Secondary source, About García Márquez: The Man, the Reporter, the Writer
Publication Date:
May 25, 2004
Published:
New York, NY : The New York Times
Location:
Library, University of Illinois
Related Item Details:
153(52860) : E1
Notes:
Bast focuses on the life and work of translator Gregory Rabassa, his translation of Rayuela, an experimental 1963 novel by Argentine author Julio Cortázar, and his completion of his PhD in Portuguese at Columbia University. He was awarded the first National Book Award for translation in 1967. Mr. Rabassa has done English translationS of such authors as Jorge Amado, Mario Vargas Llosa, and Gabriel García Márquez. Bast also mentions the publication of Mr. Rabassa's autobiography.
Secondary source, About García Márquez: The Man, the Reporter, the Writer
Publication Date:
unknown
Published:
La Habana, Cuba : Ediciones ICAICS Martin Luther King, Jr Memorial Center
Location:
Library, University of Illinois
Notes:
Kennedy provides information from when he first wrote a review of One Hundred Years of Solitude and then progresses into more details of his journeys into the world of Gabriel García Márquez.
Secondary source, About García Márquez: The Man, the Reporter, the Writer
Publication Date:
November, 2003
Published:
Manchester, England : The Guardian Newspaper Limited
Location:
Library, University of Illinois
Notes:
Viewed on 24 January, 2008.||"The idea for the film school occurred to García 17 years ago. As he saw it, what the continent desperately needed was a "factory of creative energy" where talented people from all over the world would feed off each other. Colombian writer Gabriel García Márquez has a house in Havana, and when García turned up to suggest the idea, Castro happened to be there. That same evening, the plan was agreed. I wondered how a novelist and an ex-guerrilla leader came to get so excited about building a film school. "I think they are both frustrated film-makers," grins García."
In this review of Hayle Harbour's play A Very Old Man with Enormous Wings Martin states that, "The show is inspired by Gabriel García Márquez's magical realist story about an old man with huge, dirty buzzard wings who crash-lands in a small village."
Gainsville, FL : University of Florida at Gainsville
Location:
Library, University of Illinois
Notes:
The university Of Florida at Gainsville has chosen "A Very Old Man With Enormous Wings" by Gabriel García Márquez for the One City One Story program which promotes reading.
Secondary source, About García Márquez: The Man, the Reporter, the Writer
Publication Date:
November, 2003
Published:
St. Petersburg, FL : Times Publishing Company
Location:
Library, University of Illinois
Related Item Details:
4P
Notes:
"This corruption of the famous opening sentence of García Márquez's classic One Hundred Years of Solitude risks cheapening one of the most elegant and hypnotic passages of modern literature. Its only defense is its truth. If there is one lesson to be gleaned from García Márquez's engrossing memoir, Living to Tell the Tale, it is that the author who single-handedly defined the genre of "magic realism" drew some of his most memorable and fantastic tales from the rich history of his family and native Colombia."
Secondary source, About García Márquez: The Man, the Reporter, the Writer
Publication Date:
July 2, 2001
Published:
New York, NY : J.H. Richards
Location:
Library, University of Illinois
Related Item Details:
273(1) : 36
Notes:
"The following remarks are excerpts from a longer interview between Colombian Nobel Laureate Gabriel García Márquez, representing the magazine Cambio, and the Zapatista leader Subcomandante Marcos. The full text appeared in Cambio earlier this year."
"Reviews the book 'Plural [1971-1976]: Thirty Years Later: A Magazine Founded and Edited by Octavio Paz." The review mentions that the magazine had reviewed by Gabriel García Márquez, among others.
Washington, D.C. : Organisation of American States
Location:
Library, University of Illinois
Related Item Details:
57(1) : p. 64
Notes:
This article presents a short story written by Gabriel García Márquez about man named Abel Quezada. The story focuses on the issues dealing with Quezada's life and his personal troublings.
Viewed on 29 January, 2008. "Más de 30 fotografías sobre la relación histórica del escritor colombiano Gabriel García Márquez con cartagena de Indias se expondrán desde mañana en esa ciudad caribeña, como parte de los homenajes al novelista en el IV Congreso Internacional de la Lengua Española."
Puri writes a response to her critics on her various works. Towards the end of the article she notes how, in response to Marc Brudzinski, she "could have explored more fully the issue of regional/ transnational/non-local readerships," which she states would "probably lie in the moment when I read Carpentier and García Márquez and 'recognized' India in them."
Secondary source, Reviews of Gabriel García Márquez's Books and Stories
Publication Date:
November 6, 2005
Published:
Pittsburgh, PA : P.G. Publishing
Location:
Library, University of Illinois
Related Item Details:
Book Review; C-4
Notes:
In this review of Gabriel García Márquez's Memories of My Melancholy Whores Bob Hoover states that "the author of the masterpiece "One Hundred Years of Solitude" isn't offering us anything as entertaining or challenging this time, only a bauble, a sliver of his genius."
Dawn Harris (camp director, stage director, and voice instructor), Marla Moore (director), Justin Brauer (pianist), Gabriel Generally (Cinderella's Prince), and Timmy Purnell (Rapunzel's Prince)
Secondary source, About García Márquez: The Man, the Reporter, the Writer
Publication Date:
May, 2004
Published:
Miami, FL : Libre Online
Location:
Library, University of Illinois
Notes:
Viewed on May 18, 2004.||The Mexican officer of Foreign Affairs, Luis Ernesto Derbez, rejected the need for mediation through Gabriel García Márquez between his country and Cuba.
Secondary source, Reviews of Gabriel García Márquez's Books and Stories
Publication Date:
October 20, 2004
Published:
Miami, FL : Miami Herald Publishing
Location:
Library, University of Illinois
Related Item Details:
5A
Notes:
"En cambio, en la Ciudad de Mexico, donde Random House Mandadori y [Diana] hicieron un tiraje inicial de 100,000 libros, hubo librerías que se ingeniaron formas de recibir desde hace dos días la novela donde Gabo recrea una fascinación literaria que comparte con otros grandes escritores ante un argumento tan suscinto como inquietante: la incursión que hace un anciano en la frontera entre el sueño, el eros, el amor, y la muerte, escoltado por 'el arrullo de la respiración apacible' de una virgen."
Secondary source, About García Márquez: The Man, the Reporter, the Writer
Publication Date:
June-July, 2002
Published:
Bogotá, Colombia : El Malpensante
Location:
Library, University of Illinois
Related Item Details:
(39) : 47-48
Notes:
Alzate Vargas recounts the story of the first classic book that he read and says, "One Hundred Years of Solitude didn't belong to my father. I doubt that he ever was interested in García Márquez." He goes on to describe his feelings about the cover, as well as his feelings upon reading it.
Cánovas discusses allegory in various Latin American works, among them, García Márquez's La increíble y triste historia de la cándida Eréndira y de su abuela desalmada.
Dawn Harris (camp director, stage director, and voice instructor), Sarah Johnson (director), Michael Tilley (pianist), and ISYM Musical Theatre Ensemble (performer)
Hammerstein, Oscar (Composer), Cochran, Natalie (Cast member (Annie)), Wolf, Dylan (Cast member (Will)), Harris, Dawn (Director), and Morganson, Cheryl Forest (Piano)
Dawn Harris (camp director, stage director, and voice instructor), Sarah Johnson (director), Michael Tilley (pianist), Camri Anderson (performer), Grace Brown (performer), Grace Galman (performer), Taylor Mondragon (performer), and Brea Rollston (performer)
In reviewing Jorge Franco's new book, Abani states that "Jorge Franco is a founding member of the self-anointed McOndo School of writers from South and Central America, who opt for harder, grittier urban reality than their magical realist forebears, such as Jorge Amado and Gabriel García Marquez. (The name McOndo itself is a play on Macondo, García Márquez's own Yoknapatawpha County.) But even thought the Characters in Franco's books fly in airplanes rather than through the air by magic, the social placements of these literary movements remain close."
San José, Costa Rica : Editorial de la Universidad de Costa Rica
Location:
Library, University of Illinois
Notes:
This book talks about love and betrayal within Latin American literature and film. The book has a section entitled "García Márquez en el cine: la primera pasión." The book includes a list of GGM books that have been adapted into film (347), as well as copies of the film poster for "Crónica de una muerte anunciada" (1986).
Secondary source, Reviews of Books About Gabriel García Márquez
Publication Date:
Nov 2002
Published:
Chile : Pontificia Universidad Catolica de Chile, Instituto de Letras
Location:
Library, University of Illinois
Related Item Details:
31 : p. 177-180
Notes:
Chaverri reviews María Lourdes Cortés' book Amor y tración: cine y literatura en América, in which Cortés analyzes issues related to the translation of literature to film, focusing in particular on the works of five Latin American writers who are considered part of the "Boom." She includes among them Gabriel García Márquez's Crónica de una muerte anunciada.
Secondary source, Reviews of Gabriel García Márquez's Books and Stories
Publication Date:
November 27, 2005
Published:
Washington, DC : News World Communications
Location:
Library, University of Illinois
Related Item Details:
Books; On Books; B06
Notes:
In this critique and review of the book Carol Herman states, "Readers had every reason to hope that Nobel laureate Gabriel García Márquez's latest novel, "Memories of My Melancholy Whores," his first work of fiction in 10 years, would be something to behold. But there is a wrinkle, and it rests in the limitations of the book's own central and disturbing act of "beholding.""
Secondary source, About García Márquez: The Man, the Reporter, the Writer
Publication Date:
May 15, 2004
Published:
London, UK : The Times
Location:
Library, University of Illinois
Related Item Details:
41 Features Theatre The Knowledge
Notes:
"Acclaimed Indian Theatre Collective Dehli present the magical-realist tragedy Erendira, adapted from the writing of Gabriel García Márquez, at the ICA."
"Interviews novelist Mario Vargas Llosa of Peru. Views on the goal of businessman Bill Gates to make books obsolete; Status of short stories in the 21st century; Effect of film on literature; Discussion on successful authors who have problems with technical writing." Discusses issues with Latin American writers.
"An unprecedented movie deal with Nobel Prize-winner Gabriel García Márquez was signed with Scott Steindorff's Stone Village Productions after the producer had spent two years pursuing the reluctant author. The deal is for Love in the Time of Cholera and was signed with Carmen Balcells and Nuria Coloma at Balcells's Barcelona agency for over $1 million, with close to twice as much added if a movie goes into production."
Secondary source, Reviews of Gabriel García Márquez's Books and Stories
Publication Date:
October 30, 2005
Published:
Cleveland, OH : Plain Dealer Publishing
Location:
Library, University of Illinois
Related Item Details:
Books; H5
Notes:
In this review of Memories of My Melancholy Whores, Felipe Nieves discusses the novel and also critiques Edith Grossman's translation of the text from Spanish to English.
Secondary source, About García Márquez: The Man, the Reporter, the Writer
Publication Date:
June, 2003
Published:
Cali, Colombia : Universidad del Valle
Location:
Library, University of Illinois
Related Item Details:
(19) : 127-142
Notes:
"The Violence (1946-1965) was the first arena of generalized violence in Colombia this century. This phenomenon left the terrifying memory of its more than two hundred thousand deaths, together with a country ruined politically and morally. The writers (novels and consecrates) left evidence of this in an enormous body of work that has been, in large part, negatively sanctioned and, in general, poorly researched. To construct a dispassionate critical judgment and a rigorous study of this literature it is necessary, in principal, to outline some criteria that will permit a clear delineation of the corpus of novels that integrate it."||To sustain his argument, Osorio brings up García Márquez's statement, "La literatura colombiana, un fraude a la nación" where he states that since colonial times, the Colombian literature has had at most three or four literary writers and has been encumbered with false prestige. Furthermore, he states that during the 50s no literary tradition or national literature existed; however, since the 50s there has been a surge in literary novels about the violence, among them, García Márquez's, Mejía Vallejo's, and Álvarez Gardeazábal's.
This work discusses the significance of two representations of Colombia's political culture: elections and war. Briefly mentions a statement on Gabriel García Márquez's social views.
Rafael Cartay writes about the contribution of immigrants in shaping the Venezuelan diet in the twentieth century. In the later part of the study, the author writes about refrigeration in the early nineteenth century, where he comments on García Márquez's "Cien Años de Soledad."
Diana Palaversich analyzes the work of Mario Bellatin. In the article, she compares the mystical world of Bellatin to the works of other writers, including Gabriel García Márquez.
