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2. Rio Tries Counterinsurgency
- Collection:
- Black Caribbean Literature (BCL)
- Contributers:
- Muggah,Robert (Author) and Mulli,Albert Souza (Author)
- Format:
- Journal Article
- Publication Date:
- Feb 2012
- Published:
- Philadelphia, PA: Current History, Inc
- Location:
- African American Research Center, Library, University of Illinois at Urbana-Champaign
- Journal Title:
- Current History
- Journal Title Details:
- 111(742) : 62-66
- Notes:
- Brazil's tourist-jammed cities are some of the most violent on the planet. A considerable number of the country's 43,000 annual murders occur on the streets of Sao Paulo, Recife, and Rio de Janeiro. And Brazilian cities are not alone in what might be called a bad neighborhood. The fact is that most major Latin American and Caribbean cities are today plagued by an epidemic of violence. With more than 20 murders per 100,000 people, the regional homicide rate is roughly three times the global average. Many of the larger urban centers -- from Caracas and Ciudad Juarez to Kingston and Port-of-Spain -- register the highest rates of lethal violence in the world.
3. Surinamese Maroons as reggae artistes: music, marginality and urban space
- Collection:
- Black Caribbean Literature (BCL)
- Contributers:
- JAFFE,RIVKE (Author) and Sanderse,Jolien (Author)
- Format:
- Journal Article
- Publication Date:
- Oct 2010
- Published:
- Abingdon, UK: Routledge/Taylor & Francis
- Location:
- African American Research Center, Library, University of Illinois at Urbana-Champaign
- Journal Title:
- Ethnic and Racial Studies
- Journal Title Details:
- 33(9) : 1561-1579
- Notes:
- Examines how marginalized Maroon youth in Paramaribo, the capital of the Caribbean nation of Suriname, employ musical strategies in combating ethno-racial stigmatization and improving their socio-economic position. Traditionally, Maroons, after escaping the plantations during slavery, have lived in semi-isolation in Suriname's dense rainforest. In recent decades, they have become increasingly urbanized, to the discontent of many in Paramaribo, who view Maroons as backward, violent criminals. Drawing on ethnographic fieldwork and popular culture analysis, the article discusses how young Maroons use reggae and dancehall to create and recreate physical and social spaces of their own within the city and outside the forest. They protest local conditions and inequity by drawing on regional images of marginality that have been shaped by Rastafari musicians in Jamaica.