Explores the way writers address the formation and fate of the contemporary American working class in an age of neoliberal globalization. Specifically, the essay examines Russell Banks's 1985 novel Continental Drift, which interweaves the stories of two characters who pull up stakes and head to Florida in search of a better life: an oil furnace repair man from New Hampshire and a young, single mother from Haiti.
Personal reactions of women to the January 2010 earthquake in Haiti. Discusses the psychic trauma of living in the Haiti's displacement camps after the earthquake regarding poor access to water, violence against women and instances of forced eviction.
"Haiti's New Bad Boy President," "Carnival King is New Leader of Haiti" are just two of the headlines in local and national news. Many Haitians here in the U.S. feel that the newspapers are making a spectacle of the election of Michael "Sweet Mickey" [Michael Martelly] to the highest political office in Haiti, the Presidency. Martelly beat his opponent Lady Mirlande Manigat, 67.57 percent to 31.74 percent but in accordance with the electoral process complaints can be filed up until April 16 when the votes will be closed. His flamboyant attire and sometimes raucous performances endeared him to some but distanced him from others. At first, his notoriety as an entertainer made it almost impossible for him to be accepted into a party to declare his political aspirations and to be thought of as a viable candidate.
Who are they? [Raoul Peck] works primarily with an ensemble made up of [Sarah]'s family and members of the infamous TonTon Macoute. It's these men operating outside civilian and military law, who imbue "The Man By The Shore" with its thick taste of dread and fear. For it quickly becomes obvious that they can threaten, maim, even kill anyone at anytime for the least of slights. Janvier (Jean Michel Martial), the chief of the Macoutes here, wields unbridled power, making him one of the most fearsome screen villians in recent times. "The Man By The shore" combines the terror of the Duvalier regime and Haiti's natural beauty in a gripping story. Audiences may leave questioning whether it's better to remember or to forget!