Siss,Ahyas (Editor), Monteiro, Aloisio Jorge de Jesus (Editor), and Cupolillo,Amparo Villa (Editor)
Format:
Book, Edited
Language:
Portuguese
Publication Date:
2009
Published:
Rio de Janeiro: Quartet : EDUR UFFRI
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
191 p., Prefácio / Célia Linhares -- Imprensa alternativa negra, movimento negro e educação brasileira / Ahyas Siss -- Memórias de educação indígena : os jesuítas na construção de uma escola para indios no Brasil / Aloísio Jorge de Jesus Monteiro, Andrea de Lima Ribeiro Sales -- Cultura e corporeidades : perspectivas na formação de professores / Aloísio Jorge de Jesus Monteiro, Amparo Villa Cupolillo, Martha Lenora Queiroz Cupolillo -- Formação interdisciplinar em contextos interculturais / Darci Secchi -- Cinco ideias equivocadas sobre os indios / José Ribamar Bessa Freire -- A Baixada Fluminense na mídia : um olhar do jovem negro / Leila Dupret -- O samba é o dom : notas sobre o samba como fato social total e a educação escolar / Maria Alice Rezende Gonçalves -- Diversidade etnicorracial e o acesso de negros na educação superior na produção científica em Mato Grosso do Sul / Eugenia Portela de Siqueira Marques, Mariluce Bittar -- Diversidade cultural na escola : um estudo sobre o processo de implementação da Lei Federal 10.639/03 no estado de Santa Catarina / Maria Aparecida Clemêncio ... [et al.] -- Mídia cinematográfica, educação e racismo / Roberto Carlos da Silva Borges.
Considers the role of music, both symbolic and material, in screen representations of Rio de Janeiro since the 1950s. The music of Rio's streets and hillsides has played more than a mere supporting role in the cinematic representations of the city across the last half-century. Embracing samba, bossa nova, MPB, soul, funk, funk carioca (a local variant of Miami bass), and rap, the heterogeneous voices of Rio's soundscape have arguably shaped audiences' understanding and imagination of its cultural geography and social dynamic as much as the films' visual narratives and dramas. The author discusses some key examples spanning the last 50 years, from Nelson Pereira dos Santos's Rio, Zona Norte (Rio, North Zone, 1957) and Marcel Camus's Orfeu negro (Black Orpheus, 1959), to Carlos Diegues's remake Orfeu (Orpheus, 1999) and Fernando Meirelles and Kátia Lund's Cidade de Deus (City of God, 2002). Taking as his point of departure the mythical narrative of Orpheus, he explores the representation of popular music as a force for social redemption, regeneration, and reconciliation. He interrogates the interplay of different musical styles and idioms, such as samba and bossa nova, on screen, and challenges one of the common assumptions about shifts in style and sound: the idea that the harder soundtracks of most recent films (centering on rap and funk carioca) correspond to a necessarily more realistic and truthful representation of the city, as opposed to the allegedly sentimentalized depictions associated with the bossa nova-influenced scores of Orfeu negro and Rio, Zona Norte. In cinematic representations of the city, Rio's musical identity continues to be performed in a dialogue between tradition and innovation, the local and the diasporic, with no song style being more real than any other.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
231 p., Contents: Introduction -- Genocide in the African diaspora : Brazil, United States, and the imperatives of holistic analysis and political method -- The inner city and the favela : transnational black politics -- Hypersegregation and revolt : the Los Angeles black ghetto in historical perspective -- The Los Angeles Times' coverage of the 1992 rebellion : still burning matters of race and justice -- Hyperconsciousness of race and its negation : the dialectic of white supremacy in Brazil -- When a favela dared to become a condominium : challenging Brazilian apartheid -- Black radical becoming : the revolution imperative of genocide.
Weintraub,Andrew Noah (Editor) and Yung,Bell (Editor)
Format:
Book, Edited
Publication Date:
2009
Published:
Chicago, IL: University of Illinois Press
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
313 p., Global and local perspectives on the meaning and significance of cultural rights through music. Includes Javier F. León's "National patrimony and cultural policy: the case of the Afroperuvian cajón" and Silvia Ramos and Ana María Ochoa's "Music and human rights: the Afroreggae cultural group and the youth from the favelas as responses to violence in Brazil"
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
196 p., Explores how Quilombo recognition has significantly affected the everyday lives of those who experience the often-complicated political process. Questions of identity, race, and entitlement play out against a community’s struggle to prove its historical authenticity—and to gain the land and rights they need to survive.
Blacks; Women; Brazil; South America; Book reviews; PERRY, Keisha-Kkan Y; BLACK Women Against the Land Grab: The Fight for Racial Justice in Brazil (Book)
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
246 p., With the abolition of the slave trade in 1807 and the emancipation of all slaves throughout the British Empire in 1833, Britain washed its hands of slavery. Not so, according to Marika Sherwood, who sets the record straight in this provocative new book. In fact, Sherwood demonstrates Britain continued to contribute to and profit from the slave trade well after 1807, even into the twentieth century. Chapter 4 is about Cuba and Brazil, pp. 83-111.
