James F. Evans Collection, This study deals with the hypothesis that communication media of the West are comparatively more influential in exporting cultural imperialism to the socio-cultural disadvantage of developing countries. The purpose of this study is to determine the role of the powerful media of the West, particularly of the USA vis-a-vis other dominant factors which are considered effective tools of cultural exportation from the haves to the have-nots. (original)
Examines the political and cultural possibilities and limits of the wide-ranging reggae scene that has emerged along both sides of the U.S./Mexico border since the 1990s. It investigates why and how members of seemingly disparate border communities, including Mexicanas/os, Chicanas/os, and Native Americans, find common social and political ground playing Afro-Caribbean inspired music. It also interrogates how people living in the U.S.-Mexico borderlands have responded to the impact of economic and political globalization by using reggae to fashion multiethnic and post-national political formations and social relationships at the grassroots.
Anderson,William M., (Ed.And Pref.), Campbell,Patricia Shehan, (Ed.And Pref.), and Seeger,Anthony, (Foreword)
Format:
Book, Whole
Publication Date:
01/01; 2011
Published:
Lanham: Rowman & Littlefield Education
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
The following contributions are cited separately in RILM: William M. ANDERSON, Michael B. BAKAN, Patricia Shehan CAMPBELL, Jackie Chooi-theng LEW, Phong NGUYỄN, Pornprapit PHOASAVADI, Music of Southeast Asia (RILM ref]2010-13857/ref]); William M. ANDERSON, Patricia Shehan CAMPBELL, Teaching music from a multicultural perspective (RILM ref]2010-13846/ref]); William M. ANDERSON, Kuo-huang HAN, Tatsuko TAKIZAWA, Ricardo D. TRIMILLOS, Music of East Asia (RILM ref]2010-13856/ref]); William M. ANDERSON, Kristin Olson RAO, Music of South Asia: India (RILM ref]2010-13858/ref]); Sarah J. BARTOLOME, Pierre Cary (Kazadi wa Mukuna) KAZADI, Elizabeth OEHRLE, Music of sub-Saharan Africa (RILM ref]2010-13847/ref]); Bryan BURTON, Kay L. EDWARDS, Music of native peoples of North America (RILM ref]2010-13853/ref]); Milton L. BUTLER, Marvelene C. MOORE, Rosita M. SANDS, Linda B. WALKER, African American music (RILM ref]2010-13848/ref]); Patricia Shehan CAMPBELL, David G. HEBERT, World beat (RILM ref]2010-13855/ref]); Patricia Shehan CAMPBELL, Ellen MCCULLOUGH-BRABSON, Euro-American music (RILM ref]2010-13852/ref]); Patricia Shehan CAMPBELL, Music of Europe (RILM ref]2010-13851/ref]); Ann C. CLEMENTS, Peter DUNBAR-HALL, Sarah H. WATTS, Music of Oceania and the Pacific (RILM ref]2010-13854/ref]); David G. HEBERT, Jazz and rock music (RILM ref]2010-13850/ref]); Rita KLINGER, Christopher ROBERTS, George D. SAWA, Terese VOLK TUOHEY, Music of the Middle East (RILM ref]2010-13859/ref]); Dale A. OLSEN, Milagros Agostini QUESADA, Amanda C. SOTO, Music of Latin America and the Caribbean (RILM ref]2010-13849/ref]). The first edition is abstracted as RILM ref]1990-07600/ref], the second as RILM ref]1996-23510/ref].
