Kingston, Jamaica: University of the West Indies Press
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
204 p., Examines cultural and literary material produced by Afro-Mexicans on the Costa Chica of Guerrero and Oaxaca, Mexico, to challenge the selective and Euro-centric view of Mexican identity in the discourse about racial and ethnic homogeneity and the existence of black people in the country, as well as assumptions and stereotypes about gender and sexuality.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
218 p, Contents: Origins of the divestiture trope in selected literature of the African diaspora -- Diaspora as a trope for the existential condition -- Resonances of the African continent in selected fiction and non-fiction by Zora Neale Hurston -- Orphanage in Simone Schwarz-Bart's The bridge of beyond and Alice Walker's The third life of Grange Copeland -- Polyphonic texture of the trope "junkheaped" in Toni Morrison's Beloved -- Sociological implications of female abandonment in Buchi Emecheta's Second class citizen and The joys of motherhood -- Success phobia of Deighton Boyce in Paul Marshall's Brown girl, Brownstones -- Madness as a response to the female situation of disinheritance in Mariama Bâ's So long a letter and Scarlet song -- Exile of the elderly in Beryl Gilroy's Frangipani house and Boy-Sandwich -- Conclusion: abandonment as a trope for the human condition;
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
296 p., Examines how changes in political, economic, and social structures have produced different sets of possibilities for writers to imagine their relationship to the institutions of the public sphere. In the process, he provides a new context for rereading such major writers as Mary Seacole, José Martí, Jacques Roumain, Claude McKay, Marie Chauvet, and George Lamming, while also drawing lesser-known figures into the story.
Chapel Hill: Published for the Omohundro Institute of Early American History and Culture, Williamsburg, Virginia, by the University of North Carolina Press
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
296 p., The formal evolution of colonial prose narrative, Ianinni argues, was contingent upon the emergence of natural history writing, which itself emerged necessarily from within the context of Atlantic slavery and the production of tropical commodities. As he reestablishes the history of cultural exchange between the Caribbean and North America, Ianinni recovers the importance of the West Indies in the formation of American literary and intellectual culture as well as its place in assessing the moral implications of colonial slavery.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
231 p, Contents: Postcolonial modernism/modernist postcolonialism --; "Not borrowers, but bearers of a tradition" --; Listening to Eliot : poetic revolution and common speech --; Public poets
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
259 p, In an extensive collection of essays spanning 50 years of sustained scholarship, The Negritude Moment explores the many varied aspects of Negritude - both as a concept and as a movement. F. Abiola Irele provides an account of its historical origins and examines the sociological and ideological background of themes that have preoccupied French-speaking black writers and intellectuals. His collection also includes a rare essay on the structure of Aime Cesaire's imagery in its poetic transmutation of this experience.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
259 p., Explores the many aspects of Negritude - both as a concept and as a movement. Provides an account of its historical origins and examines the sociological and ideological background of themes that have preoccupied French-speaking black writers and intellectuals.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
329 p, Contents: Introduction -- transamerican renaissance -- Scattered traditions : the transamerican genealogies of Jicoténcal -- A francophone view of comparative American literature : Revue des colonies and the translations of abolition -- Cuban stories -- Hawthorne's Mexican genealogies -- Transamerican theatre : Pierre Faubert and L'Oncle Tom.
