Discussed is the 'passion for Cuba' held by Dr. Robert Stephens, professor of music at the University of Connecticut-Storrs and interim director of the school's Institute for African American Studies
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
289 p, explores the multiple ways that Africans have affected political, economic, and cultural life throughout the region. Focusing on areas traditionally associated with Afro-Latin American culture such as Brazil and the Caribbean basin, this innovative work also highlights places such as Rio de La Plata and Central America, where the African legacy has been important but little studied.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
317 p., While a great deal of postcolonial criticism has examined how the processes of hybridity, mestizaje, creolization, and syncretism impact African diasporic literature, Oakley employs the heuristic of the "commonplace" to recast our sense of the politics of such literature. Her analysis of commonplace poetics reveals that postcolonial poetic and political moods and aspirations are far more complex than has been admitted. African Atlantic writers summon the utopian potential of Romanticism, which had been stricken by Anglo-European exclusiveness and racial entitlement, and project it as an attain.
Heywood,Linda M. (Author) and Faustino,Oswaldo (Author)
Format:
Book, Whole
Language:
Portuguese
Publication Date:
2008
Published:
São Paulo: Editora Contexto
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
Portuguese translation of Linda Heywood, Central Africans and cultural transformations in the American diaspora selections (New York: Cambridge University Press, 2002)., 222 p., Studies the importance of Central African culture to the cultures of the Americas since the Atlantic slave trade. Focusing on the Kongo/Angola culture zone, the book illustrates how African peoples re-shaped their cultural institutions as they interacted with Portuguese slave traders up to 1800, then follows Central Africans through all the regions where they were taken as slaves and recaptives.
Falola,Toyin (Editor), Afolabi,Niyi (Editor), and Adesanya,Aderonke A. (Editor)
Format:
Book, Edited
Publication Date:
2008
Published:
Durham, N.C.: Carolina Academic Press
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
492 p., Includes Akintunde Akinyemi's "Transnational displacement and cultural continuity : the survival of Yorùbá religious poetry in the Americas," Niyi Afolabi's "Milton Nascimento's Missa dos Quilombos: musical invocation, race, and liberation," Christopher Adejumo's "Migration and slavery as paradigms in the aesthetic transformation of Yoruba art in the Americas," Ann Albuyeh's "'Africa speaks in me': how the diaspora shaped the languages of the Caribbean, then and now," Raphael Chijioke Njoku's "Symbols and meanings of Igbo masquerades and carnivals of the Black diaspora," and Ray A. Kea's "Religion, texts, and conversion in the eighteenth-century Danish West Indies : questions of self-identity and self-determination."
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
423 p., Focuses on the migrations and metamorphoses of black bodies, practices, and discourses around the Atlantic, particularly with regard to current issues such as questions of identity, political and human rights, cosmopolitics, and mnemo-history. Includes Judith M. Williams' "Néritude as performance practice: Rio de Janeiro's Black experimental theatre," Richard Follett's "The spirit of Brazil: football and the politics of Afro-Brazilian cultural identity," Dorothea Fischer-Hornung's "Transbodied/transcultured : moving spirits in Katherine Dunham's and Maya Deren's Caribbean," Elvira Pulitano's "Re-mapping Caribbean land(sea)scapes: aquatic metaphors and transatlantic homes in Caryl Phillips's The Atlantic sound," and Antoinette Tidjani Alou's "Marine origins and anti-marine tropism in the French Caribbean: André and Simone Schwarz-Bart."
