Argues that even in an era of technological innovation and financial sophistication, the basic mobilization and use of society's savings remains the paramount role of the financial sector. In fulfilling this role, different types of financial institutions, with diverse areas of specialization and operational modalities, have distinct relative advantages. The performance of Jamaican financial institutions in fulfilling the basic facets of intermediation is compared, and areas in which particular types of financial institutions have exhibited higher standards of performance relative to the rest of the sector are highlighted.
Rizzo examines how lawyers represent their clients in the twilight years of the Old Regime France. During this period, lawyers always depict their clients as more metropolitan than their opponent in order to render colonial "others" both more exotic and more accessible to readers and judges.;
Presents an article on Jamaican art and the early artistic production of Edna Manley and Albert Huie, two artists that are commonly identified in art historical accounts as pioneers in the development of a national Jamaican art. Problem of race and representation in Jamaica as perceived by Huie and Manley; Character which held a particular representational significance for Huie and Manley; Role of Ethiopianism, Rastafarianism, Garveyism, and cultural nationalism in Jamaica.;
In 2008, a new style in Jamaican dancehall music and dance culture known as "Daggering" emerged. Daggering music and dancing, which included lyrics that graphically referred to sexual activities and a dance which has been described as "dry sex" on the dance floor, took Jamaica by storm. The Broadcasting Commission of Jamaica was forced to crack down on broadcasting and cable stations preventing them from playing any Daggering content. This article focuses on the subsequent clash between the government and the dancehall, and seeks to identify an appropriate method for monitoring and enforcing these new standards.
Explores the pros and cons of postcolonial criticism through a zombie, a sensationalized symbol of Afro-Antillean bondage. How reworking the zombie in various cultural and political contexts lays bare the pleasures and perils of postcolonialism; Information on the novel Beso de la mujer araña, by Manuel Puig; Description of the book Wild Saragasso Sea, by Jean Rhys; Discussion on the book The Famished Road, by Ben Okri.;
Argues that the emergence of hip hop in the South Bronx can be explained by the way in which several social-political factors dictated by the needs of the world economy converged with the resistance and labor of black people in the United States and the Anglo-Caribbean in the late 1960s and early 1970
Attempts to understand what the presence of Black music means in the absence of Black people. Is this an expression of a global circulation of Afro-Caribbean cultural trends as symbols of belonging and difference among urban youngsters? Does it take us back to the history of Quintana Roo as a Caribbean region and the Black Atlantic? Is it a form of revision of Mexican national ethnic mixture and inclusion of other population groups? Adapted from the source document.
How do people respond to the news that they are HIV positive? To date, there have been few published qualitative studies of HIV diagnosis experiences, and none focusing on Caribbean people. Twenty-five HIV-positive Caribbean people in London, UK, related their diagnosis experience and its immediate aftermath in semi-structured interviews. Diagnosis with HIV caused profound shock and distress to participants, as they associated the disease with immediate death and stigmatisation. The respondents struggled with "biographical disruption", the radical disjuncture between life before and after diagnosis, which led them into a state of liminality, as they found themselves "betwixt and between" established structural and social identities. Respondents were faced with multifaceted loss: of their known self, their present life, their envisioned future and the partner they had expected to play a role in each of these. A minority of accounts suggest that the way in which healthcare practitioners delivered the diagnosis intensified the participants' distress. This research suggests that healthcare practitioners should educate patients in specific aspects of HIV transmission and treatment, and engage closely with them in order to understand their needs and potential reactions to a positive diagnosis. Adapted from the source document.
This study examined skin tone dissatisfaction, measured using a skin tone chart, among a multiethnic sample of British adults. A total of 648 British White individuals, 292 British South Asians, and 260 British African Caribbean participants completed a visual task in which they were asked to indicate their actual and ideal skin tones. They also completed measures of body appreciation, self-esteem, and ethnic identity attachment. Results showed that Asians had a lighter skin tone ideal than White and African Caribbean participants. Conversely, White participants had higher skin tone dissatisfaction (preferring a darker skin tone) than Asian and African Caribbean participants, who preferred a lighter skin tone. Results also showed that skin tone dissatisfaction predicted body appreciation once the effects of participant ethnicity, age, ethnic identity attachment, and self-esteem had been accounted for. Implications of our findings and suggestions for future research are discussed.
Examines the book Violated by Guitele Jeudy Rahill and the film Dancehall Queen directed by Don Letts. It sites that both works explore the politics of black female sexuality related to upward mobility and economic survival in Caribbean settings. It also examines female sexuality as marketplace and analyzes the use of the black female body for mobility purposes.
