Includes discussion of the beneficial impact on host countries in terms of employment creation, contribution to export earnings, and economic diversification.
If Africans' forced Atlantic passage ushered in a colonial era that violently connected Africa and the Americas to Europe, Africans' travel to and on the Pacific as sailors, soldiers, dockworkers, and curious voyagers traced other kinds of crossings: linkages between black Atlantic subjects and Mexico, Native America, Polynesia, Micronesia, the Philippines, and other sites of flow through the global South. "Water, Shoulders, Into the Black Pacific" looks to innovate discussions of the African diaspora by tracing one possible route of this less-explored oceanography. Where does the black Atlantic meet the black Pacific? What would it mean to chart a story of the African diaspora not through the triangle trade crisscrossing that first ocean but as a continual navigation of many bodies of water -- Atlantic, Caribbean, Gulf of Mexico, Mississippi, Pacific -- and many waves of migration?
Provides information on the significance of the Underground Railroad, which carried slaves to freedom across the Rio Grande from Mexico. Overview of slavery in Mexico and Texas; Slave ownership in the United States; Demographic information on Texas; Informal network of transportation for the Black Seminoles and other Indians;
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
246 p., Under the brilliant leadership of the charismatic John Horse, a band of black runaways, in alliance with Seminole Indians under Wild Cat, migrated from the Indian Territory to northern Mexico in the mid-nineteenth century to escape from slavery. These maroons subsequently provided soldiers for Mexico's frontier defense and later served the United States Army as the renowned Seminole Negro Indian Scouts. This is the story of the maroons' ethnogenesis in Florida, their removal to the West, their role in the Texas Indian Wars, and the fate of their long quest for freedom and self-determination along both sides of the Rio Grande. Their tale is a rich and colorful one, and one of epic proportions, stretching from the swamps of the Southeast to the desert Southwest. The maroons' history of African origins, plantation slavery, European and Indian associations, Florida wars, and forced removal culminated in a Mexican borderlands mosaic incorporating slave hunters, corrupt Indian agents, Texas filibusters, Mexican revolutionaries, French invaders, Apache and Comanche raiders, frontier outlaws and lawmen, and Buffalo Soldiers.
México, D.F.: Colegio de México, Centro de Estudios Históricos
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
227 p., Contents: Consideraciones preliminares -- Conflictos entre normas y prácticas -- Pequeños roces cotidiannos -- Imágenes construidas en la frontera de las normas -- La literatura y la iconografía : comicidad, exotismo, devoción -- Consideraciones finales.
Washington, DC; Stanford, CA: Woodrow Wilson Center Press; Stanford University Press
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
430 p., Assesses the consequences of civil war for democratization in Latin America, focusing on questions of state capacity. Contributors focus on seven countries: Colombia, El Salvador, Guatemala, Haiti, Mexico, Nicaragua, and Peru where state weakness fostered conflict and the task of state reconstruction presents multiple challenges. Includes Johanna Mendelson Forman's "An illusory peace: the United Nations and state building in Haiti."
Chabela Ramírez, the black singer and activist born in Montevideo in 1958, is a singular personality of candombe, the only multi-form Afro-Uruguayan musical genre. Retracing her trajectory leads us through the history of Uruguay's black community (10% of the total population) and candombe, with particular attention on how this musical expression went from devalued practice to national heritage in a country deeply marked by a Eurocentric ideology. Ramírez founded and gave voice, with Afrogama, the choir and dance group that she leads, to a unique aesthetic thought that brought meaning to candombe via the field of Afro-religions (Umbanda and Batuque).
