Mona, Jamaica: University of the West Indies Press
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
168 p., Provides an accessible account of a poorly understood aspect of Jamaican popular culture. It explores the socio-political meanings of Jamaica's dancehall culture. In particular, the book gives an account of the power relations within the dancehall and between the dancehall and the wider Jamaican society.
Bigelow,John (Author) and Scholnick, Robert J. (Author)
Format:
Book, Whole
Publication Date:
2006
Published:
Urbana: University of Illinois Press
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
Originally published: New York & London : Putnam, 1851., 214 p, After Jamaican slaves were fully emancipated in 1838, the local economy collapsed. Driven by a belief in the innate inferiority of the black race and bolstered by this apparently disastrous Jamaican example, Americans who defended slavery convinced many that emancipation at home would lead to economic and social chaos. Collecting John Bigelow's vivid firsthand reporting, Jamaica in 1850 challenges that widely held view and demonstrates that Jamaica's troubles were caused not by lazy blacks but by the incompetence of absentee white planters operating within an obsolete colonial system.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
182 p., Explores the dialogue between two central institutions in African Caribbean life: the church and the dancehall. Beckford highlights how Dub – one of the central features of dancehall culture – can be mobilized as a framework for re-evaluating theology, taking apart doctrine and reconstructing it under the influence of a guiding theme.
