CAFTA is also a step backward for labor rights. Under CAFTA, Central American countries are only obligated to uphold their own labor laws, which have been judged inadequate by the International Labor Organization in more than 20 ways. What's more, the enforcement of these deficient laws cannot be encouraged through the use of dispute settlement, fines or trade sanctions. Even putting labor conditions aside, CAFTA is bad the health of people of co south of the U.S. border. The countries of Central America have high rates of infection of HIV/AIDS and other diseases, rates that go up even more if you look at just the Afro-Latino communities. Provisions in CAFTA would actually delay or limit the introduction of cheaper, generic drugs to combat or cure many diseases and other health conditions. The result? Many of the 275,000 Central America living with HIV/AIDS will not be able to afford antiretroviral drugs. This impact will hit especially hard on Afro-Latinos, who make up a third of Latin America's population but represent 40 percent of Latin America's poor Maybe that's why Doctors Without Borders, the American Public Health Association and many others have come out strongly against CAFTA.
"Colin Powell, Cicely Tyson, Malcolm X, Sir Sidney Poitier, David Patterson, Alexander Hamilton and Jean Baptiste DuSable are all part of a great history that spans generations of men and women whose roots can be found in the Caribbean," he said. "Many of our students share that same heritage. And we are connected to them as well, from the curry in their food to the courage in their souls."
"My first thought of Miami was `this is a big city,'" the 17-year-old told The Miami Times. "It was such a beautiful place, but I experienced culture shock once I was here." "Education is more advanced in Haiti and you have to be disciplined," he said. "That played a great part in my success in high school." "I am getting a great opportunity I wouldn't have in Haiti," he said. "I plan to make the best of it."
Protesters gathered at the corner of 64th Street and 22nd Ave., carrying yellow placards reading "Stop Using Black Men as Target Practice," and "Free Haitian Refugees." "If we can't vote people in the positions to do the right thing then we have no other alternative than to protest," said [Lorraine Goddard], who held a sign that read "No Justice, No Transit Tax." "We demand that the police who have been guilty of killing our youth be prosecuted and put in jail," said Mel Reeves, an organizer with the coalition. "We also demand that they free the Haitian refugees who are being held in the Chrome detention center."
Amid the flurry of designations by the media, law enforcement officials, and advocacy organizations--terms ranging from "migrants" to "asylum-seekers" to "economic refugees"--one thing was clear. The people aboard that boat had fled desperate conditions for safe harbor in the U.S. What awaited them when they touched land was then, and remains, a matter of great contention. When asked about the implications of the designation "migrant," Miami field office INS public relations officer Barbara Gonzalez said that in the context of INS policy, "There is really no such thing as a migrant." She said, "Many use the word," when the correct terminology for what they intend is "non-immigrant." How about the terms "alien" and "refugee?" Amnesty International notes that the term "alien" has been used in U.S. legislation to describe various types of non-citizens, including those Amnesty would call "asylum-seekers." Similarly, the INS describes an alien as any non-citizen or national of the U.S.
The program, which is sponsored by the Haitian Heritage Museum, featured traditional lecture format, intermingled with question and answer sessions, and a line up of local artists - Caheej, Flo and Mecca aka "Grimo." Throughout the presentation, the performers and speakers itnteracted with the audience. The program was designed for that purpose, explained Evaline Pierre, CEO and founder of the Haitian Heritage Museum, to keep them paying attention. "I chose artists to teach the culture because art transcends all boundries. Anyone can identify a beautiful painting." Attention is important because one of the program goals is to teach Haitian culture, a culture that is not widely known about, and by extension increase tolerance for differences. "It's a starting point," said Serge Rodrique, cofounder of Haitian Heritage Museum, "[so] you can start to understand similarities."
