Secondary source, Dissertations and Theses on Gabriel García Márquez
Publication Date:
2004
Published:
Barcelona, Spain : Seix Barral
Location:
Library, University of Illinois
Related Item Details:
206- 219
Notes:
Volpi analyzes the boom in Latin American literature, presenting the most reknown writers: Cortázar, Fuentes, Vargas Llosa, and García Márquez, among others.
Also published in Revista de Crítica Literaria Latinoamericana vol. 30 no. 59 Jan-June 2004 pg. 33-42.
Secondary source, Dissertations and Theses on Gabriel García Márquez
Publication Date:
2004
Published:
Barcelona, Spain : Seix Barral
Location:
Library, University of Illinois
Related Item Details:
225-227
Notes:
Starting in 1967, an industrial editorial center and sociological alternative to Franco-based Madrid, is produced in Barcelona. A flourishing cultural movement that attracts renown authors from Latin America, some of whom establish their residency in this city. Others will receive the Premio Biblioteca Breve, and others will link themselves to Seix Barral. Amongst the authors to establish residency in Madrid is Gabriel García Márquez.
Secondary source, Dissertations and Theses on Gabriel García Márquez
Publication Date:
2004
Published:
Barcelona, Spain : Seix Barral
Location:
Library, University of Illinois
Related Item Details:
123-127
Notes:
Mendoza mentions Vargas Llosa's book García Márquez: Historia de un deicidio, in which Vargas Llosa analyzes García Márquez's development of the forces which drove him to write and to create Macondo.
Secondary source, Dissertations and Theses on Gabriel García Márquez
Publication Date:
2004
Published:
Barcelona, Spain : Seix Barral
Location:
Library, University of Illinois
Related Item Details:
38-46
Notes:
Franco writes on how the new generation of Latin American authors have been influenced by the greats such as Gabriel García Márquez, Julio Cortázar, Octavio Paz and José Donoso.
Secondary source, Dissertations and Theses on Gabriel García Márquez
Publication Date:
2004
Published:
Barcelona, Spain : Seix Barral
Location:
Library, University of Illinois
Related Item Details:
22-33
Notes:
Bolaño narrates how he read an interview with a prestigious and renown Latin American writer. In the interview the author is told to name three people he admires. The author responds: Nelson Mandela, Gabriel García Márquez and Mario Vargas Llosa. Bolaño continues to write about other Latin American authors.
Secondary source, Dissertations and Theses on Gabriel García Márquez
Publication Date:
2004
Published:
Barcelona, Spain : Seix Barral
Location:
Library, University of Illinois
Related Item Details:
136-139
Notes:
In his passion to analyze what he believes is a substantial period for writing, Padilla produces a story about crack in three-and-a-half chapters, as well as a long essay against magical realism which he has no intention to publish. Padilla continues to analyze how this manifestation of crack and McOndo came about.
Secondary source, Dissertations and Theses on Gabriel García Márquez
Publication Date:
2004
Published:
Barcelona, Spain : Seix Barral
Location:
Library, University of Illinois
Related Item Details:
104-111
Notes:
Iwasaki strongly states his desire not to be compared with anybody and insists that no author wants to be compared to authors such as Vargas Llosa, García Márquez, Fuentes, and Cortázar, among others. In other words, today's authors will not be the same as these great artists from the past, and it is harder for new authors to become world-renown because of the expectations that they have to fulfill.
Secondary source, Dissertations and Theses on Gabriel García Márquez
Publication Date:
2004
Published:
Barcelona, Spain : Seix Barral
Location:
Library, University of Illinois
Related Item Details:
75-81
Notes:
Gamboa expresses his opinions on magic realism, how it has developed, and how it has been taken in by the youth. He notes the importance of Gabriel García Márquez in revolutionizing with magic realism as a literary form, as well as the significance of his most important followers, for example, Isabel Allende.
Secondary source, Dissertations and Theses on Gabriel García Márquez
Publication Date:
2004
Published:
Boston, MA : Boston College
Location:
Library, University of Illinois
Notes:
"This study focuses on how a dictator or a culturally dominant power can use language to impose cultural values. As an instrument of power, language is used by dictator to educate, induce, or manipulate a nation's citizens into acting in accordance with the ruling power's cultural values and beliefs. Jorge Zalamea in 'El Gran Burundún-Burundá ha muerto'(1951), Gabriel García Márquez in 'El otoño del patriarca' (1975), and Mario Vargas Llosa in 'La fiesta del Chivo' (2000), draw attention to how the use of vernacular can resist cultural imposition by employing culture-specific items in order to represent its own culture and nature of reality. When translated into a different language, culture-specific items created a conflict of meaning between the original text and the translated text. This discord arises because the translated reference no longer conveys its original message. The original significance has been substituted in the translated text for a new meaning determined by the dictator or translators ideology, usage, or the untranslable nature of the original words. These culturally loaded words are categorized into three areas of language defines relationships of power and resistance between a dictator and his nation, or between one culture and another, such as the United States over Latin American Culture. The analysis of culture-specific items presented in this dissertation will provide an understanding of how language functions as an instrument for the imposition to gain or maintain power in 'El Gran Burundú-Burundá ha muerto', 'El otoño del patriarca', and 'La fiesta del Chivo.' Culture-specific items also suggest how translators may substitute the values of the source culture in the original text for their own cultural biases when translating from Spanish to English."
Secondary source, Dissertations and Theses on Gabriel García Márquez
Publication Date:
2004
Published:
Montreal, Canada : McGill University
Location:
Library, University of Illinois
Notes:
"There are several ways of utilizing the plurality of narrative instances in a novel; the 'stereoscopic view,' which presents an object through the lens of several perceptions, is one of these ways. This is the case of 'Des feuilles dans la bourrasque (La Hojarasca), Gabriel García Marquez's first novel, which will be the center of our reflection on multiple narratives. We will study the structure of the novel through the notion of 'parallx' which implies the fragmentation of the object by the marginalization of each one its points of view. However, it is by revealing the 'stereoscopic' character of the novel with multiple narratives that the apparent lack of cohesion of the text will be qualified. The study will conclude with the following question: Does the structure of a novel with multiple narratives raise an ethical concern?
'Ecluses' is a story in five tempos, composed of five chronologically isolated short stories, which are interconnected by a context of common events and characters. The narrative of each of these short stories is supported by a distinct character. Nevertheless, it is the sum of the characters' perceptions, due to the active participation of the reader who has the role of making the different points of view converse, that the story to takes shape and goes forward."