in most parts of the anglophone Caribbean. [PUBLICATION ABSTRACT];
"[Thomas] Sutpen launches his design with that obliviousness that is American innocence. Once on Haiti, Sutpen disregards the manifest evidence of impending 'slave' revolt and hybrid racial ancestries. Sutpen's famously preserved innocence amounts to the habit of looking without seeing." (author)
