This book contains 16 sessions of a workshop under the direction of García Márquez. It is divided into sixteen sections, an argument, a concluding chapter writter by Ruy Guerra and Claudio McDowell, and data of the participants. The members of the workshop were: Doc Comparato, Eliseo Alberto Diego, Andrés Agudelo, Iván Argüello, Susana Cato, Luis Alberto Lamata, Manuel Gómez Díaz and Arturo Villaseñor. Edgar Soberón is the editor of the sections and Gabriel García Márquez the director.
Writers' workshop for movie scripts led by Gabriel García Márquez. The participants included Marcos R. López (Argentina), Manuel F. Nieto Arango (Colombia), Denis Pinho França de Almeida (Brasil), Elid Pineda Arzate (México), Cecilia Pérez Grovas (México), Victoria Eva Solanas (Argentina), Gloria Saló Benito (España), María del Socorro González Ocampo (Colombia), Reinaldo Montero Ramírez (Cuba), y Roberto Gervitz (Brasil).
"A collection of chronicles and news articles that García Márquez sent beyond the Atlantic from Geneva, Rome, Venice, Vienna, London, Paris, and other places."
In this article, Márquez discusses Merce Rodoreda's work "Invisible Woman." Rodoreda is hailed to be one of Spain's best post-civil war authors, and Márquez describes his experience in reading her work while in Barcelona, Spain.
México : Fondo de Cultura Económica (Colección Centzontle)
Location:
Library, University of Illinois
Related Item Details:
40 p.
Notes:
Includes dialogue between García Márquez and Fuentes. Also presents Fuentes' "homenaje" to García Márquez and Cien años de soledad and features García Márquez's discussion of the events surrounding the writing of this master work.
Viewed on March 25, 2008. This is the text of a speech García Márquez made on the fiftieth anniversary of the publication of Juan Rulfo's El llano en llamas. García Márquez speaks of the influence Juan Rulfo's writing has had on him.
Viewed on 25 March, 2008. This is the text of García Márquez's address at the First International Congress of the Spanish Language. He discusses the power of the word and calls for a return to grammatical precision.
Viewed on 25 March, 2008. García Márquez discusses artistic creation in Latin America, focusing on fantasy and the imagination. He says that, in the end, reality is a better author than any individual is.
Santa Fe de Bogotá, D.C. : Presidencia de la república-- consejería para el desarrollo institucional. Colciencias.
Location:
Library, University of Illinois
Related Item Details:
2 : p 115SS
Notes:
García Márquez discusses the need for children to be encouraged to pursue their natural interests, especially when they have a natural aptitude for something. He writes, "Aspiro a que estas reflexiones sean un manual para que los niños se atrevan a defenderse de los adultos en el aprendizaje de las artes y las letras. No tienen una base científica sino emocional o sentimental, si se quiere, y se fundan en una premisa improbable: si a un niño se le pone frente a una serie de juguetes diversos, terminará por quedarse con uno que le guste más."