Hathaway describes the characters and plot of this novel, which is set in the Civil Rights era and focuses on the experiences of a Trinidadian immigrant who has come to the U. S. on a scholarship to a small, Catholic college in the Midwest
This article presents excerpts from the monthly Haitian journal 'Revue Indigene.' After an introduction by Meehan and Leticee, the pieces, published in 1927 and 1928, are presented in their original French and with a translation into English
Zora Neale Hurston's 1938 book of Caribbean folklore, 'Tell My Horse,' indicates her cross-cultural interest in identity politics, Caribbean history and religion
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
v, 174 leaves ; 29 cm., This novel is a contemporary novel that deals with the history of france; "UMI:9959638."/ Includes bibliographical references ( 167-174)./ Reproduction: Photocopy./ Ann Arbor, Mich. :/ UMI,/ 2000./ v, 174 ; 21 cm.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
201 p, Focuses on the literature of Caribbean women writers in the 1980s and 1990s particularly the fiction of Jamaica Kincaid, Erna Brodber, Marlene Nourbese Philip, and Merle Hodge. (Amazon.com)
James,Conrad (Author) and Perivolaris,John (Author)
Format:
Monograph
Publication Date:
2000
Published:
Gainesville, FL: University Press of Florida
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
280 p., "While difficult to define--and sometimes even to locate—the Hispanic Caribbean is fraught with tension. The region includes nations that have common histories yet very different contemporary political characteristics. This collection maps out the reasons behind the tensions and looks specifically at the distinctive causes and founding concepts of the area." (Google) Includes: Ian Isidore Smart's "Discovering Nicolás Guillén through Afrocentric Literary Analysis"; Efraín Barradas' "Nancy Morejón: Nation, Negritude, and Marginality"; Manuel Granados' "Notes on the History of Blacks in Cuba . . . and May Elegguá Be with Me"; Jorge Marbán's "Transculturation and Integration of the Afro-Venezuelan World in the Contemporary Venezuelan Novel";
Oonya Kempadoo has been praised for her debut novel, Buxton Spice, a coming-of-age story set in the Caribbean. The book is a breathtaking glimpse into the inner life of Lula, a lively, highly imaginative girlchild growing up in a racially mixed family in Guyana in the 1970s. Kempadoo's unique and vibrant prose is the camera lens on the lushly exotic world that Lula inhabits. Through her eyes readers are introduced to the colorful denizens of Tamarind Grove. We see the village prostitutes (Sugar Baby, Bullet and Rumshop), the eccentric families, the gentle town spinsters, and Aunt Ruthy, the obeah voodoo lady.
Biographer Delia Jarrett-Macauley stumbled across Marson's name while doing research for another book. The book has been well-received throughout Britain. Copies have sold out during every one of Jarrett-Macauley's book-signings and scheduled talks. "I saw this clipping that said, `Una Marson, the well-known BBC producer is now on holiday in Jamaica.' And I said: `What! You mean we had a black woman producer at the BBC as early as 1945 and we don't know about it.' I decided her story must be known," she said. Marson joined the BBC in 1936 and made an immediate impact, rising rapidly through the ranks. In 1942 she became the West Indies producer and created the Caribbean Voices programme, which won exposure and respectability for Caribbean writers and poets.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
342 p, First published in 1764, The Sugar Cane is a major work in the history of Anglophone Caribbean literature. It is the only poem written in the Caribbean before the twentieth century to achieve a place in the Western 'canon'. Grainger wrote a "West India Georgic", challenging assumptions about poetic diction and the proper subject matter of poetry, and boldly asserting the importance of the Caribbean to the eighteenth-century British empire. This is the first reliable text and critical study of the poem, setting it within the context of Grainger's life and work; Grainger interprets his own experience of the Caribbean through his wide reading of literature. This is a critical study of his poem "The Sugar-Cane." (Amazon)
Rodríguez Guglielmoni,Linda M. (Author), González Hernández,Miriam Mercedes (Author), and Linda M. Rodríguez Guglielmoni,Miriam M.González Hernández (Editor)
Format:
Book, Whole
Publication Date:
2000
Published:
Bronx, NY: Latino Press, Latin American Writers Institute, Eugenio María de Hostos Community College, CUNY
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
253 p, International Conference of Caribbean Women Writers (7th : 2000 : Mayagüez, P.R.); Conference held Apr. 3-7, 2000, in Mayagüez and Ponce, R.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
Though only a small percentage of the quarter million Indians who came to Guyana, the South Indian Madrasis, now much dispersed through emigration to North America, played an influential role in Guyanese life. The Kali-Mai churches they established, for instance, now draw devotees from all Guyanese ethnic groups. At the heart of the narrative are the stories of the entrepreneurial Naga, like pot-salt in everything, his wife Chunoo, resolute in her sense of community and justice, and Hendree, Naga's sidekick, an idler, brilliant drummer and would-be healer. In their lives are played out the polarities which gave Madrasi life its extraordinary dynamism: its spirituality and earthiness, its respect for goodness - and delight in scampishness, its faithfulness to Madrasi culture and openness to the culture of others, particularly the Afro-Guyanese.
