In creating Scourge, a full-length work of hip hop theater, Joseph digs into his ancestral roots to tell the story of Haiti, the poorest nation in the Western hemisphere with a long and violent history. The piece's main characters are two Haitian-American kids who are torn between their Caribbean roots and urban America where they have grown up.
Analyses Sistren Theatre Collective's theatrical and organizational collective model by contextualizing the company's commitment to collectivity in terms of political and social shifts in Jamaica during the 1980s. Argues that race- and class-based divisions within Jamaican society were masked by collectivity masked.
