African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
196 p., Explores how Quilombo recognition has significantly affected the everyday lives of those who experience the often-complicated political process. Questions of identity, race, and entitlement play out against a community’s struggle to prove its historical authenticity—and to gain the land and rights they need to survive.
Whitten,Norman E., Jr. (Editor) and Torres,Arlene (Editor)
Format:
Book, Edited
Publication Date:
unknown
Published:
Bloomington.: Indiana University Press
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
2 vols., If we are to understand the meanings of "blackness" in the African diaspora and elsewhere, we must critically examine the paradigms that have emerged over the past five centuries out of Euro-American racism and black liberation. So argue the editors of these seminal volumes that add immeasurably to our understanding of black experiences in Central America, South America, and the Caribbean while establishing new research directions.
78 p., Examines the ways in which the African American identity articulates and constructs itself through dance. Norman Bryson, an art historian, suggests that approaches from art history, film and comparative literature are as well applicable to the field of dance research. Therefore, as his main critical lens and a theoretical foundation, the author adopts the analytical approach developed by Erwin Panofsky, an art historian and a proponent of integrated critical approach, much like the one suggested by Bryson. Demonstrates that Erwin Panofsky's iconology, when applied as a research method, can make valuable contributions to the field of Dance Studies. Uses Katherine Dunham's original recordings of diaspora dances of the Caribbean and her modern dance choreography titled L'Ag'Ya to look for evidence for the paradigm shift from "primitive" to "diaspora" in representation of Black identity in dance also with the aim of detecting the elements that produce cultural difference in dance.
