Lachatañeré,Rómulo (Author) and Ayorinde,Christine (Author)
Format:
Book, Whole
Publication Date:
2005
Published:
Princeton, NJ: M. Wiener Publishers
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
156 p, Distinguishes between the two most important religious forms - the Regla de Ocha (Santeria), which promotes worship of the Oshira (gods), and the traditional oracles that originated in the old Yoruba city of lle-lfe', which promote a more animistic worldview. Africans who were brought to Cuba as slaves had to recreate their old traditions in their new Caribbean context. As their African heritage collided with Catholicism and with Native American and European traditions, certain African gods and traditions became more prominent while others lost their significance in the new Afro-Cuban culture. This book, the first systematic overview of the syncretization of the gods of African origin with Catholic saints, introduces the reader to a little-known side of Cuban culture.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
191 p., Comparing Cuban American and African American religiosity, this book argues that Afro-Cuban religiosity and culture are central to understanding the Cuban and Cuban American condition. It interprets this saturation of the Afro-Cuban as transcending race and affecting Cubans and Cuban Americans in spite of their pigmentation or self-identification.
251 p., Analysis of characteristic traits of Afrodescendants in the Atabaque and the Conférence Haïtienne des Religieux et Religieuses research work. These publications are used to bring to light the Afro-Brazilian and Haitian theological reflection as an expression of their commitment to multicultural and mestizo Brazil as well as black Haiti. Based on the comparative study of the content of these theologies developed in Brazil and in Haiti, highlights two separate currents from 1986 to 2004 in theological databases. This delimitation corresponds to the phase of publication of results of three consultations about black theologies in Brazil in 1986, in 1995 and 2004. The CHR's works date from 1991 to 1999. This study aims to trace their practice of the Christian faith, as well as their development and their evolution.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
292 p, An author's spiritual search through Santeria from novice to priestess. She explains Santeria's main gods and goddesses, the spirit world, and rites and rituals
African American Research Center, Library, University of Illinois at Urbana-Champaign
Journal Title Details:
p. 150
Notes:
This project was designed to raise the consciousness of members of the African-Bahamian church through a series of lectures which focused upon the particularities of the African experience
[Unedited] Considering a set of selected papers and texts from the 19th and 20th c., the ethnic discourses created around the Chilean genre (zama)cueca and its consequences are discussed. From a theoretical framework rooted in the idea of textual canon, the consolidation of the mestizo idea (or mixed race idea) over indigenous and black discourses describe, on the one hand, how these discourses connect concepts such authenticity and nationality, but on the other hand, how they exclude other narratives, promoting the imaginary of the Chilean culture through essentialist speculations., [unedited non–English abstract received by RILM] El presente ensayo ofrece una reflexión sobre los discursos creados en torno a la etnicidad del género (zama)cueca a través del análisis de una selección de textos escritos entre los siglos XIX y XX. A partir de un marco conceptual centrado en la idea de canon como texto con poder representativo, se analiza la consolidación de lo mestizo al interior de estos discursos y la forma en que éstos vincularon la danza con las ideas de autenticidad y nacionalidad, excluyendo otros relatos del canon y alimentando el imaginario cultural de lo chileno por medio de especulaciones de carácter esencialista.; [Unedited] The complexity of Cuba's history, politics, and cultural makeup is surpassed only by the religious intricacies that animate its contemporary landscape. Spanish Catholicism and West African Lucumi religions, as well as their syncretized offspring, have long dominated religious scholarship. However, there is an escalating force that has the possibility to change Cuba's spiritual scene in the coming decades. Protestantism, brought to the country by American missionaries after the Spanish-American war in 1898, has been increasing in popularity in recent years. Many contemporary Cuban Protestant denominations have embraced 21st-c. modernity by incorporating popular styles into church music, using technology to increase interaction during services, and allowing charismatic worship practices to enter the church. All of these changes have made Protestantism a magnet for new believers. This dissertation examines the culture of Cuban evangelical churches and takes specific notice of an emergent genre of music that is appearing in several denominations. Alabanza y adoración (praise and worship) music, though not novel to the United States, has taken on new meaning in the worship services of Havana's metropolitan congregations. This music is significant because it marks a shift from the traditionalism of hymnody to the progressivism multi-influenced praise and worship. Popular music styles of Cuba such as salsa and son along with the global sounds of praise and worship music from the United States and Latin America have been adopted to fit the needs of Cuban congregations. I explore the world of Havana's evangelical subculture through field data gathered from interviews and observation of church services. I consider what it means to be a 'Christian' in Cuba as well as what it means to be a member of an evangelical denomination, two sources of identity in tension with one another. The Iglesia Metodista Unida (United Methodist Church), Iglesia Evangélica Pentecostal Asambleas de Dios (Assemblies of God Pentecostal Evangelical Church), and the Fraternidad Bautista (Baptist Fraternity) are the main field sites that provide case studies for this dissertation. Additionally, I examine the layered experiences within the subculture, particularly those of youth and Afro-Cuban participants.
Uprooted Africans brought as slaves to Brazil carried with them a collective memory, including elements of their religion and medicine. The Yoruba orisha and the Christian saints have been thoroughly assimilated; sculptures made in Brazil in the first half of the twentieth century still show clearly the survival of the Yoruba influence combined with Christian iconography. Examples of Shango wands, twin figures (ibeji) and representations of Eshu confirm this conclusion.
"En Martinique, lors des décennies qui précèdent l'abolition de l'esclavage, tous les groupes sociaux redoutent les sorts et les maléfices qui peuvent leur être jetés. Les colons ont peur des nègres empoisonneurs, les esclaves et les affranchis sont terrorisés par les pratiques magiques qui les menacent. Certes la religion catholique prétend protéger, mais lui est souvent préférée l'intervention d'un sorcier désenvouteur." (author)
