"I think we will do fairly well," said [Aiken]. "I think we have a good set of girls going over there that will do us very proud. We know the task ahead, and we know what we are going to come up against, and so we just need to put it together as a team," added Aiken, who plays for the Queensland Firebirds in the ANZ Championships in Australia and New Zealand.
Biographer Delia Jarrett-Macauley stumbled across Marson's name while doing research for another book. The book has been well-received throughout Britain. Copies have sold out during every one of Jarrett-Macauley's book-signings and scheduled talks. "I saw this clipping that said, `Una Marson, the well-known BBC producer is now on holiday in Jamaica.' And I said: `What! You mean we had a black woman producer at the BBC as early as 1945 and we don't know about it.' I decided her story must be known," she said. Marson joined the BBC in 1936 and made an immediate impact, rising rapidly through the ranks. In 1942 she became the West Indies producer and created the Caribbean Voices programme, which won exposure and respectability for Caribbean writers and poets.
Benedita da Silva, the first black vice-governor of Rio de Janeiro, is profiled. Through her efforts to keep hope alive for impoverished Brazilians, laws were recently enacted to protect the rights of Rio's street children and domestic employees.
Jamaica's veronica Campbell-Brown waves after winning the Women's 100 meters at the Diamond League Athletics meeting on Sunday May 15. in Shanghai, China. American Lashinda Demus. the meet's record holder, finished runner up in a season's best time of 54.58 seconds, with Olympic and World champion Melaine Walker of Jamaica coming third, also in an SB 54.96. The best of the other Caribbean performances came from Jamaican Dwight Thomas. He also finished fourth in the men's 110 hurdles, clocking a season's best 13.31.
"What strikes you, your racism or me?" one of the female demonstrators wrote on her chest during the protest timed to coincide with Rio Fashion Week. "If we are buying clothes, why can't we parade in the (fashion) shows," asked a 15-year-old model taking part in the protest. "Does that mean that only white women can sell and the rest of us can only buy?" "Claiming to showcase Brazilian fashion without the real Brazilians amounts to showing Brazilian fashion (only) with white models," said Jose Flores, a 25-yearold former model who now works in advertising.
It is not surprising that the Caribbean woman pushes her daughter toward higher education, for she sees education as the greatest tool for social mobility. Education becomes more than just a means of expanding one's realm; it is seen as an armor of protection against hostile forces, an opportunity to be successful so that no one can "tek step wid yuh." Traditionally, women have been the custodians of culture. The Caribbean woman must continuously face this question: "How can I keep the culture intact, maintain our song and dance in these changing times, this electronic age of computer, when our children are struggling against the reins of our value system and often we are so perplexed, not knowing what to do? This, then, is the most valuable lesson the Caribbean mother passes on to her daughter: how to be firm in the midst of society's pressures and remain her individual self and nurture her talents and resources to love her mate and nurture her children, even while she pursues her own dreams. The songs and dance continue.
While Blacks fight for their survival, Colombia's wealthy have other preoccupations. In the highbrow, rarified and polluted air of Santafe de Bogota, the Miss Columbia contest parades its select young women before an expectant nation. The announcers painstakingly describe each aspirant, even to the color of her skin. Save for a few Euro-Indians and a couple of light-skinned Black contestants, all are "white." Miss Santefe de Bogota, the long-legged, white-skinned audience favorite emerges the winner. Barely two hours later and the new Miss Columbia launches her reign by visiting the Black beaches of Cartagena, the port-city through which all enslaved Africans entered Columbia. There, to the delight of the world's photographers, Miss Columbia contrasts her white beauty with the Black skins of heavy-set women from maroon (escaped slaves) communities. The headlines and photos run, front page and center: "Carolina between Maroons," an unabashed reference to the old maxim, "a rise between two thorns." Three years ago the wealthy matron who organizes the Miss Columbia pageant claimed the country was not ready for a Black Miss Columbia.
In "Conceiving Freedom," Camillia Cowling examines how gender shaped urban routes to freedom for the enslaved during the slow process of emancipation in Cuba and Brazil. Slavery in those countries ended only after the rest of Latin America had abolished the "peculiar institution" and even after the American Civil War.
Two-time Olympic 100 metres champion, Shelly-Ann Fraser-Pryce (second left), winning the women's Olympic Development 100 metres in 11 .47 seconds at the Queen's/Grace Jackson Invitational meet at the National Stadium Saturday, January 26. Two time Olympic 100-metre champion ShellyAnn Fraser-Pryce displayed good early-season form to win the women's sprint event at the Queen's/Grace Jackson Invitational meet at the National Stadium on Saturday, January 26.
"When I look at the 200m, the record is so far out there, so for me I just try to improve each year and it's definitely not at the top of my list," said Felix touching on the records. "I never like to say never as far as the record is concerned but realistically speaking, I do think that they are very fast; I don't think at least in the 200m where my focus is. I don't think that record is going anytime soon. I can be wrong because track is like that, where amazing things happen that you are not suspecting." "I love running with Veronica and I love high-quality races and I wish we could meet more, it's just how it works out sometimes," Felix added.