Secondary source, Bibliographies on Gabriel García Márquez
Publication Date:
1998
Published:
Detroit, MIS Washington, D.C.S London, UK : Bruccoli Clark Layman Books Gale research
Location:
Library, University of Illinois
Related Item Details:
17 : DLB-113, Y-82.
Notes:
This volume concentrates on the major figures of a particular literary period, 1931-1984. Entries are generously illustrated with facsimiles of manuscripts and reused galley proofs, title pages, dust jackets, and pictures from the authors' lives.
Secondary source, Bibliographies on Gabriel García Márquez
Publication Date:
1998
Published:
New York, NYS Dublin, Ireland : The H.W. Wilson Company
Location:
Library, University of Illinois
Related Item Details:
383, 384, 401, 407.
Notes:
This is an extensive bibliography edited by Laurel Cooley and indexed by Jan Borodkin and Christine Irizarry. Contains an extensive listing of García Márquez's work or texts about him.
Secondary source, Bibliographies on Gabriel García Márquez
Publication Date:
2001
Published:
Barcelona, Spain : Editorial Casiopea
Location:
Library, University of Illinois
Related Item Details:
156-159
Notes:
Zuluaga Osorio states that because there is so much written about Gabriel García Márquez already, there is a need to present a reduced bibliography that points to opening new possibilities and not reduce perspectives. According to the author, the included bibliography, with a little over fifty titles, is excessive because the purpose of it is to orient and nothing more.
Secondary source, Bibliographies on Gabriel García Márquez
Publication Date:
c2003
Published:
Bogotá : Norma
Location:
Library, University of Illinois
Related Item Details:
1006 p
Notes:
This is a two-volume translation of Gabriel García Márquez: A Descriptive Bibliography, published in 1998. Klein states that he searched in libraries and private collections held in different countries to compile this descriptive bibliography. He has made an effort to describe all the editions, publishers, format, and every aspect of García Márquez's works. Volume 2 includes a color illustration section of the covers of the different editions of many of his works.
This book contains a detailed analysis of García Márquez's novel Crónica de una muerte anunciada. The book is divided in the following chapters: biografía del autor, tema y argumento, lista de personajes, resúmenes y comentarios, temas claves de la obra, localización especial y geográfica, tiempo histórico e interno, análisis detallado de personajes, recursos literarios, vocabulario y aclaración de expresiones difíciles, cronología sumaria, críticas sobre el autor y la obra, talleres y preguntas de repaso, and bibliografía básica.
This book is a detailed analysis of García Márquez's El coronel no tiene quien le escriba. The book is divided into the following chapters: biografía del autor, tema y argumento, lista de personajes, resúmenes y comentarios, temas claves de la obra, localización espacial y geográfica, tiempo histórico e interno, análisis detallado de personajes, recursos literarios, vocabulario y aclaración de expresiones difíciles, cronología sumaria, críticas sobre el autor y la obra, talleres y preguntas de repaso, and bibliografía básica.
Santafé de Bogotá, Colombia : Universidad Nacional de Colombia, Instituto Caro y Cuervo
Location:
Library, University of Illinois
Notes:
This volume picks up the most important and significant papers presented in the "XX Congreso Nacional de Literatura, Lingüística y Semiótica: Cien años de soledad treinta años después," celebrated in the campus of the National University of Colombia, in Santafé de Bogotá.
Colombia : Fundación General de la Universidad de Salamanca, Sede Colombia
Location:
Library, University of Illinois
Related Item Details:
233 p.
Notes:
Explores how García Márquez incorporates violent imagery and themes in his work and how this depiction of violence links his narrative to conflict in contemporary Colombia. Prologue by Darío Jaramillo, p.xi-xxii.
This book gathers articles, essays and notes about Colombian literature written between 1967 and 1997. Gabriel García Márquez takes the lead in what the author calls "the mid-century generation."
The authors have traced magazines, archives, newspapers, and have interviewed people who met Gabriel García Márquez. Gabriel García Márquez, obsessed with power, leaders, and the highest diplomatic mediation, saw in the Cuban patriarch the model for which Latin America could some day construct a proper socialism. This book comes from a double fascination: Cuba and literature, where the lives of Fidel Castro and Gabriel García Márquez are told with their grandeur and misery.
This work relies on the hypothesis that Aureliano Buendía's character is based on the life of General Ramón Demetrio Morán. Thus Henríquez affirms that One Hundred Years of Solitude has been written in code and the literary style of the Nobel's fantasy and imagination impeded to find the true background of the novel.
This book constitutes a profound analysis of the partial work of a number of selected texts, that point out the socio-historic character in nine hispanic novelists. This series of critical essays about nine representative authors by Manuel Antonio Arango L., is a clear effort to study and deepen the social context of Hispanic literature and integrate it to the history of Hispanic America.
The interpretative proposal of this work that can very well be seen as a case of cultural study, opens the door to a necessary dialogue about the people who animated the previous readings of the literary work of the Colombian author and the pertinence that these might still have. It also suggests that a footpath of reading is left to go over to better understand the unfolded world of García Márquez's narrations and their hybridization so appropriate for the American world.
This work presents: 1) Definitions and locations: magical realism between modern and postmodern fiction. 2) "From a far source within": magical realism as defocalized narrative defocalization. 3) Encoding the ineffable: a textual poetics for magical realism. 4) "Along the knife-edge of change": magical realism and the post-colonial dynamics of alterity. 5) "Women and women and women": a feminine element in magical realism?
México DF, México : Universidad Nacional Autónoma de México, Coordinación de Difusión Cultural, Dirección de Literatura
Location:
Library, University of Illinois
Notes:
This work is a type of analysis that is traditionally known as a themeology, in other words, it talks about the interrelationships between the literary works of this kind. The author begins classifying the novels in the following categories: (a) "Enfoques," which is more or less the perspective through which the flow of information is regulated. (b) "Testigos," as the name says it. the witness of the novel is the same imaginary narrator, who at the same time, imposes his perspective. (c) "Intimidades," novels in which the author looks behind the characters and relevant historic situations, he expresses that the reader is who solicits that intimate look. (d) "Posmodernidad," where the new historic novel coincides with the postmodernism. (e) "Irreverencia," Robert Graves was the first that included this characteristic in the historic novels, by taking history precisely as a sketch made by historians and completed by the novelists. (f) "Depuración," by the interpretation of the author, is an inherent process to the historic novel, for which in Anglosaxon literature, there has been a distinction between romance and novel. (g) "Pronósticos," where it says that literary criticism should also be prospective, lastly (h) "Diferencias," where the author exposes his theoric differences with Seymour Menton.
Critical summary of the fourteen novelists that focus their work on violence. Grouping the novels by author, Arango systemizes the analysis of violence in each Colombian province through the writings of García Márquez, Álvaro Cepeda and Manuel Zapata, among others.
Salamanca, Spain : Ediciones Universidad de Salamanca
Location:
Library, University of Illinois
Related Item Details:
302 : 217 p.
Notes:
Previously published under Ceiba Editores in 1992. The considerable criticism and interpretative literature about Gabriel García Márquez has transformed him into a "stranger," and for the Colombian readership, his work has become something "unknown," states Carmenza Kline. Her goal is to give back the original spirit of the works, which was prevalent at the time of their writing. She provides excellent coverage of articles written about García Márquez and his works in the Colombian Press, something which is not always available in the USA.
"Since its publication in 1967, One Hundred Years of Solitude has sold well over 10 million copies and earned its author, Gabriel García Márquez, a host of awards including the Nobel Prize for Literature in 1982. The novel has brought about comparisons to Cervantes, Faulkner, Woolf, and even the bible. This book is part of Harold Bloom's Modern Critical Interpretations." -Publisher