Barranquilla Colombia : Fundación Cultural Nueva Música: La Iguana Ciega
Location:
Library, University of Illinois
Notes:
Gabriel García Márquez is mentioned various times through out the book, specifically on pages 17, 24, 69, 70, 76, 82, 91, 92, 94, 98, 102, and 110-114.
"This article is about the role of García Márquez and particularly macondismo as an ideology in establishing the canonic validity of vallenato as a folk genre from the Colombian Caribbean. García Márquez's chronicles of the early 1950's are seen as foundational texts on the aesthetics and value of vallenato; texts which influence subsequent writings on the topic. One of the main topics explored is how these texts acquire canonic validity through the success of One Hundred Years of Solitude. It is then that macondismo - the Latin Americanist celebration of magical realism - becomes an interpretive metaphor for Colombia, and vallenato music becomes the sonorous emblem of this metaphor. This occurs through García Márquez's writings, his multiple interventions in Colombian vallenato festivals, and the way vallenato is subsequently taken by a journalistic elite of the country as representing a macondian sonorous paradigm. The article explores how these different elements coalesce in constructing a genealogy of aurality for vallenato, setting the parameters of its interpretive significance through multiple processes of folklorisation of the genre."
Secondary source, About García Márquez: The Man, the Reporter, the Writer
Publication Date:
2005
Published:
Pontificia Universidad Catolica de Chile, Instituto de Letras
Location:
Library, University of Illinois
Related Item Details:
(37) : pp. 23-50
Notes:
Cabezón writes, "el presente estudio se concentrará en la participación protagónica de Gabriel García Márquez, quien con su labor de paladín ha proporcionado suficiente material a la investigación de las interferencias e interdependencias entre la literatura y el cine latinoamericanos."
Chile : Pontificia Universidad Catolica de Chile, Instituto de Letras
Location:
Library, University of Illinois
Related Item Details:
37 : pp. 23-50
Notes:
This article discusses the contribution to inter-and transdisciplinary study of the "Comparatística de los Medios"(Medienkomparatistik) and emphasizes the crucial role the electronic media has to philological studies. The article focuses on Gabriel García Márquez, Hanna Schygulla and Cesare Zavattini in relation to these issues.
"El meollo de la obra es que, cuando se haya leído una obra de García Márquez, tengamos, a nuestro alcance, todos o casi todos los detalles de la obra para poderlos usar más tarde, en el momento adecuado y con la garantía de la seriedad de nuestras citas o referencias. No es un libro para leerlo de un solo tirón. No. Esa no es la finalidad."
"Tampoco lo fue el anerior sobre la zoologia. Puede decirse, si con ello nos damos a entender mejor, que este libro es un libro 'referencial' o 'institucional' para una mejor memoria de las obras de GGM, y sea para propios o extraños de su obra."
This book makes references to Gabriel García Márquez on pages 3, 6, 7, 8, 9, 10, 13, 62, 63, 64, 65, 69, 74, 76, 85, 238, 270-275, 279-280, 305, 308, 310, 315.
The the following novels are mentioned:
"El amor en tiempos del cólera" ("Love in the Time of Cholera) 88.
"Cien años de soledad" ("One Hundred Years of Solitude") 2, 5, 15, 59, 61, 62, 63, 74, 85, 86, 94, 239, 258-267, 291, 302, 306, 308, 310.
"Crónica de una muerta anunciada" ("Chronicle of a Death Foretold") 88, 266.
"El coronel no tiene quien le escribe" ("No One Writes to the Colonel)62.
"Los funerales de la Mamá Grande" ("Big Mama's Funeral") 74.
"La hojarasca" 265.
"La mala hora" ("In Evil Hour") 62, 74.
"El Otoño del patriarca" ("The Autumn of the Patriarch") 10, 62, 265.
Secondary source, Dissertations and Theses on Gabriel García Márquez
Publication Date:
2005
Published:
Pennsylvania, United States : University of Pittsburg
Location:
Library, University of Illinois
Related Item Details:
346 p.
Notes:
(Abstract) "This dissertation examines one of the most dynamic fields of the recent literary production in Spanish language: the autobiographical discourse. It focuses on the notions of subjectivity, identity, temporality, truth, gender, race, ideology, image, memory, body, eroticism and ideology as represented in the symbolic space of autobiographical discourse of ten key authors (Reinaldo Arenas, Jorge Luis Borges, José Donoso, Salvador Elizondo, Gabriel García Márquez, Margo Glantz, Juan Goytisolo, Pablo Neruda, Severo Sarduy, Mario Vargas Llosa) of twentieth century literary tradition in Spanish/Latin American Literature." Ph.D. Dissertation.