African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
227 p, In Women in Caribbean Politics Cynthia Barrow-Giles and her co-contributors profile 20 of the most influential women in modern Caribbean politics who have struggled and excelled, in spite of the obstacles. Divided into four parts, this volume looks at women who led the struggle for freedom; those who agitated for equal rights and justice in the pre-independence period; postcolonial trailblazers; as well as a group which Cynthia Barrow-Giles refers to as ‘Women CEOs.’ The profiles cover women from 12 territories, with varying political, ethnic and socio-economic issues.
Espín Guillois,Vilma (Author), Santos Tamayo,Asela de los (Author), and Ferrer,Yolanda (Author)
Format:
Book, Whole
Publication Date:
2012-01-01
Published:
New York: Pathfinder
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
364 p., A collection of four interviews by different journalists with Vilma Espín, Asela de los Santos and Yolanda Ferrer from 1975-2008. Founded by Fidel Castro and directed by Vilma Espín, the Federation of Cuban Women sought to mobilize women following the 1959 Cuban Revolution. Called the "revolution within the revolution," the Cuban women's movement sent women into new regions of the country to teach the illiterate and nurse the ill.
Vega,Marta Moreno (Editor), Alba,Marinieves (Editor), and Modestin,Yvette (Editor)
Format:
Book, Edited
Publication Date:
2012
Published:
Houston, TX: Arte Público Press
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
233 p, Features eleven essays and four poems in which Latina women of African descent share their stories. The authors included are from all over Latin America and they write about the African diaspora and issues such as colonialism, oppression and disenfranchisement.
Maier,Elizabeth (Author) and Lebon,Nathalie (Author)
Format:
Book, Whole
Publication Date:
2010
Published:
New Brunswick, NJ: Rutgers University Press
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
375 p, Contributors explore the emergence of the area’s feminist movement, dictatorships of the 1970s, the Central American uprisings, the urban, grassroots organizing for better living conditions, and finally, the turn toward public policy and formal political involvement and the alternative globalization movement. Includes Helen Safa's "Female-headed households and poverty in Latin America : a comparison of Cuba, Puerto Rico, and the Dominican Republic ";
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
318 p., In the late 20th century, Toni Cade Bambara, Paule Marshall, Gloria Naylor, Ntozake Shange, and Toni Morrison reclaim and revise cultural nationalism. The author devotes a chapter to each author. Organizing, formally on the page and thematically in the story, heals the fractured single and communal bodies in Bambara's 1980 novel The Salt Eaters. On the islands of Tatem and Carriacou, Marshall's Avey Johnson dances a cultural nation dependent on diasporic connections in Praisesong for the Widow (1983). Naylor's Willow Springs proves fertile island ground in Mama Day (1988) for women's work to map nation, unearth an archive, and mother the next generation. Shange's recipe-laden novel Sassafrass, Cypress & Indigo (1982) and later cookbook if I can Cook/you Know God can (1998) posit cooking as theory and practice of community. In Morrison's Paradise (1997), women write and paint records of their individual and collective histories. This group of writers uses Africa, the Sea Islands, the Caribbean, the American South, the kitchen, the dance floor, and the garden as spaces that help define a distinctly African American collectivity practiced in highly local, concrete work for fashioning self and community. In these practices, cultural nationalism comes to rely not on the imagined and far away, but on the lived and local.
