What even serious individuals must note is that 40 or 50 years ago, the kind of jobs that illegal immigrants migrate towards today are the same positions that African Americans were relegated to. How else can we explain highly educated African Americans, even some with Ph.D's, being forced to work at the post office or as a hotel waiter. The barriers for African Americans were Jim Crow; for Hispanics or Latinos fleeing Mexico, El Salvador, Guatamala or other South American countries, it is the wretched poverty in those countries. For them, such jobs are a "step up" from what they had to accept in their country.
Nego Gato's current production, under the series "Brazil to Pittsburgh, Vol. 2, is Navio Negregiro: The Ships of Enslavement" is a new work created by organization founder [Mestre Nego Gato] along with Paco Gomes. This work is a combination of Modern and Traditional dances that tells the story of the Middle Passage from African and the subsequent struggles in Brazil to regain their freedom. This production runs April 6 and 7 at 8 p.m. at the Kelly-Strayhorn Theater and the goal again according to Mestre Gato is to "share the beauty, variety and dynamic power of Afro-Brazilian culture."
This spring, Professor [Henry Louis Gates Jr.] returns to PBS with "Black in Latin America," a new four-part, four hour series. Focusing on six Latin American countries - Haiti, the Dominican Republic, Cuba, Brazil, Mexico and Peru - the series explores the influence of the African diaspora on Latin America. On his journey. Gates discovers a shared legacy of colonialism, slavery and people marked by African roots. In his new series. Gates sets out on a quest to discover how Latin Americans of African descent live now, and how their countries acknowledge - or deny - their African past.
Gates notes the striking difference between the numerous statues of European colonists, and even the whitening of the image of Dominicans who have any African heritage in the Dominican Republic, and the statues of Black Haitian independence leaders throughout Haiti.
[Weldon J. Rougeau] met with Henrique Ulbrig, president of DuPont do Brazil and chair of the board on Integrare. Ulbrig embraced the idea of a summit to be held in August and indicated that the other board members would embrace the idea as well. Ulbrig talked about the value of the inclusion movement from the view of corporate Brazil. He indicated that the business case argument for inclusion had taken hold in Brazil, as it has here in the U.S. Specifically, Clarence Smith, co-founder of Essence magazine has developed a project to establish an airline between Miami, Fla. and Salvador, Bahia, in the northeast of Brazil. Bahia is the center of African culture in Brazil and a frequent tourist destination for African Americans. Currently, no direct flights occur between the U.S. and this region of Brazil. Smith's theory is that a direct route to the area will exponentially increase the number of African Americans traveling to the area.
The carnival image of racial harmony When Brazil became a democracy in 1988, the new constitution specified that they should be given land. But in practice, only a handful have. The local priest in Camburi, Father [Alexander Coelho], urges villagers to unite to demand land. He says that Brazil has a race problem which it is only starting to face up to. "Three hundred years of slavery, 300 hundred years of submission - it's hard to teach people to change that mindset," he says. "In Brazil, there was no discussion about race ... there was a pseudo-equality. When we started to talk about it, we were accused of bringing racism to Brazil," he argues.
The issue at hand was brought to our attention by Brazilian activist Ivanir dos Santos - the executive secretary of an organization called CEAP (Center for the Articulation of Outcast Populations) who came to our attention recently to protest a song released by Sony Music/Brazil artist Tiririca called "Look at Her Hair." "It was something for the children ... a carnival song, kind of a joke," a spokesperson for Sony Music/Brazil, Michele Rumchinsky, said of the record. The average White man or woman in Brazil, a nation of 80 million people of African descent that has the world's second-largest population of people of African descent outside of Nigeria - makes three times what the average Afro-Brazilian earns, although Afro-Brazilians make up 44 percent of the nation's population.
On Nov 15, 1996, Sao Paolo, Brazil's largest and richest city, elected its first black mayor, former finance secy Celso Roberto Pitta do Nascimento, who won 57% of the vote.
"White Brazilians are not accustomed to seeing Blacks in positions of power and seeing Blacks with money in shops, night clubs and hotels. Having more Black American tourists will cause white Brazilians to treat Blacks differently and that will cause them to get a different image of all Blacks. And that can help change attitudes," Medeiros said during a recent interview in Rio.
Crack addiction is out of control in Brazil. Alford laments the lack of political power for blacks in Brazil. “This nation tries to hide its Blackness ... Blacks are 52 percent of the population but, in a nation where voting is mandatory, Blacks have less than 10 percent of the elected officials. They have no economic base.” He suggests that drug dealing – which disproportionately victimizes black Brazilians – flourishes due to official corruption and complicity by the police and legal communities.
