"There was no trial. No formal accusations. They just dumped all of the prisoners like animals into a cage," [Jan Mapou] recalls. "they stripped us and then crammed 14 of us into a small cell. We had no idea if we would ever see our families again. We had no idea if we would even be alive from one second to the next." Tell no one "When I first started working with Jan Mapou and the Sosyete Koukouy, I knew very little about the meanings of the daces I was performing," says Nancy St. Leger, who is now the dance troupe's choreographer. "Mapou opened me up to the significance of each dance. He didn't want the dance troupe to perform anything we didn't understand." "What Mapou is promoting through his work is not just Haitian culture but what Haitian culture represents," says [Yves Colon]. "He keeps alive those ideas of beauty, harmony and black pride which are all a part of what Mapou believes is Haitian culture.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
375 p, O núcleo central da tese é uma reflexão sobre aquilo que na literatura antropológica especializada tem-se convencionado chamar de branqueamento. Em oposição às interpretações correntes segundo as quais a "ideologia do branqueamento" teriasurgido, no Brasil no final do século XIX, como uma espécie de derivação ou readaptação das "teorias raciais ortodoxas", argumenta-se que o "ideário do branqueamento" estava presente nos fundamentos da sociedade colonial brasileira. Paracomprovar isso, tornou-se necessária uma "reconstrução histórica" do conceito de negro. Esse percurso mostra que a idéia do branqueamento passou, ao longo dos séculos, por diversas reformulações devidas às lentas mudanças na concepção de mundo ea contextos sociais e históricos específicos. Foi-se ajustando aos valores supremos de cada época, de concepções religioso-morais, biológico-"progressistas" a um ideário culturalista. A tese defende também a idéia de que a persistência da"ideologia do branqueamento" está vinculada, em primeiro lugar, às características específicas das relações de poder no Brasil. A resistência característica das estruturas patrimoniais à formalização de direitos e deveres individuais e de idéiascomo igualdade e diferença manifesta uma postura sociopolítica que tende a se opor a qualquer tentativa de burocratizar processos de inclusão e exclusão. Foi apenas nos anos 50 do século XX que a idéia de transformação de negro em bra. (Continuação) desmoronamento do sistema escravista, isto é, com a abolição. O último capítulo consiste num estudo de caso no qual se procura aplicar as reflexões teóricas elaboradas ao longo desta tese: "opõem-se" dois "pólos típico-ideais" da"representação negra"--O candomblé e o movimento negro - com o objetivo de analisar as divergências e convergências entre essas duas posições sociopolíticas diante do mundo; Thesis/dissertation
Argues that although evangelical Christianity involves a variety of beliefs that are incompatible with a strong ethnic identity, this religion also includes a range of ideas and practices that nourish rather than corrode black identity.
One basic but tremendously important strategy is becoming and staying involved in our daughters' education. Our girls need to be told and reminded that all professions are open to them and that they must begin from an early age to prepare for these professions. Historically, girls do not take as many math and science courses as boys do, yet many top-paying professions require these subjects. Let your daughters know that math, chemistry, physics, etc., are not boy' exclusive domain but that girls have the aptitude to do just as well in these areas. These are women whose lives speak eloquently of courage, determination and achievement. Contemporary women also provide striking examples of qualities our own daughters can emulate. Within our churches, schools and communities are countless women with stories worth sharing.
This year's Miami concert is a continuation of this ongoing goodwill project, bringing together a host of internationally renowned celebrities, reggae, R&B, and hip-hop artists in an all-day Carnival event with food, arts, crafts, and a vast array of entertainment. Proceeds from the event will benefit the Wyclef Jean Foundation and be donated to charitable organizations. Proceeds from last year's Miami Carnival were given to VHI's "Save The Music" and Oeuvres de Petites Ecoles de P. Bohnen (through Fondation Artistes Creation, a not-for- profit Haitian organization). "Guantanamera," a single from "Wyclef Jean Presents the Carnival," featuring Celia Cruz and Jeni Fujita, was nominated for the Best Rap Performance By A Duo or Group. The following year, Wyclef Jean's single, "Gone Till November," was nominated for a Grammy in the Best Rap Solo Performance category.
