Primary source, The Narrative Works of Gabriel García Márquez
Publication Date:
24 March, 2004
Published:
Ciudad Seva
Location:
Library, University of Illinois
Notes:
Viewed on 31 March, 2008. Short story about two children who want a rowboat for Christmas and what they do with it when their parents leave for the evening.
In this article, Márquez discusses Merce Rodoreda's work "Invisible Woman." Rodoreda is hailed to be one of Spain's best post-civil war authors, and Márquez describes his experience in reading her work while in Barcelona, Spain.
Viewed on 25 March, 2008. This is the text of García Márquez's address at the First International Congress of the Spanish Language. He discusses the power of the word and calls for a return to grammatical precision.
Viewed on 25 March, 2008. García Márquez discusses artistic creation in Latin America, focusing on fantasy and the imagination. He says that, in the end, reality is a better author than any individual is.
Viewed on 27 March, 2008. Also available at http://www.ciudadseva.com/textos/teoria/opin/ggm4.htm.
In this article, García Márquez discusses the origins of storytelling.
Princeton, NJ : Films for the Humanities & Sciences
Location:
Library, University of Illinois
Notes:
"This in-depth interview with Nobel Laureate Gabriel García Márquez is presented in the form of a conversation with an old friend he has not seen in a long while. The program is structured to suggest an apparent disorder of time. Assisted by readings and dramatizations of his works, the master of "magic realism" focuses on the supernatural aspects of his spellbinding narrative style, in an effort to convey his particular vision of the world." --Container
Alberto Delgado Carlos García Agraz, Jorge Sánchez, Laura Imperiale, Susana Cato, dir., music, prod., and storyline
Format:
Primary source, Audio-visual Materials
Publication Date:
2003, 1990
Published:
Princeton, NJ : Films for the Humanities & Sciences
Location:
Library, University of Illinois
Notes:
"Three weeks before her marriage in 1990, a young woman named Susana has a massive antique mirror hung on her bedroom wall. What is she to think when she discovers a soldier --circa 1863-- living in the room's reflection? And what are her family and fiancée to think, when having fallen deeply in love with him, Susana steps through the glass to enter his bygone world?" -www.films.com
Gabriel García Márquez, Fernando Luján, Marisa Paredes, Salma Hayek, Arturo Ripstein, Jorge Sánchez, Paz Alicia Garciadiego, and author
Format:
Primary source, Audio-visual Materials
Publication Date:
2003, 1999
Published:
Deerfield Beach, FL : Maverick Latino
Location:
Library, University of Illinois
Notes:
An old colonel goes each Friday to the post office to see if his long-awaited pension has come through. He knows it will not, so does his wife who is still grieving over the death of their son the year before. The colonel has a mission: to elevate the grim routine of poverty and failure to a high mass of defiance. He does that by showing that a heart that has broken still beats with a vengeance.
Gabriel García Márquez, Manuel Barbachano Ponce, Carlos Fuentes, Roberto Gavaldón, Ignacio López Tarso, Lucha Villa, Narciso Busquets, Gabriel Figueroa, Gloria Schoemann, Ruben Fuentes, and au
Format:
Primary source, Audio-visual Materials
Publication Date:
2003, 1964
Published:
Chicago, IL : Cinemateca- Condor Video
Location:
Library, University of Illinois
Notes:
Originally released as a motion picture in 1964. Based on the story of the same name by Juan Rulfo. ||A poor man forgets his roots in the fame, wealth, and romance of the cock-fighting arena. His luck runs out and he is returned to his origins.
Gabriel García Márquez, au. Harold Mantell, Ana Christina Navarro, prod., and dir
Format:
Primary source, Audio-visual Materials
Publication Date:
2003, 1982
Published:
Princeton, NJ : Films for the Humanities
Location:
Library, University of Illinois
Notes:
Presents a literary biography of Gabriel García Márquez, the Colombian novelist and Nobel prize winner, through conversations with the author, his friends, and his critics. Examines the course of García Márquez's life, the sources of his plots and characters, realism, a blending of the real and the fantastic, to the cultural diversity of the Caribbean. Explores the history of Colombia.
Gabriel García Márquez, Consuelo Garrido, José Luis García Agraz, and au
Format:
Primary source, Audio-visual Materials
Publication Date:
2003, 1992
Published:
Princeton, NJ : Films for the Humanities
Location:
Library, University of Illinois
Notes:
When a burglar named Hugo comes to rob the house of a woman whose husband is conveniently away on business, is it any surprise that he makes himself at home for the weekend? Linked by a passion for music and dance and a romantic notion of love, Hugo and Ana Luisa Guzman --host of his favorite radio show-- find in each other what has been missing in their otherwise sterile lives.
Eliseo Alberto Diego Tomás Gutiérrez Alea, Gabriel García Márquez, Gonzalo Rubalcaba, Mario García Joya, au., dir., screenplay, music, and photography
Format:
Primary source, Audio-visual Materials
Publication Date:
2003, 1988
Published:
Cuba : Cine Cubano
Location:
Library, University of Illinois
Notes:
Matanzas, Cuba, 1913. Two shy young lovers enlist the help of a poet to write passionate letters to each other. When the poet becomes enamored of the young woman, the three are faced with a perplexing dilemma.
Gabriel García Márquez, Eliseo Alberto, and Tomás Gutiérrez Alea
Format:
Primary source, Audio-visual Materials
Publication Date:
2003, 1991
Published:
Princeton, NJ : Films for the Humanities & Sciences
Location:
Library, University of Illinois
Notes:
On April 11, 1956, destiny (and a trivial mistake) sabotaged a plan by two young lovers to elope. But when a letter arrives 35 years later after it was mailed, Ofelia Rosales de Mendoza, one know as Ofelita "My Eyes," begins by making inquiries into the whereabouts of her lost parmour, José Luna. The conflicting stories she hears from the people who knew them as teenagers only increase her confusion -- until up walks the man himself, at the café where they were to rendezvous so many years before.
Comentator Katie Davis is assigned to interview Gabriel García Márquez. To accomplish this task, Davis uses García Márquez's friends. Davis interviews Alejandro Obregon, an old friend of Gabriel García Márquez. Here, Obregon contacts Gabriel García Márquez via telephone and Davis and Márquez speak.