A graduate of Howard University and the Wharton School of Business in Philadelphia, Crenshaw currently serves as vice president for economic development of the Washington, D.C.-based Organization of Africans in the Americas (OAA). Founded nearly six years ago as a support group, OAA functions as a resource and referral center of data, service and empowerment of Africans in the Americas. Nevertheless, Franklin is eager to point an emerging Black movement across Latin America that is battling to become a part of the political and economic process of the region. "We are now working very hard to ensure that genuine changes are brought about, especially as they affect the lives of the millions of Blacks in Latin America," the OAA executive director said. Some of those changes include linking Black Latin students and other aspiring small entrepreneurs with the Howard University Small Business Center in northwest Washington, D.C. "We are working to develop sustainable linkages between Blacks in America and Blacks in Latin America," said Crenshaw, who noted that Howard already has a growing number of Black Latin American students.
Palherino sits right above the main docks where ships brought Africans into the country for slavery. The area was given the name Palherino because it was the place where African people were punished. When you walk into Palherino you are greeted by four large Catholic churches that rope off a section of Palherino where a main stage is usually built for free concerts. During the festivities, barbeque pits with seasoned chicken grilling are set up everywhere. And families sell fruit, foods, drinks and beer, all the while dancing to Rhumba or Merengue. Walking through Palherino you will see women of all sizes, shades and colors dressed in big, elaborate head wraps with full white skirts or dresses. This is the traditional Brazilian dress for black women, most of whom earn their living by assisting tourists to restaurants or around Palherino.
Not rooted or identified as a Brazilian martial art, Capoiera Angola is the foundation of which African-Brazilians adapted the rhythmic form of self-defense and offense called Capoiera. The indigineous Capoiera Angola is the mother/father of Brazil's Capoeira, which was formed when Africans from Central Africa were brought to South America in bondage. Capoeira Angola goes further.
The carnival image of racial harmony When Brazil became a democracy in 1988, the new constitution specified that they should be given land. But in practice, only a handful have. The local priest in Camburi, Father [Alexander Coelho], urges villagers to unite to demand land. He says that Brazil has a race problem which it is only starting to face up to. "Three hundred years of slavery, 300 hundred years of submission - it's hard to teach people to change that mindset," he says. "In Brazil, there was no discussion about race ... there was a pseudo-equality. When we started to talk about it, we were accused of bringing racism to Brazil," he argues.
