African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
259 p, Henry Louis Gates, Jr. set out on a quest to discover how Latin Americans of African descent live now, and how the countries of their acknowledge—or deny—their African past; how the fact of race and African ancestry play themselves out in the multicultural worlds of the Caribbean and Latin America. Starting with the slave experience and extending to the present, Gates unveils the history of the African presence in six Latin American countries—Brazil, Cuba, the Dominican Republic, Haiti, Mexico, and Peru—through art, music, cuisine, dance, politics, and religion, but also the very palpable presence of anti-black racism.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
326 p., Part of a series listing materials on the history of North America and the Caribbean from 1492 to 1815. Organized thematically, the book covers, among many other topics, exploration and colonization; maritime history; environment; Native Americans; race, gender, and ethnicity; migration; labor and class; business; families; religion; material culture; science; education; politics; and military affairs.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
221 p., Chronicling the period from the abolition of slavery in 1888 to the start of Brazil's military regime in 1964, Romo uncovers how the state's nonwhite majority moved from being a source of embarrassment to being a critical component of Bahia's identity.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
165 p, Reflete sobre as principais formas de expressão da cultura afro-brasileira, desde a capoeira até a culinária e outras e que actualmente estão perdendo as suas características e objetivos de origem, em função da indústria do Turismo
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
238 p, A reaffirmation of the validity of that persistent quest by the Jamaican and Caribbean people for place and purpose in a globalised world of continuous change. In post-colonial societies like Jamaica, the issue of cultural identity is as important as political independence and economic self-sufficiency. Rex Nettleford goes further by declaring that cultural identity is as fundamental a reality as food, shelter, clothing and job opportunities and is not a mere abstract preoccupation. For this reason, cultural ‘action’ is central to effective social change. Caribbean Cultural Identity analyses and illustrates the dynamics of cultural evolution in the Caribbean. Nettleford focuses on the problems of identity, particularly as it relates to cultural pluralism and Eurocentricity and describes in detail the role that the performing arts have played in shaping the general development of Jamaica as well as the Caribbean in general.
