Kingston Jamaica: University of the West Indies Press
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
335 p, Rock it Come Over describes the music and lore of slavery from the early sixteenth century through emancipation in 1838 to the mid twentieth century.
247 p., Discusses the diasporic origins of Palo Mayombe, a Kongo-Cuban religious tradition, while seeking to analyze how it fulfills, in a new transplanted setting, the spiritual needs of a given segment of the Cuban immigrant population in the United States—designated here as the “strangers in a new land”—“serving not only as a healing mechanism but also a vehicle towards the preservation of ethnic and cultural identity.”
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
363 p, Contents: Africans in the Iberian Peninsular, the slave trade, and overview of Afro-Iberian linguistic contacts; Early Afro-Portuguese texts; Early Afro-Hispanic texts; Africans in colonial Spanish America; Afro-Hispanic texts from Latin America; Survey of major African language families; Phonetics/phonology of Afro-Hispanic language; Grammatical features of Afro-Hispanic language; The Spanish-creole debate
Discussed is the 'passion for Cuba' held by Dr. Robert Stephens, professor of music at the University of Connecticut-Storrs and interim director of the school's Institute for African American Studies
