African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
251 p., Chapters: African and Afro-Cuban factors in the structure of Lydia Cabrera's black short stories -- The characters : gods, animals, humans, supernatural beings and objects -- The theme of the waters.
The intensification of ethno-racial protest in Latin America has led to the adoption of targeted legislation for Black and indigenous populations, signaling a new moment in race politics in this region. Existing literature has failed to account for this shift either because it held that race was not salient in Latin America, or it presumed that racial hierarchy existed, but that the obstacles to Black mobilization were insurmountable. Argues that the literature must contend with this new reality of “Black politics” in Latin America.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
342 p, Examines how the low socioeconomic status of the black population in Cuba informs the representation of black characters in Cuban narrative fiction. From its very first example (Espejo de paciencia, 1608) until the most recent short fiction written after the 1959 Revolution, Cuban narrative fiction has played (and still plays) an important role in creating and maintaining the subaltern position of the black population in Cuba.