Primary source, The Narrative Works of Gabriel García Márquez
Publication Date:
2004
Published:
México DF, México : Universidad Autónoma Metropolitana, Unidad Iztapalapa, División de Ciencias Sociales y Humanidades, Departamento de Filosofía, Area de Lit. Hispanoamericana
Primary source, The Narrative Works of Gabriel García Márquez
Publication Date:
24 March, 2004
Published:
Ciudad Seva
Location:
Library, University of Illinois
Notes:
Viewed on 31 March, 2008. Short story about two children who want a rowboat for Christmas and what they do with it when their parents leave for the evening.
Primary source, The Narrative Works of Gabriel García Márquez
Publication Date:
1995
Published:
Ciudad Seva
Location:
Library, University of Illinois
Notes:
Viewed on 31 March, 2008. This story is part of the Taller de guión from a storytelling workshop led by García Márquez called Cómo se cuenta un cuento (Bogotá, Voluntad, 1995). The story is an adaptation of Jean Cocteau's El gesto de la muerte.
Barranquilla, Colombia : Universidad del Atlántico
Location:
Library, University of Illinois
Related Item Details:
4(14)
Notes:
Originally published in La Casa de Asterión. Revista virtual de Estudios Literarios. Barranquilla, Colombia. Universidad del Atlántico. v. 4, no. 14 (July-September, 2003)
Five volumes of journalistic work. v. 1: Textos costeños (1948-1952), v. 2: Entre cachacos (1954-1955), v. 3: De Europa y América (1955-1960), v. 4: Por la libre (1974-1995), v. 5: Notas de prensa (1961-1984).
This book contains 16 sessions of a workshop under the direction of García Márquez. It is divided into sixteen sections, an argument, a concluding chapter writter by Ruy Guerra and Claudio McDowell, and data of the participants. The members of the workshop were: Doc Comparato, Eliseo Alberto Diego, Andrés Agudelo, Iván Argüello, Susana Cato, Luis Alberto Lamata, Manuel Gómez Díaz and Arturo Villaseñor. Edgar Soberón is the editor of the sections and Gabriel García Márquez the director.
Writers' workshop for movie scripts led by Gabriel García Márquez. The participants included Marcos R. López (Argentina), Manuel F. Nieto Arango (Colombia), Denis Pinho França de Almeida (Brasil), Elid Pineda Arzate (México), Cecilia Pérez Grovas (México), Victoria Eva Solanas (Argentina), Gloria Saló Benito (España), María del Socorro González Ocampo (Colombia), Reinaldo Montero Ramírez (Cuba), y Roberto Gervitz (Brasil).
"A collection of chronicles and news articles that García Márquez sent beyond the Atlantic from Geneva, Rome, Venice, Vienna, London, Paris, and other places."
In this article, Márquez discusses Merce Rodoreda's work "Invisible Woman." Rodoreda is hailed to be one of Spain's best post-civil war authors, and Márquez describes his experience in reading her work while in Barcelona, Spain.
México : Fondo de Cultura Económica (Colección Centzontle)
Location:
Library, University of Illinois
Related Item Details:
40 p.
Notes:
Includes dialogue between García Márquez and Fuentes. Also presents Fuentes' "homenaje" to García Márquez and Cien años de soledad and features García Márquez's discussion of the events surrounding the writing of this master work.
Viewed on March 25, 2008. This is the text of a speech García Márquez made on the fiftieth anniversary of the publication of Juan Rulfo's El llano en llamas. García Márquez speaks of the influence Juan Rulfo's writing has had on him.
Viewed on 25 March, 2008. This is the text of García Márquez's address at the First International Congress of the Spanish Language. He discusses the power of the word and calls for a return to grammatical precision.
Viewed on 25 March, 2008. García Márquez discusses artistic creation in Latin America, focusing on fantasy and the imagination. He says that, in the end, reality is a better author than any individual is.
Santa Fe de Bogotá, D.C. : Presidencia de la república-- consejería para el desarrollo institucional. Colciencias.
Location:
Library, University of Illinois
Related Item Details:
2 : p 115SS
Notes:
García Márquez discusses the need for children to be encouraged to pursue their natural interests, especially when they have a natural aptitude for something. He writes, "Aspiro a que estas reflexiones sean un manual para que los niños se atrevan a defenderse de los adultos en el aprendizaje de las artes y las letras. No tienen una base científica sino emocional o sentimental, si se quiere, y se fundan en una premisa improbable: si a un niño se le pone frente a una serie de juguetes diversos, terminará por quedarse con uno que le guste más."
Ollero y Ramos Editores. Escuela Internacional de Cine y Televisión
Location:
Library, University of Illinois
Related Item Details:
4p.
Notes:
Viewed on 27 March, 2008. This is part of the story-telling workshop, La Bendita Manía de Contar, directed by García Márquez. Here he discusses the art of storytelling and how to develop one's natural abilities.
Viewed on 27 March, 2008. Also available at http://www.ciudadseva.com/textos/teoria/opin/ggm4.htm.
In this article, García Márquez discusses the origins of storytelling.
Princeton, NJ : Films for the Humanities & Sciences
Location:
Library, University of Illinois
Notes:
"This in-depth interview with Nobel Laureate Gabriel García Márquez is presented in the form of a conversation with an old friend he has not seen in a long while. The program is structured to suggest an apparent disorder of time. Assisted by readings and dramatizations of his works, the master of "magic realism" focuses on the supernatural aspects of his spellbinding narrative style, in an effort to convey his particular vision of the world." --Container
Princeton, NJ : Recording for the Blind & Dyslexic
Location:
Library, University of Illinois
Notes:
Originally published by Prentice Hall, c.2002. "This is an anthology of readings by contemporary Latin American and Latino authors designed for students of Spanish who have completed at least four semesters of college-level Spanish or who have the equivalent background. The goals of this text are to help students develop conversational and reading skills in Spanish and expand their knowledge of Latin American and Latino culture through investigations of hte cultural topics of each chapter." --Preface
Princeton, NJ : Recording for the Blind & Dyslexic
Location:
Library, University of Illinois
Notes:
Audiorecording narrating the story, "La viuda de Montiel."|Originally published: Lincolnwood, IL: National Textbook CO., c1975. Distribution is restricted to RFB & D members who have a documented print disability such as a visual impairment, learning disability or other physical disability.
Princeton, NJ : Recording for the Blind & Dyslexic
Location:
Library, University of Illinois
Notes:
Originally published: New York: Alfred A. Knopf, c2002. Distribution is restricted to RFB & D members who have a documented print disability such as a visual impairment, learning disability or other physical disability. ||"This is the first volume in a trilogy of García Márquez's memoirs. The book begins as García Márquez returns to his hometown of Aracataca with his mother to sell the family's house. The narrative becomes a journey through Colombian history, starting with the writer's childhood in Aracataca and ending in 1957 at age 29, when he traveled abroad for the first time. The first volume reflects García Márquez's experience as both a novelist and a journalist." --Books in Print
Princeton, NJ : Recording for the Blind & Dyslexic
Location:
Library, University of Illinois
Notes:
Originally published: Evanston, IL: Nextext, c2003. Includes bibliographical references. "This book offers short stories, poems, plays essays, and excerpts from novels by prominent writers of Spain and Latin America presented entirely in Spanish. These collections are ideal for a variety of upper-level courses, particularly Advanced Placement Spanish Literature." --Back cover
Princeton, NJ : Recording for the Blind & Dyslexic
Location:
Library, University of Illinois
Notes:
Originally published: New York: Alfred A. Knopf, c2003. |"In this long awaited first volume of a planned trilogy, the most acclaimed and revered living Nobel laureate begins to tell us the story of his life... It spans Gabriel García Márquez's life from his birth in 1927 through the start of his career as a writer to the moment in the 1950s when he proposed to the woman who would become his wife. It has the shape, the quality, and the vividness of a conversation with the reader a tale of family members, the great influence of his mother and maternal grandfather, his consuming career in journalism, and the friends and mentors who encouraged him, the myths and mysteries of his beloved Colombia, personal details, undisclosed until now that would appear later, transmuted and transposed, in his fiction, and above all, his fervent desire to become a writer. And, as in his fiction, the narrator here is an inspired observer of the physical world, able to make clear the emotions and passions that lie at the heart of a life in this instance, his own. This is a memoir that gives us the formation of Gabriel García Márquez as a writer and as a man." --Dust Jacket
Alberto Delgado Carlos García Agraz, Jorge Sánchez, Laura Imperiale, Susana Cato, dir., music, prod., and storyline
Format:
Primary source, Audio-visual Materials
Publication Date:
2003, 1990
Published:
Princeton, NJ : Films for the Humanities & Sciences
Location:
Library, University of Illinois
Notes:
"Three weeks before her marriage in 1990, a young woman named Susana has a massive antique mirror hung on her bedroom wall. What is she to think when she discovers a soldier --circa 1863-- living in the room's reflection? And what are her family and fiancée to think, when having fallen deeply in love with him, Susana steps through the glass to enter his bygone world?" -www.films.com
Gabriel García Márquez, Fernando Luján, Marisa Paredes, Salma Hayek, Arturo Ripstein, Jorge Sánchez, Paz Alicia Garciadiego, and author
Format:
Primary source, Audio-visual Materials
Publication Date:
2003, 1999
Published:
Deerfield Beach, FL : Maverick Latino
Location:
Library, University of Illinois
Notes:
An old colonel goes each Friday to the post office to see if his long-awaited pension has come through. He knows it will not, so does his wife who is still grieving over the death of their son the year before. The colonel has a mission: to elevate the grim routine of poverty and failure to a high mass of defiance. He does that by showing that a heart that has broken still beats with a vengeance.
Gabriel García Márquez, Manuel Barbachano Ponce, Carlos Fuentes, Roberto Gavaldón, Ignacio López Tarso, Lucha Villa, Narciso Busquets, Gabriel Figueroa, Gloria Schoemann, Ruben Fuentes, and au
Format:
Primary source, Audio-visual Materials
Publication Date:
2003, 1964
Published:
Chicago, IL : Cinemateca- Condor Video
Location:
Library, University of Illinois
Notes:
Originally released as a motion picture in 1964. Based on the story of the same name by Juan Rulfo. ||A poor man forgets his roots in the fame, wealth, and romance of the cock-fighting arena. His luck runs out and he is returned to his origins.
Gabriel García Márquez, au. Harold Mantell, Ana Christina Navarro, prod., and dir
Format:
Primary source, Audio-visual Materials
Publication Date:
2003, 1982
Published:
Princeton, NJ : Films for the Humanities
Location:
Library, University of Illinois
Notes:
Presents a literary biography of Gabriel García Márquez, the Colombian novelist and Nobel prize winner, through conversations with the author, his friends, and his critics. Examines the course of García Márquez's life, the sources of his plots and characters, realism, a blending of the real and the fantastic, to the cultural diversity of the Caribbean. Explores the history of Colombia.
Gabriel García Márquez, Consuelo Garrido, José Luis García Agraz, and au
Format:
Primary source, Audio-visual Materials
Publication Date:
2003, 1992
Published:
Princeton, NJ : Films for the Humanities
Location:
Library, University of Illinois
Notes:
When a burglar named Hugo comes to rob the house of a woman whose husband is conveniently away on business, is it any surprise that he makes himself at home for the weekend? Linked by a passion for music and dance and a romantic notion of love, Hugo and Ana Luisa Guzman --host of his favorite radio show-- find in each other what has been missing in their otherwise sterile lives.
Eliseo Alberto Diego Tomás Gutiérrez Alea, Gabriel García Márquez, Gonzalo Rubalcaba, Mario García Joya, au., dir., screenplay, music, and photography
Format:
Primary source, Audio-visual Materials
Publication Date:
2003, 1988
Published:
Cuba : Cine Cubano
Location:
Library, University of Illinois
Notes:
Matanzas, Cuba, 1913. Two shy young lovers enlist the help of a poet to write passionate letters to each other. When the poet becomes enamored of the young woman, the three are faced with a perplexing dilemma.
Gabriel García Márquez, Eliseo Alberto, and Tomás Gutiérrez Alea
Format:
Primary source, Audio-visual Materials
Publication Date:
2003, 1991
Published:
Princeton, NJ : Films for the Humanities & Sciences
Location:
Library, University of Illinois
Notes:
On April 11, 1956, destiny (and a trivial mistake) sabotaged a plan by two young lovers to elope. But when a letter arrives 35 years later after it was mailed, Ofelia Rosales de Mendoza, one know as Ofelita "My Eyes," begins by making inquiries into the whereabouts of her lost parmour, José Luna. The conflicting stories she hears from the people who knew them as teenagers only increase her confusion -- until up walks the man himself, at the café where they were to rendezvous so many years before.
Comentator Katie Davis is assigned to interview Gabriel García Márquez. To accomplish this task, Davis uses García Márquez's friends. Davis interviews Alejandro Obregon, an old friend of Gabriel García Márquez. Here, Obregon contacts Gabriel García Márquez via telephone and Davis and Márquez speak.
Lemus Gabriel García Márquez, Silvia, Claudia Ibañez, dir., and prod
Format:
Primary source, Audio-visual Materials
Publication Date:
2004
Published:
Princeton, NJ : Films for the Humanities & Sciences
Location:
Library, University of Illinois
Notes:
In this interview with Silvia Lemus, Gabriel García Márquez discusses his life and work from a highly personal plane. This is an episode of the television program "Tratos y retratos."