The following contributions are cited separately in RILM: Kelly M. ASKEW, As Plato duly warned: Music, politics, and social change in Coastal East Africa (RILM ref]2012-18675/ref]); Reinhold BRINKMANN, The distorted sublime: Music and national socialist ideology—A sketch (RILM ref]2012-18663/ref]); George CICCARIELLO-MAHER, Brechtian hip-hop: Didactics and self-production in post-gangsta political mixtapes (RILM ref]2012-18677/ref]); Robin DENSELOW, Born under a bad sign (RILM ref]2012-18669/ref]); Jean DURING, Power, authority and music in the cultures of Inner Asia (RILM ref]2012-18674/ref]); Danielle FOSLER-LUSSIER, Beyond the folk song, or, What was Hungarian socialist realist music? (RILM ref]2012-18666/ref]); Simon FRITH, Rock and the politics of memory (RILM ref]2012-18670/ref]); Marina FROLOVA-WALKER, On Ruslan and Russianness (RILM ref]2012-18659/ref]); Jane F. FULCHER, The composer as intellectual: Ideological inscriptions in French interwar neoclassicism (RILM ref]2012-18662/ref]); Lydia GOEHR, Political music and the politics of music (RILM ref]2012-18678/ref]); Daniel KREISS, Appropriating the master's tools: Sun Ra, the Black Panthers, and black consciousness (1952–1973) (RILM ref]2012-18672/ref]); Nicholas MATHEW, Beethoven's political music, the Handelian sublime, and the aesthetics of prostration (RILM ref]2012-18657/ref]); Nick NESBITT, African music, ideology and utopia (RILM ref]2012-18676/ref]); Charles B. PAUL, Music and ideology: Rameau, Rousseau, and 1789 (RILM ref]2012-18652/ref]); Jolanta T. PEKACZ, Deconstructing a 'national composer': Chopin and Polish exiles in Paris, 1831-49 (RILM ref]2012-18658/ref]); Pamela M. POTTER, What is 'Nazi music'? (RILM ref]2012-18664/ref]); David M. POWERS, The French musical theater: Maintaining control in Caribbean colonies in the eighteenth century (RILM ref]2012-18653/ref]); Mao Yu RUN, Music under Mao, its background and aftermath (RILM ref]2012-18673/ref]); Richard TARUSKIN, Public lies and unspeakable truth: Interpreting Shostakovich's fifth symphony (RILM ref]2012-18665/ref]); Katharine THOMSON, Mozart and freemasonry (RILM ref]2012-18655/ref]); Jess TYRE, Music in Paris during the Franco-Prussian War and the Commune (RILM ref]2012-18660/ref]); Penny Marie VON ESCHEN, Ike gets Dizzy (RILM ref]2012-18668/ref]); Glenn E. WATKINS, The old lie (RILM ref]2012-18661/ref]).
