Secondary source, About García Márquez: The Man, the Reporter, the Writer
Publication Date:
October 17, 2004
Published:
New York, NY
Location:
Library, University of Illinois
Notes:
"Argentine Foreign Minister Rafael Bielsa asked Colombian author Gabriel García Márquez to help a Cuban dissident reunite with her son by speaking on their behalf with Fidel Castro, the daily Pagina/12 reported here Sunday."
Secondary source, About García Márquez: The Man, the Reporter, the Writer
Publication Date:
June 18, 2004
Published:
New York, NY : Associated Press
Location:
Library, University of Illinois
Related Item Details:
International News
Notes:
"Colombian Nobel literature laureate Gabriel García Márquez has met here with a lawmaker from his homeland to discuss upcoming exploratory peace talks between the Bogotá government and the country's second-largest insurgency."
Secondary source, About García Márquez: The Man, the Reporter, the Writer
Publication Date:
September, 2004
Published:
La Paz, Bolivia : El Diario
Location:
Library, University of Illinois
Notes:
On September 1, 2004, García Márquez awarded journalists from Brazil and Argentina with the annual prizes of the Fundación Nuevo Periodismo Iberoamericano (FNPI). The Argentinian journalist, Josefina Licitra, was awarded for an article she published in Rolling Stone (Argentina). The Brazilian photographer, Mauricio Lima, was acknowledged for his photographic reporting.
Secondary source, About García Márquez: The Man, the Reporter, the Writer
Publication Date:
October 21, 2004
Published:
Seattle, WA : The Seattle Times Company
Location:
Library, University of Illinois
Related Item Details:
D3 Rop Zone Northwest Life Arts Briefs
Notes:
"The first novel in a decade by Nobel-winning author Gabriel García Márquez went on sale across the Spanish-speaking world yesterday, a launch pushed forward because counterfeiters were already selling copies of Memoria de mis putas tristes."
Secondary source, About García Márquez: The Man, the Reporter, the Writer
Publication Date:
October, 2002
Published:
Madrid, Spain : El País
Location:
Library, University of Illinois
Notes:
Viewed on 24 January, 2008.||"La vida no es la que uno vivió, sino la que recuerda y cómo la recuerda para contarla" (Life is not what one lived, but how one remembers, and how one tells the tale). This is how Gabriel García Márquez begins the first volume of his memoirs, Vivir para contarla, whose world premiere is the 9th of October in Barcelona, Bogotá, Buenos Aires, and Mexico City. Meanwhile, Alvaro Mutis, friend of the Colombian Nobel, and one of the few people that has read the manuscript, has no doubt in his mind that he has "read a classic."
Secondary source, About García Márquez: The Man, the Reporter, the Writer
Publication Date:
October, 2004
Published:
México, DF : El Universal-El Universal Online
Location:
Library, University of Illinois
Notes:
Originally published in the Los Angeles Times.||"It may be too easy a wisecrack to call them the Gang that Couldn't Steal Straight. But the joke definitely was on the Colombian bootleggers who put out a pirated edition of Gabriel García Márquez's new novella last week, apparently not realizing that the Nobel Prize-winning author had made some last-minute changes to the ending."
Secondary source, About García Márquez: The Man, the Reporter, the Writer
Publication Date:
December 15, 2005
Published:
Agence France Presse
Location:
Library, University of Illinois
Notes:
In this article the author states that "Colombian Nobel laureate Gabriel García Márquez will help inaugurate peace talks that start in Cuba on Friday between Colombia's government and its second-largest rebel group, the two sides said."
Secondary source, About García Márquez: The Man, the Reporter, the Writer
Publication Date:
August, 1984
Published:
New York, NY : Kirkus Reviews
Location:
Library, University of Illinois
Related Item Details:
52(15) : 718
Notes:
Announcing the publication of the above work's translation by Rabassa and Bernstein, this article does a brief preview on its contents. Stating that most of the stories are assessed as brilliant, a few are found to be "strange and fragmentary."