Compares the contemporary movements for cultural autonomy and social legitimation organized by the indigenous and Afrodescendant populations of Latin America. These movements are challenging the concept of blanqueamiento or whitening embedded in the process of mestizaje in Latin America. Whitening proclaimed the superiority of white European culture over indigenous and black culture, a concept these movements are challenging by proclaiming their own cultural autonomy.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
213 p., A ollection of stories about the lives of 10 remarkable people in the region. From Trinidad, Grenada, St. Lucia and the Dominican Republic to Columbia, Nicaragua, El Salvador and Mexico, readers will come to know individuals whose lives reflect the history and immense changes underway in these countries.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
346 p., A comparative feminist work that starts with a substantial historical account of the different ways that freedom, race and gender were intertwined in Jamaica and Haiti after the end of slavery.
Offers close readings of three texts that foreground the problems, possibilities and struggle involved in forging affective connections across difference between women: Kate Clanchy,What is She Doing Here?, 2008, Jamaica Kincaid,Lucy, 1991a and Marlene Van Niekerk, ‘Labour’, 2004. Argues that the incomplete and partial nature of affective moments represented in these texts signals possibilities for a cautiously redefined idea of affective feminist solidarity as it is mobilized in the intimacy of domestic spaces.
The erasure and denial of the female body and of female sexuality in the fiction of Erna Brodber and Jamaica Kincaid represent the erasure and denial of the colonized Caribbeans by their European colonizers. The female characters of both Brodber and Kincaid, however, retrieve their bodies through various means, from education to a realization of the power of their sexuality. This retrieval of the female body symbolizes freedom of the Caribbean body from colonization.
While Blacks fight for their survival, Colombia's wealthy have other preoccupations. In the highbrow, rarified and polluted air of Santafe de Bogota, the Miss Columbia contest parades its select young women before an expectant nation. The announcers painstakingly describe each aspirant, even to the color of her skin. Save for a few Euro-Indians and a couple of light-skinned Black contestants, all are "white." Miss Santefe de Bogota, the long-legged, white-skinned audience favorite emerges the winner. Barely two hours later and the new Miss Columbia launches her reign by visiting the Black beaches of Cartagena, the port-city through which all enslaved Africans entered Columbia. There, to the delight of the world's photographers, Miss Columbia contrasts her white beauty with the Black skins of heavy-set women from maroon (escaped slaves) communities. The headlines and photos run, front page and center: "Carolina between Maroons," an unabashed reference to the old maxim, "a rise between two thorns." Three years ago the wealthy matron who organizes the Miss Columbia pageant claimed the country was not ready for a Black Miss Columbia.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
175 p, "Against the historical background of slavery and colonialism, this study investigates how white and Afro-Caribbean women writers have responded to feminist, abolitionist and post-emancipationist issues. It aims to reveal a relationship between colonial exploitation and female sexual oppression." (Google); Focuses on women writers who construct textual connections between the English metropolis and the Caribbean and between slavery or colonialism and women's conditions over two hundred years, from 1790 to 1988
