Benedita da Silva, the first black vice-governor of Rio de Janeiro, is profiled. Through her efforts to keep hope alive for impoverished Brazilians, laws were recently enacted to protect the rights of Rio's street children and domestic employees.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Journal Title Details:
1 videocassette (59 min.)
Notes:
Originally broadcast on the television program Booknotes on November 7, 1999. Brian Lamb interviews Eugene Robinson about his book Coal to Cream: A Black Man's Journey Beyond Color to an Affirmation of Race. The book examines race relations in the United States and much of the Western Hemisphere by looking at Mr. Robinson's personal experiences in the U.S. and Brazil, where he noted that racism is rare but inequality still exists.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Journal Title Details:
p. 233 P.
Notes:
This diverse and challenging collection of critical appraisals of Caribbean women fiction writers meets the urgent need for detailed critical analysis in this rapidly expanding field of interest. It includes an extensive bibliography both of relevant criticism and of Caribbean women writers and their fiction list by area.
In 1984, the association opened an expanded Historical Museum at the Miami-Dade Cultural Center in downtown Miami. This 40,000-square-foot facility includes a permanent exhibition that traces the history of South Florida and the Caribbean, a temporary exhibition gallery that features several new exhibitions each year, a theater and classroom area for variety of educational programs, and storage areas for the museum's extensive collections of artifacts and archival materials, including books, manuscripts, maps and more than one million photographs related to the region. In recent year, the Historical Museum has directed increasing attention to Miami's role as a gateway of the Americas. To explore Miami's multifaceted connections with the Caribbean and Latin America, a new program series, Miami: The Gateway City, was introduced in Spring 1999. The objective of the 12-month series is to use the museum as a central forum for public dialogue about current issues facing Miami and as a space for related artistic presentations.
It is not surprising that the Caribbean woman pushes her daughter toward higher education, for she sees education as the greatest tool for social mobility. Education becomes more than just a means of expanding one's realm; it is seen as an armor of protection against hostile forces, an opportunity to be successful so that no one can "tek step wid yuh." Traditionally, women have been the custodians of culture. The Caribbean woman must continuously face this question: "How can I keep the culture intact, maintain our song and dance in these changing times, this electronic age of computer, when our children are struggling against the reins of our value system and often we are so perplexed, not knowing what to do? This, then, is the most valuable lesson the Caribbean mother passes on to her daughter: how to be firm in the midst of society's pressures and remain her individual self and nurture her talents and resources to love her mate and nurture her children, even while she pursues her own dreams. The songs and dance continue.
The genesis of these carnivals carries the intent of resisting on some level, by Caribbean migrants, the otherwise alienating conditions of life in migration, to "carnivalise" these landscapes with some of the joy and space commensurate with Caribbean carnival. Indeed, Caribbean intellectual contributions have had successful impact on the development of U.S., European and African thought. Still, the Caribbean in most imaginings, and in particular to those who do not know it well, is the place of "sun and fun," a vacation land devoid of serious engagement with the world. Caribbean carnival then is the climax of all those "sun and fun" constructions. Yet, there is a history and politics to carnival - a "carnival of resistance" beyond the outer face of "carnival of tourism" - that demands exposure.
