268 p., This study used a Black feminist critical framework to examine the conditions that influence the production of black women's fiction during the postwar era (1945-60). The novels of Ann Petry, Dorothy West and Paule Marshall were studied as artifacts that were shaped by the cultural and political climate of this crucial period in American history. A survey was also conducted of their associations with members and organizations in the American Left to determine what impact their social activism had on their lives and art. It was determined that these writers' political engagement played a significant role in the creation of transformative narratives about the power of black women to resist oppression in all of its forms. As a consequence of their contribution to a rich black feminist literary tradition, these postwar black women fiction writers serve as important foremothers to later generations of black women artists.
164 p., Traces the journey of blacks from the Middle Passage through urban migration northward in black fiction. Argues that the historical use of religious rhetoric is transcended in black writing of the 20th century in order to recast black victimization during slavery, counter the progress of turn-of-the-century white supremacy, and chronicle the rise of economic racism which created the 20th century black ghetto. The religious doctrines discussed in this study include Puritan missionizing and heretical purges in I, Tituba, Black Witch of Salem , the social work of the Catholic church in Contending Forces: A Romance Illustrative of Negro Life North and South , and the cultural intensity of the Pentecostal/Apostolic church in Go Tell It on the Mountain.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
120 p, Includes the author's experiences as a teenager, rescue the popular speech and collective creation of legends like "Elf", "the wandur", "dead", "the Shina huaca", etc .; or set of stories about the fox and outrage against the lion, which were counted by their grandparents, rescuing ancient oral traditions
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
290 p., "...le premier volet de la trilogie La geste noire, série de trois romans dressant de grands portraits ayant marqué l'Histoire des Noirs."-- Page 4 of cover.
211 p., Explores the similarities and differences which characterize the depiction of people of color in certain representative 19th century Cuban and Brazilian slavery novels as a function of the authorial approach of each territory's literary tradition toward the issues of slavery, racial prejudice, and people of color. The selected texts, derived from the peak periods in slavery literature of each territory, include Francisco , by Anselmo Snárez y Romero; Sab , by Gertrudis Gómez de Avellaneda; Cecilia Valdés , by Cirilo Villaverde; A escrava Isaura , by Bernardo Guimarães; O mulato , by Aluísio Azevedo; and Bom-Crioulo , by Adolfo Caminha. While the present study explores the enslavement, abuse, and discrimination of people of color as a consequence of a deep-seated discourse of power, privilege and racial superiority, it focuses more extensively on the representation of people of color, particularly in their capacity to constructively appropriate the cultural values of the white dominant group and recognize their identity as ambiguous.
Reviews a novel about the lives of a mixed-race British/American family living in the United States. In its depiction of African Americans, White Americans, Britons, and Caribbean immigrants, the book demonstrates Americans' obsession with race. In addition to the contrast between desires for racial authenticity and class mobility, Smith’s novel exposes the variability of Black America, and especially the intersection between class and race.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
331 p., Partly autobiographical, this novel looks at the racial politics of the 1950s and 1960s. Ramsay Tull is witness to the black racial discontents and the desire for national independence that are threatening the old colonial order; but when a chance comes to study at Oxford University, he becomes immersed in European literary culture and Marxism. On his return to Jamaica, Ramsay becomes actively involved in radical nationalist politics and begins his second journey, away from his middle-class origins and back to a true appreciation of the Jamaican people.
