The recent performance featured five of the pieces from their repertoire. Three of the pieces, 'Sankofa-Ja' (choreographed by Professor Kariamu Welsh Asante), 'Evolution' (choreographed by Abeldo 'Tokie' [Monika Lawrence]) and 'African Nite' (choreographed by Monica Lawrence assisted by Orville Hall) were added to the ensemble's repertoire this year. '[Liza]' weaves together the stories and music from 'Linstead Market', 'Mout-a-Massie Liza' and 'Every time me Memba Liza' to tell the story of a young girl who becomes disaffected with country life and goes off to the city.
"Gonaives... my heart is being torn apart, too many mothers have lost too many children," [Wyclef] sings in Creole, while distributing WFP food rations. "We wanted to capture the raw essence of Gonaives and give people inspiration. Not like: 'Be sad for us,' but asking how can we as people really help Gonaives," he said.
Up to the last minute CIS' Irwine Clare was still awaiting a response to a formal request sent weeks ago to Guyana's Consul General to New York, Bretnold Evans and a subsequent follow-up sent to the President of Guyana, Bharrat Jagdeo; and the country's Home Affairs Minister, Gail Texeira. Clare, who flew to Guyana on Wednesday night in hopes that the approval would have been secured at the last minute, voiced disappointment but said he's optimistic that the team will be able to present the forums in the future, given the numerous queries and requests he has received from nationals there for such seminars.
Rep. St. Fleur and the panelists also called for a change in the Bush administration's policy denying safe harbor to Haitians fleeing Haiti for the shores of Florida by boat. In a strong show of support for St. Fleur's resolutions, representatives of presidential hopeful [John Kerry] circulated a statement from the candidate supporting the presence of a multinational police force in Haiti including police from the United States, OAS and CARICOM. The statement also called for U.S. funded training and support for Haiti's police force, the lifting current sanctions on aid to Haitians for health and education programs, and renewed pressure on international financial institutions to assist the Haitian government in confronting these issues. Kerry's statement went on to state, "If we hope to lead the nations of the world toward a more democratic future, we must act now to protect a fragile democracy in our own backyard."
Just as dance forms originating from Saint-Domingue made their way into southern culture, religion also left its indelible marks. It is well documented that the Vodou religion in New Orleans began to blossom around 1800 with Sanite Dede, a free woman of color who arrived from Saint-Domingue. The Saint-Domingan Vodou priestess was replaced in 1820 by New Orleans's native Marie Laveau, who became legendary. Haitians were for the most part Catholic; their presence in the various U.S. cities where they settled gave rise to the establishment of a number of biracial congregations. In Baltimore, in 1829, four colored Saint-Domingan women--Elizabeth Lange, Marie Magdelene Baas, Marie Rose Boegue, and Marie Therese Duchemin--established the Oblate Sisters of Providence, the world's first Black religious community, and founded the School for Colored Girls.
"FANM is a grassroots organization," Bastien said. "When people come here they come here with great hope that we will be able to attend to their needs, but oftentimes because of our financial situation we are unable to." In addition to the information that will be provided at the open house, FANM will present a sampling of Haitian cuisine, Haitian art and a musical presentation by children from the Haitian community. The event is free, but FANM will accept donations to further the work of the organization.
Black nationalist Marcus Garvey, founder of the Universal Negro Improvement Association (UNIA), emphasized the relevance of Haiti's historical past because Haiti was the land where the Negroes repelled the Whites and established an independent republic. In the same vein, writers of the Harlem Renaissance embraced Haiti's history and culture. Claude McKay's work, for example, is replete with tales of Haiti's heroic past. [Langston Hughes], perhaps the most central figure of the Harlem Renaissance movement, having read of "Toussaint L'Ouverture, Dessalines, King Christophe, proud Black names," made a pilgrimage to Haiti.
"My first thought of Miami was `this is a big city,'" the 17-year-old told The Miami Times. "It was such a beautiful place, but I experienced culture shock once I was here." "Education is more advanced in Haiti and you have to be disciplined," he said. "That played a great part in my success in high school." "I am getting a great opportunity I wouldn't have in Haiti," he said. "I plan to make the best of it."
