African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
1134 p, This volume contains a collection of statistics, surveys and essays on the region and includes contributions from acknowledged authorities who examine topics of regional importance. It includes individual chapters on each country and territory.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
1 vol., This volume contains a collection of statistics, surveys and essays on the region and includes contributions from acknowledged authorities who examine topics of regional importance. It includes individual chapters on each country and territory.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
221 p, Rodney was disturbed by the inability of intellectuals to share common cause with the masses, thus ensuring that they would be unable to contribute to uplifting their talents or participate in the growth of the nation. Guyana and the Caribbean were subject to sugar and slave traffic that constituted cheap labor for the plantations and buttressed the capitalist-industrial system. A significant byproduct of that system was the master-slave relationship; a no-less iniquitous consequence was an active racism. Thus, social inequality became the heritage of Guyanese and Caribbean history.
Examines how marginalized Maroon youth in Paramaribo, the capital of the Caribbean nation of Suriname, employ musical strategies in combating ethno-racial stigmatization and improving their socio-economic position. Traditionally, Maroons, after escaping the plantations during slavery, have lived in semi-isolation in Suriname's dense rainforest. In recent decades, they have become increasingly urbanized, to the discontent of many in Paramaribo, who view Maroons as backward, violent criminals. Drawing on ethnographic fieldwork and popular culture analysis, the article discusses how young Maroons use reggae and dancehall to create and recreate physical and social spaces of their own within the city and outside the forest. They protest local conditions and inequity by drawing on regional images of marginality that have been shaped by Rastafari musicians in Jamaica.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
316 p., Demonstrates how the lambada —a genre of electric guitar-based dance music consolidated in the port city of Belém, Pará in the 1970s— makes audible a history of mobile, cosmopolitan connections that transcend and transgress the boundaries of the Amazon region proper. These submerged "translaterai" links with the circum-Caribbean and the Brazilian Northeast challenge hegemonic constructions of Belém as a provincial outpost or pocket of exclusion "at land's end."
Discusses the relationship between squatters and the state in Brazil. Information on redemocratization in Latin America; Return of electoral democracy; Political transition from authoritarian to procedurally democratic regimes; Detailed information on the squatter settlements in Brazil; Distribution and sale of cocaine from public low-income housing projects; Information on prison authorities in Brazil.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
., 335 p., Contains the theoretical basis for understanding African spirituality organized in biblical format, sacred texts, philosophical and historical African tradition. In the first part the author focuses on the traditions and knowledge of the ancient African regions of Congo, Uângara, Takrur and Senegambia, Ethiopia and Zambezia. The second part of the book covers Brazil, the Caribbean, Suriname and the United States.
