African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
247 p., Describes how black Cubans experience racism on two levels. Cuban racism might result in less access for black Cubans to their group's resources, including protection within Cuban enclaves from society-wide discrimination. In society at large, black Cubans are below white Cubans on every socioeconomic indicator. Rejected by their white co-ethnics, black Cubans are welcomed by other groups of African descent. Many hold similar political views as African Americans. Identifying with African Americans neither negatively affects social mobility nor leads to a rejection of mainstream values and norms.
Batrell,Ricardo (Author) and Sanders,Mark A. (Translator)
Format:
Book, Whole
Publication Date:
2010
Published:
Minneapolis: University of Minnesota Press
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
240 p., In 1896, an illiterate, fifteen-year-old Afro-Cuban field hand joined the rebel army fighting for Cuba's independence. Though poor and uneducated, Ricardo Batrell believed in the promise of Cuba Libre, the vision of a democratic and egalitarian nation that inspired the Cuban War of Independence. After the war ended in 1898, Batrell taught himself to read and write and published a memoir of his wartime experiences,
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
276 p, The history of Haiti throughout the twentieth century has been marked by oppression at the hands of colonial and dictatorial overlords. But set against this "day for the hunter" has been a "day for the prey," a history of resistance, and sometimes of triumph. With keen cultural and historical awareness, Gage Averill shows that Haiti's vibrant and expressive music has been one of the most highly charged instruments in this struggle—one in which power, politics, and resistance are inextricably fused.
Explores such diverse genres as Haitian jazz, troubadour traditions, Vodou-jazz, konpa, mini-djaz, new generation, and roots music. He examines the complex interaction of music with power in contexts such as honorific rituals, sponsored street celebrations, Carnival, and social movements that span the political spectrum.
Crahan,Margaret E. (Author) and Knight,Franklin W. (Author)
Format:
Book, Whole
Publication Date:
1979
Published:
Baltimore: Johns Hopkins University Press
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
159 p, Contents: The African migration and the origins of an Afro-American society and culture / Franklin W. Knight and Margaret E. Crahan; The cultural links / Harry Hoetnik;
African and Creole slave family patterns in Trinidad / B.W. Higman; Myalism and the African religious tradition in Jamaica / Monica Schuler; Jamaican Jonkonnu and related Caribbean festivals / Judith Bettelheim; The African impact on language and literature in the English-speaking Caribbean / Maureen Warner Lewis; The African presence in the poetry of Nicolás Guillén / Lorna V. Williams.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
160 p, Twentieth-century Black literary and political figures of the United States and the Caribbean related to Africa in complex and ambivalent ways that did not prevent them from denouncing the social, economic, and political oppressions of the West against Blacks of Africa and its Diaspora from slavery through colonialism and neocolonialism.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
Originally published: Afro-American folktales. c1985., 327 p, These tales range from the earthy comedy of tricksters to stories explaining how the world was created and got to be the way it is, to moral fables that tell of encounters between masters and slaves. They includes stories set down in travelers' reports and plantation journals from the early nineteenth century, tales gathered by collectors such as Joel Chandler Harris and Zora Neale Hurston, and narratives tape-recorded by Roger Abrahams himself during extensive expeditions throughout the American South and the Caribbean.
