Secondary source, About García Márquez: The Man, the Reporter, the Writer
Publication Date:
2003
Published:
Lewiston, NY : Edwin Mellen Press
Location:
Library, University of Illinois
Related Item Details:
29, 82
Notes:
"As a non-realist writer from Spanish America, Borges ended up associated with Gabriel García Márquez and Juan Rulfo, writers both so different in style to Borges and, more important, so very involved in their own local realities, that one wonders whether the people making these comments ever compared these writers at all, or merely assumed a commonality among them based solely on geographical contiguity." (p. 29)
Secondary source, About García Márquez: The Man, the Reporter, the Writer
Publication Date:
2002
Published:
Columbia, MO : University of Missouri Press
Location:
Library, University of Illinois
Related Item Details:
5
Notes:
"Many novels from the 1970s and 1980s demonstrate an awareness of this through intertextuality with the chronicles of conquest and colonization: Mexican Carlos Fuentes's Terra Nostra (1975); Colombian Gabriel García Márquez's El otoño del patriarca (1975), published in translation as The Autumn of the Patriarch; Cuban Alejo Carpentier's El arpa y la sombra (1979), published in translation as The Harp and the Shadow; Colombian Albalucía Ángel's Las andariegas (The wandering women, 1983); Argentine Griselda Gambaro's Lo impenetrable (1984); and Mexican Margo Glantz's Síndrome de naufragios (Shipwreck syndrome, 1984) do not represent linear historical narratives, nor do they deal exclusively with the conquest, but they do draw heavily upon the colonial chronicles in the formation of innovative narratives that transcend particular chronological periods."
Secondary source, About García Márquez: The Man, the Reporter, the Writer
Publication Date:
2005
Published:
Pontificia Universidad Catolica de Chile, Instituto de Letras
Location:
Library, University of Illinois
Related Item Details:
(37) : pp. 23-50
Notes:
Cabezón writes, "el presente estudio se concentrará en la participación protagónica de Gabriel García Márquez, quien con su labor de paladín ha proporcionado suficiente material a la investigación de las interferencias e interdependencias entre la literatura y el cine latinoamericanos."
Secondary source, About García Márquez: The Man, the Reporter, the Writer
Publication Date:
2000
Published:
Stanford, CA : Stanford University Press
Location:
Library, University of Illinois
Related Item Details:
123-239
Notes:
Nico Israel's essay titled "The place of Salman Rushdie," concentrates on comparing Rushdie's writings to those of García Márquez.||In chapter three, "Outlandish addresses geographical displacement as a lived experience in the twentieth century, as a predicament of writing, and as a problem for theory. It focuses on the work of three transnational writers from diverse backgrounds working in different genres: Joseph Conrad, Theodor W. Adorno, and Salman Rushdie."- Publisher
Secondary source, About García Márquez: The Man, the Reporter, the Writer
Publication Date:
Aug 2003
Published:
Universidad de Salamanca
Location:
Library, University of Illinois
Related Item Details:
34
Notes:
Viewed on 11 February, 2008. Brief mention of García Márquez's article, "Con las Malvinas o sin ellas" (24 April, 1982), in which he discusses "los desaparecidos" and "las Madres de la Plaza de Mayo."
Secondary source, About García Márquez: The Man, the Reporter, the Writer
Publication Date:
2001
Published:
Stanford, CA : Stanford University Press
Location:
Library, University of Illinois
Notes:
"The Ends of Literature analyzes the part played by literature within contemporary Latin American thought and politics, above all, the politics of neoliberalism. The "why?" of contemporary Latin American literature is the book's over-arching concern. Its wide range includes close readings of the prose of Cortázar, Carpentier, Paz, Valenzuela, Piglia, and Las Casas, of the relationship of the "Boom" movement and its aftermath, of testimonial narrative, and of contemporary Chilean and Chicano film. The work also investigates in detail various theoretical projects as they intersect with and emerge from Latin American scholarship: cultural studies, deconstruction, psychoanalysis, and postcolonial studies." This book focuses on the era of the Boom, where García Márquez and Julio Cortázar are prominent.