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22. "Somatically Speaking: The Rhetoric of Disease Metaphors and Latin American Literature"
- Collection:
- Gabriel Garcia Marquez (GGM)
- Contributers:
- April D Marshall
- Format:
- Secondary source, Dissertations and Theses on Gabriel García Márquez
- Publication Date:
- March 2004
- Published:
- New York, NY : New York University
- Location:
- Library, University of Illinois
- Notes:
- "The purpose of this study is to explore the intersection of literature and illness in order to demonstrate that the disease metaphor is an effective trope for Latin American authors seeking to represent topics that have been culturally and historically pathologized in both national society and/or literature. It analyzes the way the rhetoric of the somatic for pathological was used at the end of the 19th century. It also traces the development of this rhetoric into the following century. The dissertation begins with an overview of general literary theory, dealing with an overview of general literary theory and with disease and representation, focusing on Susan Sontag, Julia Epstein and Sander Gilman. It offers a linguistic perspective on the functioning of metaphor as well. By bringing the ideas of medical historian, Charles Rosenberg, to bear on this linguistic discussion, the author defines the notion of the frame and framing. Frames can be understood as being parallel to the concept of the artist's convention; they are constructs that inform the perception of diseases as both a biological event and a social occurrence. Tuberculosis, cholera, and sexually transmitted diseases (AIDS in particular) are the illnesses central to this study. The Latin American writers: Abraham Valdelomar, Manuel Puig, Gabriel García Márquez and Reinaldo Arenas employ metaphors with these diseases in order to engage specific socio-historic material via frames. Each of the three chapters concentrates on a theme that has come to serve as the basis for framing the various diseases; (homo)sexuality, gender, modernization, totalitarianism and plague. These same themes have also been recognized by various literary critics as essential to thinking and problematizing the construction of Latin American identity."
23. Twilight of the Hegemon: Images of the Dictator in the Novels of Carpentier, Roa Bastos, and García Márquez
- Collection:
- Gabriel Garcia Marquez (GGM)
- Contributers:
- Jaime Perez
- Format:
- Secondary source, Dissertations and Theses on Gabriel García Márquez
- Publication Date:
- 2003
- Published:
- Long Beach, CA : California State University
- Location:
- Library, University of Illinois
- Notes:
- "The purpose of this study is to examine the image of the dictator in the literature of Latin America. The dictator, as he is depicted in the works of Alejo Carpentier, Augusto Roa Bastos, and Gabriel García Márquez, is a central archetypal icon who embodies the tragic history of anti-democratic rule in the Latin American republics. The dictator, however, also personifies the complexities and contradictions that come with military rule. The 3 authors seek to examine the dynamics of dictatorial power, but they also explore deeper psychological, aesthetic, historical, and philosophical problems surrounding the novel of the dictator."
24. Aprobación y desaprobación del honor a la luz de la narratología: Estudio comparativo de
- Collection:
- Gabriel Garcia Marquez (GGM)
- Contributers:
- Julie Schoenherr
- Format:
- Secondary source, Dissertations and Theses on Gabriel García Márquez
- Publication Date:
- 2003
- Published:
- Ottawa, Canada : University of Ottawa
- Location:
- Library, University of Illinois
- Notes:
- "This thesis examines honour as a central theme in narrative passages of 'El alcalde de Zalamea' a seventeenth-century play by Spain's Pedro Calderon de la Barca, and in 'Cronica de una muerte anunciada' (1981), a short novel by Colombian Gabriel García Márquez. By means of a comparative study, and using narratology as the primary theoretical and methodological frame, this theme is explored through the analysis of both works at three different 'levels'; that of the characters, the narrators, and the implied authors with the intention of revealing the distinct contrast between the ideology expressed at all levels and, ultimately, at the level of the respective implied authors as the embodiment of the works' ideologies, in regards to honour as a socially-regulated code of conduct. An important portion of this analysis is dedicated to discussing the relationship between the fictional components of these works and their symbolic meaning in the external or 'real'/non-fictional world in connection with said ideology."
25. Geographies of Power in Will Cather, Gabriel García Márquez, and Dorothy Allison
- Collection:
- Gabriel Garcia Marquez (GGM)
- Contributers:
- Suzanne Angela Bergfalk
- Format:
- Secondary source, Dissertations and Theses on Gabriel García Márquez
- Publication Date:
- 2003
- Published:
- Las Vegas, NV : University of Nevada
- Location:
- Library, University of Illinois
- Notes:
- "By redefining social or economic 'classes' as cultures, or as Raymond Williams explains, groups that share a 'structure of feeling' the dissertation defines power in accordance with the shared values, beliefs, attitudes, and practices defined by the culture of persistence and the culture of wealth. With culturally determined definitions of power in place, the dissertation argues for a broader understanding of female power as that power associated and wielded by female characters in the writings of Willa Carter, Gabriel García Márquez, and Dorothy Allison. Engaging the strategies of feminist geographies employed by critics including Doreen Massey, Gillian Rose, and the Women and Geography Study Group, the dissertation analyzes the methods by which female characters negotiate the places/spaces where they live, work, and travel, evaluating their relative successes or failures in accessing and wielding power. The three analytic chapters examine works by Cather - the novel 'The Song of the Lark', and the short story 'A Gold Slipper' García Márquez - the novel 'The Autumn of the Patriarch, and the short story 'The Trail of Your Blood in the Snow' form the collection of stories titled 'Strange Pilgrims,' and Allison - the novel 'Bastard out of Carolina,' and the short story 'I'm Working on My Charm' from the collection titled 'Trash' respectively. In order to magnify the power of the female characters in relation to the definition of power specifically determined by the character's culture, whether the culture of persistence or the culture of wealth. At the same time, the spaces/places/locations where the characters live, work, and move through are analyzed to produce an understanding of how the characters access and wield power. Finally, a stark contrast is established between the female characters created by Cather and Allison and those created by García Márquez, since Cather and Allison fully imagine female characters who are successful at accessing and wielding power in the spaces/places they live in, work in, and move through. In contrast García Márquez creates powerful women whose power functions only fully in microgeographies, and García Márquez ultimately destroys those characters, despite their access to power."
26. Dictators, Directives, Tyranical Figures, and Cultural Discourse: Jorge Zalamea, Gabriel García Márquez, and Mario Vargas Llosa
- Collection:
- Gabriel Garcia Marquez (GGM)
- Contributers:
- Peter Anthony Neissa
- Format:
- Secondary source, Dissertations and Theses on Gabriel García Márquez
- Publication Date:
- 2004
- Published:
- Boston, MA : Boston College
- Location:
- Library, University of Illinois
- Notes:
- "This study focuses on how a dictator or a culturally dominant power can use language to impose cultural values. As an instrument of power, language is used by dictator to educate, induce, or manipulate a nation's citizens into acting in accordance with the ruling power's cultural values and beliefs. Jorge Zalamea in 'El Gran Burundún-Burundá ha muerto'(1951), Gabriel García Márquez in 'El otoño del patriarca' (1975), and Mario Vargas Llosa in 'La fiesta del Chivo' (2000), draw attention to how the use of vernacular can resist cultural imposition by employing culture-specific items in order to represent its own culture and nature of reality. When translated into a different language, culture-specific items created a conflict of meaning between the original text and the translated text. This discord arises because the translated reference no longer conveys its original message. The original significance has been substituted in the translated text for a new meaning determined by the dictator or translators ideology, usage, or the untranslable nature of the original words. These culturally loaded words are categorized into three areas of language defines relationships of power and resistance between a dictator and his nation, or between one culture and another, such as the United States over Latin American Culture. The analysis of culture-specific items presented in this dissertation will provide an understanding of how language functions as an instrument for the imposition to gain or maintain power in 'El Gran Burundú-Burundá ha muerto', 'El otoño del patriarca', and 'La fiesta del Chivo.' Culture-specific items also suggest how translators may substitute the values of the source culture in the original text for their own cultural biases when translating from Spanish to English."
27. Violencia, raza, mito e historia en la literatura del Caribe colombiano
- Collection:
- Gabriel Garcia Marquez (GGM)
- Contributers:
- Ligia S Aldna
- Format:
- Secondary source, Dissertations and Theses on Gabriel García Márquez
- Publication Date:
- 2003
- Published:
- Miami, FL : University of Miami
- Location:
- Library, University of Illinois
- Notes:
- "In this study, I explore how three texts from the Colombian Caribbean challenge the notion of a consolidated nation-state and its rhetoric of complete mestizaje, late into the 20th century. With 'Cien años de soledad' by Gabriel García Márquez as the backdrop of my analysis, I unveil the treatment of race, myth and history respectively in three novels, and how violence shapes the meanings of these categories. The first chapter focuses on 'Chambácu, corral de negros' (1967) by Manuel Zapata Olivella. In this chapter, I define this novel as a depository of the memory of slavery in Colombia that asserts an African heritage in the Northern Coast. At the aesthetic level, I discuss Zapata Olivella's use of a social realist narrative style to articulate the identity and history of Afro-Colombians. The second chapter examines Alvaro Ceped Samudio's 'La casa grande' (1962) to explore the strategies he employs to recover and revise the events of the massacre of the Banana Workers in 1928. In my reading, the massacre emerges as the first wound that causes the disarticulation of the consolidation process of the modern Colombian nation-state. The last chapter centers on 'Los Pañamanes' (1979) by Fanny Buitrago. I define the legend of the Spanish Man, the foundational legend of the island and the text's organizing element, as a myth of origins that delineates the novel's space as a product of violence and penetration. I establish the use of myth as anti-myth to separate and divide, and to mark the difference that separates the insular space and the continental nation-state. In my conclusion, I return to 'Cien años de soledad' to explore how processes of reception and canonization in the symbolic market are 'produced' following strategies derived from the failed encounter between cultural modernism and social modernization. I argue that this process consists in eliminating the discrepancy between these two aspects to attain an abstract state of modernity."
28. The Central Importance of Temporality in the Fiction of Gabriel García Márquez
- Collection:
- Gabriel Garcia Marquez (GGM)
- Contributers:
- Anthony Patterson
- Format:
- Secondary source, Dissertations and Theses on Gabriel García Márquez
- Publication Date:
- 2004
- Published:
- Dominguez Hills, CA : California State University
- Location:
- Library, University of Illinois
- Notes:
- “There have been various interpretations of the work of García Márquez. However, no detailed study has been made of the huge significance of temporality to his art. This thesis argues that García Márquez’ novels are complex considerations of humankind’s relation to time, and that time is an inherent and constitutive property of the art and meaning of his texts. To demonstrate the validity of this proposition this thesis examines structure, strategy and thematic concern and their interrelation in relation to temporality. It is, thus, divided into five sections: a brief introductory contextualization of recent critical debate concerning the relationship between temporality and narrative; an analysis of the temporal structure of García Márquez’ most important novels and how this relates to the overall meaning of his specific consideration of the temporal narrative strategies that García Márquez adopts and why these are significant to an understanding of his work; an evaluation of temporal themes in García Márquez and their centrality to his work; and a concluding section which examines the interrelation between structure, strategy and theme to demonstrate the crucial importance of temporality to a comprehensive understanding of the fiction of García Márquez.”
29. Speaking Time: Intersections of Literature and Chronosophy
- Collection:
- Gabriel Garcia Marquez (GGM)
- Contributers:
- Veronica Browning
- Format:
- Secondary source, Dissertations and Theses on Gabriel García Márquez
- Publication Date:
- 2004
- Published:
- Washington, DC : University of Washington
- Location:
- Library, University of Illinois
- Notes:
- "This dissertation takes a chronosophical approach to literary study, addressing the changing ways thinkers have chosen to articulate the nature of time, and examining in particular literary works which take on time as a theme. Chronosophy is not science; it does not belong to the arts; it is not religion. Ideas of time belong nowhere but infuse everything. In order even to say this, we must speak in time, as one word necessarily comes before another, reinforcing through language an idea of temporal linearity in which Einstein proclaimed to be an illusion, albeit our most persistent one. The achievement of a remove from which one might find understanding, and Archimedian view from nowhere, has been one of the greatest projects in the history of knowledge. This dissertation discusses literary attempts to find a view from nowhen. In tracing attempts to articulate and represent time, and how those efforts have informed shifting perceptions of time found in literary works, chapter one discusses patterns of chronosophical inquiry from ancient times to Dante, focusing in particular on those ides of time which survive today. Dante Alighieri mathematically encoded a discussion of temporal contingency and ineffability into the numeric structure of his Divine Comedy. Chapter two discusses his use of Pythagorean theories in his attempts as a finite mortal bound to temporal succession to articulate a literary representation of eternity. Chapter three discusses the impact of Einstein's Relativity theory under which simultaneity in time can no longer exist, during period of invention when paradoxically a new sense of simultaneity became prominent feature of popular culture, and time was increasingly described not as a property of the world, but a property of the perceivers of the world. This chapter traces Futurist reactions to changing ideas of temporality and the variations and manipulations of time in James Joyce's 'Ulysses'. Chapter four discusses Jorge Luis Borges' idea of temporality as an arrangement of sympathies and differences, and examines temporality in the magic realist movement as represented by Gabriel García Márquez in 'One Hundred Years of Solitude' where a temporality dependant upon individual perspective becomes lonely prospect."
30. Ecluses, suivi de, La narration multiple dans le roman: 'Des feuille dans la bourrasque' de Gabriel García Márquez
- Collection:
- Gabriel Garcia Marquez (GGM)
- Contributers:
- Melisandre Gibbs
- Format:
- Secondary source, Dissertations and Theses on Gabriel García Márquez
- Publication Date:
- 2004
- Published:
- Montreal, Canada : McGill University
- Location:
- Library, University of Illinois
- Notes:
- "There are several ways of utilizing the plurality of narrative instances in a novel; the 'stereoscopic view,' which presents an object through the lens of several perceptions, is one of these ways. This is the case of 'Des feuilles dans la bourrasque (La Hojarasca), Gabriel García Marquez's first novel, which will be the center of our reflection on multiple narratives. We will study the structure of the novel through the notion of 'parallx' which implies the fragmentation of the object by the marginalization of each one its points of view. However, it is by revealing the 'stereoscopic' character of the novel with multiple narratives that the apparent lack of cohesion of the text will be qualified. The study will conclude with the following question: Does the structure of a novel with multiple narratives raise an ethical concern? 'Ecluses' is a story in five tempos, composed of five chronologically isolated short stories, which are interconnected by a context of common events and characters. The narrative of each of these short stories is supported by a distinct character. Nevertheless, it is the sum of the characters' perceptions, due to the active participation of the reader who has the role of making the different points of view converse, that the story to takes shape and goes forward."
31. The New Puerto Rican-American Literature in Spanish, Volume 1: Beyond Politics and Displeasure in the Fiction of René Marqués
- Collection:
- Gabriel Garcia Marquez (GGM)
- Contributers:
- Kimberly Wasserman
- Format:
- Secondary source, Dissertations and Theses on Gabriel García Márquez
- Publication Date:
- 2004
- Published:
- Tampa, FL : University of South Florida
- Location:
- Library, University of Illinois
- Notes:
- "A thematic analysis of three major collections of short fiction by René Marqués, as well as a comparative analysis of the fiction of selected works by Marqués and texts by four major writers, F. Scott Fitzgerald, Gabriel García Márquez, Nathaniel Hawthorne, and Margaret Mitchell. This study demonstrates the ways in which the literature of Puerto Rico shares a literary tradition with both the United States and Latin America. Topics include a discussion of how the three short story collections and two novels function as a whole, citing important unifying themes such as Man's isolation, power and (Foucault's definition of) resistance, and the emergence of perspectivism, as well as how selected texts by Marqués relate to themes in major works of American and Latin American literature, such as the supernatural in Hawthorne's 'Young Goodman Brown' love and war in Mitchell's 'Gone with the Wind' The Ice identity in F. Scott Fitzgerald's 'The Ice Palace' and setting and magic in García Márquez' novels, especially 'One Hundred Years of Solitude.' 'The New Puerto Rican-American Literature in Spanish, Volume 1 also questions why the literature of Puerto Rico, and in this case specifically the fiction of René Marqués, is extremely difficult to access outside the island. Only a few major research universities possess even a partial collection, making teaching, research and scholarship highly challenging. Included is a detailed account of the four-year long research process which finally yielded all materials. In conjunction with limited availability, the study offers additional reasons why there has not been an abundance of scholarship produced by and for the English-speaking academic community . One proposed explanation is that there is a pronounced fear of accepting Spanish as a major language of the United States. The study concludes that literature written in Spanish, in the continental United States and Puerto Rico, should be included in the curriculum of both English and Spanish departments as Puerto Rican-American literature."
32. Fallen Statues: De-monumentalization in the Spanish American Historical Novel of the Late Twentieth Century
- Collection:
- Gabriel Garcia Marquez (GGM)
- Contributers:
- José Antonio Alvarez
- Format:
- Secondary source, Dissertations and Theses on Gabriel García Márquez
- Publication Date:
- 2004
- Published:
- Austin, TX : University of Texas at Austin
- Location:
- Library, University of Illinois
- Notes:
- "The Spanish-American historical novels of the late twentieth century have shown a marked tendency to feature as their main characters many of the greatest historical figures of the region. Even though there have been a growing number of worthy literary studies about the historical figures portrayed in these novels, they have generally centered on a given historical character in one or more historical novels. There is a need for a comprehensive approach to the study of the great historical characters that are profiled in the New and Traditional Spanish-American Historical Novel. This dissertation is devoted to the literary analysis and conceptualization of the great historical characters that appear in contemporary Spanish-American historical novels. The study aims to formulate a comprehensive literary theory that seeks to explain the presence of great historical figures in the Contemporary Spanish-American Historical Novel. This dissertation is multidisciplinary in nature, involving research in literature historiography, monumental sculpture and iconography. The central thesis of this dissertation is that there are a significant number of great historical figures that are 'de-monumentalized' or debunked as cult figures in the historical novels of the region. The first chapter if the dissertation demonstrates the central thesis by profiling and discussing in depth a wide range of new and traditional historical novels that de-monumentalize their heroic characters. Chapter I formulates the theory of 'De-monumentalization in the Spanish-American Historical Novel.' The Chapter addresses the fundamental question of what does it mean to de-monumetalize a historical cult figure, and which ones can be de-monumentalized in a contemporary historical novel. Chapter I advances three distinct modes of De-monumentalization. Three outstanding historical novels and their main characters represent these modes. Chapter II of the dissertation illustrates how Simón Bolívar is de-monumentalized in 'El general en su laberinto' (1989) by Gabriel García Márquez. Chapter III analyzes the de-monumentalization of Benito Juárez in Fernando del Paso's 'Noticias del Imperio' (1987. Chapter IV examines how Cuba's pantheon of heroes (José Martí, Antonio Maces, ect.) is de-monumentalized in Guillermo Cabrera Infante's 'Vista del amanecer en el trópico' (1974). Chapter V presents the conclusions that were reached in this doctoral project.
33. New World Romance and Authorship
- Collection:
- Gabriel Garcia Marquez (GGM)
- Contributers:
- Jerome Bradford Anderson
- Format:
- Secondary source, Dissertations and Theses on Gabriel García Márquez
- Publication Date:
- 2005
- Published:
- New Haven, CT : Yale University
- Location:
- Library, University of Illinois
- Notes:
- "This dissertation argues that the recourse to romance in post-realist New World writing was accompanied by a re-conceptualization of the figure of the author. While it is true that American romance in its first incarnation exemplified the generic norms of romance, this dissertation focuses on a later generation of romancers, self consciously writing 'against' realism in an attempt to 'return' to romance. I dub this movement 'New World romance'; and hold that its primary innovation was to replace the traditional plot of romance of voyage, return and heterosexual union with a meta-textual plot that concerns the attempted but failed to return to the generic 'innocence' of traditional romance after the collapse of realism. In the process of writing back to romance, the writer sheds the figural trappings of the realist author and adopts a new identity. In 'the narrative of Arthur Gordon Pym of Nantucket' Edgar Allen Poe transforms realism from an epistemological project into a rhetorical ploy meant to dupe his readers. The author becomes a despotic figure, subjecting the reader to the tyranny of his fictions. Jorge Luis Borges explores the political consequences of such overweening authority in 'Tlon, Uqbar, Orbis, Tertius' and proposes instead a dialogical model of the writer: the author as translator. What happens when the real is no longer the exclusive property of an author, or even a government? Culture defines reality, and when cultures come into conflict, the 'Clash of civilizations' ensues. In 'El reino de este mundo' and 'Black Tambourine' Alejo Carpentier and Hart Crane manage 'the clash' by transcribing cultural conflict into musical form, thereby transforming the author into a jazzman. Finally, in 'Cien años de soledad' Gabriel García Márquez re-imagines the encounter between reader and text as the encounter between Echo and Narcissus. Arrogating upon himself the authority to condemn the reader to perpetual longing, García Márquez becomes a kind of deity, thereby adopting a role as author that reaches beyond realism, beyond romanticism to the very origins of literature in myth and romance."
34. "An Alternative Reality: Magical Realism in One Hundred Years of Solitude"
- Collection:
- Gabriel Garcia Marquez (GGM)
- Contributers:
- Laura Lee Lundin
- Format:
- Secondary source, Dissertations and Theses on Gabriel García Márquez
- Publication Date:
- 2003
- Published:
- Wichita Falls, Texas : Midwestern State Universtiy of Witchita Falls Texas
- Location:
- Library, University of Illinois
- Notes:
- Includes bibliographical references. Dissertation: Thesis (M.A.)
35. "El realismo mágico en Cien años de soldedad"
- Collection:
- Gabriel Garcia Marquez (GGM)
- Contributers:
- Jo Ann Trad
- Format:
- Secondary source, Dissertations and Theses on Gabriel García Márquez
- Publication Date:
- 2002
- Published:
- Austin, TX : Texas A & M University Kingsville
- Location:
- Library, University of Illinois
- Notes:
- Dissertation: Thesis (M.A.)Texas A & M University Major subject: Spanish. Includes bibliographical references (leaves 88-90)
36. The Lucidity within the Madness: Politicized Folklore in García Márquez
- Collection:
- Gabriel Garcia Marquez (GGM)
- Contributers:
- Zachary Hanson
- Format:
- Secondary source, Dissertations and Theses on Gabriel García Márquez
- Publication Date:
- (200)
- Published:
- Mankato, MN : Minnesota State University
- Location:
- Library, University of Illinois
37. Gender and Power Dynamics in Beloved and Cien Años de Soledad
- Collection:
- Gabriel Garcia Marquez (GGM)
- Contributers:
- Carlene Kristi Barnett
- Format:
- Secondary source, Dissertations and Theses on Gabriel García Márquez
- Publication Date:
- 2001
- Published:
- San Francisco, CA : San Francisco State University
- Location:
- Library, University of Illinois
- Notes:
- This dissertation discusses gender and power in Gabriel García Márquez's "One Hundred Years of Solitude."
38. Religion in the Short Fiction of James Joyce and Gabriel García Márquez. MA thesis, English
- Collection:
- Gabriel Garcia Marquez (GGM)
- Contributers:
- Michael Daniel Leamy
- Format:
- Secondary source, Dissertations and Theses on Gabriel García Márquez
- Publication Date:
- 2000
- Published:
- San Diego State University : San Diego State University
- Location:
- Library, University of Illinois
- Related Item Details:
- 73 leaves
- Notes:
- Leamy writes, "In tying together Joyce's concept of paralysis with García Márquez's obsession with solitude, I hope to demonstrate how religion plays a definitive role in creating the forces that drove two of the twentieth centuries [sic] most celebrated authors." (4)
39. Memory, History, and the Contemporary Novel. PhD Dissertation in English
- Collection:
- Gabriel Garcia Marquez (GGM)
- Contributers:
- Catherine Keenan
- Format:
- Secondary source, Dissertations and Theses on Gabriel García Márquez
- Publication Date:
- 2000
- Published:
- Oxford : University of Oxford
- Location:
- Library, University of Illinois
- Related Item Details:
- 357 leaves
- Notes:
- Keenan writes, "This thesis aims to examine the models of memory proposed in five contemporary novels: Gabriel Garcia Marquez' One Hundred Years of Solitude, E.L. Doctorow's The Book of Daniel, Milan Kundera's The Book of Laughter and Forgetting, Salman Rushdie's Midnight's Children and Toni Morrison's Beloved. I will interweave my discussions of these novels' ideas on memory with considerations of wider debates about repressed/false memories and memorialisation, and I will also discuss various concepts of memory found in the discourses of neuroscience, cognitive psychology, psychoanalysis, history, and literature."
40. Prix Nobel et critique en Suède: étude de deux cas: Gabriel García Márquez et Claude Simon
- Collection:
- Gabriel Garcia Marquez (GGM)
- Contributers:
- Karin ép Feeley Albrechtsson
- Format:
- Secondary source, Dissertations and Theses on Gabriel García Márquez
- Publication Date:
- 1994
- Published:
- Paris, France : Univ. de la Sorbonne Nouvelle, Paris
- Location:
- Library, University of Illinois
- Related Item Details:
- 608 p.
- Notes:
- This two-volume dissertation is a discussion of Swedish reception of two Nobel Prize winners' literature (Claude Simon and Gabriel García Márquez). Volume one is the thesis, while volume two includes an appendix with sources and photocopies from Swedish newspapers.
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