African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
340 p., Sailing the tide of a tumultuous era of Atlantic revolutions, a remarkable group of African-born and African-descended individuals transformed themselves from slaves into active agents of their lives and times. Reconstructs the lives of unique individuals who managed to move purposefully through French, Spanish, and English colonies, and through Indian territory, in the unstable century between 1750 and 1850. Mobile and adaptive, they shifted allegiances and identities depending on which political leader or program offered the greatest possibility for freedom.
A photo essay entitled "Ayiti: Reaching Higher Ground" depicting Haitian people after the January 2010 earthquake in Haiti to counter the press coverage of the event, including photographs entitled "Holding Innocence," "We Can Feed the Country," and "Pretty in Pink."
The Philadelphia region was the site of a rare, artistic treat when Balé Folclórico, Brazil's premiere professional folk dance company made a special Black History Month visit. Formed in 1988, the 33-member troupe of dancers, musicians, and singers perform a repertory based on various Bahian folkloric dances of African origin, including: capoeira (a form of martial arts), samba and other cultural traditions celebrated during Carnival. Hailing from Salvador, in the northeastern state of Bahia, Balé Folclòrico represents Bahia's most important cultural manifestations under a contemporary theatrical vision that reflects its popular origins.
233 p., The experiences of Black females have received little attention in Canadian research on education. As a result, little is known about how Black females experience schooling, and even less is known about the specific challenges they face on account of their gender and its interconnection with race, class, immigrant status and other aspects of their identity. In this dissertation, I examine the schooling experiences of a group of young, Black, females of Caribbean descent. Through the use of anti-racism feminism and immigrant integration theories, the author looks at the relationship between their experiences of school and their understanding of their identity. Argues that the young women's negotiation of schooling is intimately linked to their understanding of their identity - an understanding that is filtered through race and gendered lenses, and is a product of their status as Canadian children of immigrant, Caribbean parents, living in a multicultural society.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
396 p., In 1804 French Saint-Domingue became the independent nation of Haiti after the only successful slave uprising in world history. Before Haiti explains the origins of this free colored class, exposes the ways its members both supported and challenged slavery, and examines how they created their own New World identity from 1760 to 1804.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
229 p., Brings together a contemporary selection in English from some of the key writers now living in Canada, the US, and the UK, as well as various countries of the Caribbean. Reflecting a changing world, and admitting diverse cultural influences and generational differences, these writers maintain a distinct Caribbean-ness in their acute historical awareness and in the cadences and rhythms of their language.
"The launch event in March was really successful. Everything came together for a totally perfect night," Laura Quinla, Rhythm Foundation Director said. "What was especially cool was that it was a lot of different kinds of people of all backgrounds and ages having a great time together." "It is important to focus on the wealth of culture that Haiti has great music, art, dance. The culture is so rich. Little Haiti also has a lot of nice experiences to offer the general public," Quinla said. "We are hoping our night grows and encompasses all the artist studios, cultural venues, shops and restaurants in the area. I think it will be something people throughout South Florida will look forward to every month."
Jamaica's veronica Campbell-Brown waves after winning the Women's 100 meters at the Diamond League Athletics meeting on Sunday May 15. in Shanghai, China. American Lashinda Demus. the meet's record holder, finished runner up in a season's best time of 54.58 seconds, with Olympic and World champion Melaine Walker of Jamaica coming third, also in an SB 54.96. The best of the other Caribbean performances came from Jamaican Dwight Thomas. He also finished fourth in the men's 110 hurdles, clocking a season's best 13.31.
Kingston, Jamaica: University of the West Indies Press
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
251 p., Showcases recent works that reflect a variety of disciplines, styles and topics that include considering Indo-Caribbean women in creative, artistic and performance text, historical and anthropological analyses, intersection with their "others" in the Caribbean and its diaspora, narratives of self, healing and spiritual growth, and roles in religion and cultural activities.
209 p., Explores the representation of black masculinities in Claude McKay's novels, Home to Harlem (1928), Banjo (1929) and Banana Bottom (1933). I use the trope of marronage to theorize McKay's representations of black male subjectivities across a range of African diasporan spaces in the Caribbean, the USA and Europe, arguing that McKay's male characters negotiate these diasporan spaces with the complex consciousness and proclivities of maroons. Through the trope of marronage, the project will demonstrate how McKay's male characters use their maroon conditions to map, explore and define a black diasporan experience -- one, moreover, that is shaped by "creolizations"-- the various pushes and pulls of multiple forms of psychological and cultural crossover. The Introduction places marronage in its historical and cultural contexts and defines who the Maroons were and what particular characteristics managed their existence. The trope of marronage, as an organizing frame for McKay's texts, is intricately tied to the understanding of how "creolization," a term that is integrally associated with the Caribbean experience of hybridity, as both an experience and a concept, structures McKay's sensibility and representations.
