Knight,Franklin W. (Editor) and Gates,Henry Louis, Jr. (Editor)
Format:
Book, Edited
Publication Date:
2016-01-01
Published:
New York, NY: Oxford University Press
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
6 vols., Provides a comprehensive overview of the lives of Caribbeans and Afro-Latin Americans who are historically significant. Covers the entire Caribbean, and the Afro-descended populations throughout Latin America, including people who spoke and wrote Creole, Dutch, English, French, Portuguese, and Spanish. Individuals are drawn from all walks of life including philosophers, politicians, activists, entertainers, scholars, poets, scientists, religious figures, kings, and everyday people whose lives have contributed to the history of the Caribbean and Latin America.
Blacks and Latinos have numerous historical connections. The moors of North Africa occupied Spain from about 700-1400 A.D., about the time of the Spanish King Ferdinand and Queen Isabella. Additionally, the slave trade which began with [Henry Louis Gates] the Navigator flourished from the 1440s, taking Africans into Portugal and Spain as servants. Many conquistadors of the New World brought with them free men of African ancestry. Finally, the Transatlantic Slave Trade sealed Afro-Hispanic connections as slaves intermingled voluntarily and involuntarily with their captors, creating variations in our color palate. Thus, our connections are longstanding. My point is that the African Diaspora experience, as was evidenced on Oscar night, is diverse and includes influences of blacks in Europe, Africa and all the Americas and the Caribbean. There are strands of the Diaspora in the Middle East, including Arab nations, and in places as unlikely as Mexico and China. So, blacks in America must begin to embrace our global heritage and we must also learn that our experiences are not superior but mere pieces of a wider tapestry of "colors." All are worth celebrating, researching and understanding. We are one great people cast to the winds by emigration and immigration, historical slavery, war, racial mixing and chance.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
344 p., Essays that reopen the concept of possession in order to examine the relationship between African religions in the Atlantic and the economies that have historically shaped--and continue to shape--the cultures that practice them. Exploring the way spirit possessions were framed both by material things--including plantations, the Catholic church, the sea, and the phonograph--as well as by the legacy of slavery, they offer a powerful new way of understanding the Atlantic world.
Willaarts,Bárbara A. (Editor), Garrido,Alberto (Editor), and Llamas, Manuel Ramón (Editor)
Format:
Book, Edited
Publication Date:
2014
Published:
Abingdon, Oxon ; New York: Routledge
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
432 p., Provides an analytical and facts-based overview on the progress achieved in water security in Latin America and the Caribbean (LAC) region over during the last decade, and its links to regional development, food security and human well-being. Focuses on four key themes: setting out the background to water, nature and food in the region; drivers of changing conditions; pressures and challenges; and responses and enabling conditions."
Focuses on CLADEM, an organization that has been championing women's rights in Latin America and the Caribbean for over 25 years. With the target date of 2015 fast approaching, attention is turning to what will follow the Millennium Development Goals - the global action plan to reduce extreme poverty across the world. Here, Jessica Woodroffe considers what the future holds, specifically for women's rights.
Focuses on specific aspects of the independent, creative network of musicians who in the late 1960s and early 1970s bonded together as the nueva canción or nueva canción movement across the Latin American continent, the Caribbean, and Spain. The author traces nueva canción through various key phrases. Nueva canción describes a music enmeshed within historical circumstances which included: the forging of revolutionary culture in Cuba; the coming together of political parties to form a coalition to elect the first ever socialist president in Chile in 1970; resistance to brutal Latin American dictatorships; and the struggle for new democracies. The music was often referred to by different names in different countries. It was known as: nueva cancionero (new song book) in Argentina; nueva canción (new song) in Chile and Peru; nueva trova (new song) in Cuba; and volcanto (volcanic song) in Nicaragua. Nueva canción musicians never saw their music as protest song. Nueva canción was regarded as a social force in itself and a key resource for creating collective bonds. This movement in its various forms was an emblematic music of the 1960s, 1970s, and 1980s. Functioning as both a national and international music, nueva canción has become part of the active memory of this period. Its potent legacy can be seen in the fact that many high-profile commercial singers today continue to be influenced by it: nueva canción continues to be perceived as a legitimate, unifying, and active force for peaceful change.
A critical analysis of Henry Louis Gates, Jr.'s PBS documentary film series Black in Latin America. The author discusses Gates' exploration of the history of early race mixture, the contemporary valorization of Blackness, and racial inequality in Brazil.
A critical analysis of Henry Louis Gates, Jr.'s PBS documentary film series Black in Latin America. The author discusses the conceptualization of blackness in the Dominican Republic.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
661 p., Focuses on the diffusion of Cuban popular musical styles throughout the Americas as well as the creation of new hybrids in places such as Puerto Rico, the Dominican Republic, Mexico, Colombia, Venezuela and Latin New York. Students, scholars and librarians will find Baila! to be an essential resource on Afro-Latin music and dance, language, literature, aesthetics, and more.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
704 p., Comprehensive reference to a range of musical styles, from Bailanta to Bossa Nova and from Salsa to Ska. It includes discussions on cultural, historical and geographic origins; technical musical characteristics; instrumentation and use of voice; typical features of performance and presentation; and, relationships to other genres and sub-genres.
