Reads Carnival-related performances in relationship to the colonial and national histories of the circulation of Indian and black women's bodies in Trinidad and Tobago, asking what is at stake in these occupations of genre, form, and performative presence in the latest global scenes of late capitalism (where image and sound, as cultural productions, are always in circulation beyond the scope of the nation, and their own "original" referents).
"[Examines] le développement historique et socio-économique des Caraïbes dans le roman de Paule Marshall: The Chosen Place, The Timeless People (publié en 1963), à travers la relation de deux femmes, l'une noire, l'autre blanche, dont les destins et l'héritage sont liés à l'histoire particulière des relations de genre caractéristiques de l'esclavage et de la vie sur les plantations." (Refdoc.fr)
Reviews several books. Not of Pure Blood: The Free People of Color and Racial Prejudice in Nineteenth-Century Puerto Rico, by Jay Kinsbruner; From Bomba to Hip-Hop: Puerto Rican Culture and Latino Identity, by Juan Flores; Listening to Salsa: Gender, Latin Popular Music, and Puerto Rican Cultures, by Frances R. Aparicio.;
Argues that free African and African-descended women participated in Spain's colonization of the Caribbean to a degree that has not been fully recognized. Regularly described as vecinas (heads of household) and as spouses to Iberian men in key port cities, free women of color played active roles in the formation and maintenance of Spanish Caribbean society during the late sixteenth and early seventeenth centuries, not as peripheral or marginalized figures, but as non-elite insiders who pursued their own best interests and those of their families and associates.
Discusses perspectives in Africana feminist thought. While, not an exhaustive review of the entire diaspora, three regions are discussed: Africa, North America, and the Caribbean.
Analyzes the prominent role played by first wave feminism and by women writers between 1898-1903 as the Jamaica Times articulated a broad-based, middle class nationalism and launched a campaign to establish a Jamaican national literature. This archival material is significant because it suggests a significant modification of anglophone Caribbean feminist, literary and nationalist historiography: first wave feminism was not introduced to Jamaica exclusively through black nationalist organizations in the late 19th and early 20th century, but emerged in a broader phenomenon of respectable, middle class nationalism encompassing Jamaican nationalism and Pan Africanism.
