Palherino sits right above the main docks where ships brought Africans into the country for slavery. The area was given the name Palherino because it was the place where African people were punished. When you walk into Palherino you are greeted by four large Catholic churches that rope off a section of Palherino where a main stage is usually built for free concerts. During the festivities, barbeque pits with seasoned chicken grilling are set up everywhere. And families sell fruit, foods, drinks and beer, all the while dancing to Rhumba or Merengue. Walking through Palherino you will see women of all sizes, shades and colors dressed in big, elaborate head wraps with full white skirts or dresses. This is the traditional Brazilian dress for black women, most of whom earn their living by assisting tourists to restaurants or around Palherino.
"The children were killed so that they wouldn't grow up and become criminals, that's the philosophy of the people in power here. Being Black is as negative as it gets - it's a lot different from living here in England. I was really surprised when I came to Britain, to see Black people on TV, driving nice cars and dressing in fine clothes - it was a real surprise. In Brazil that would not happen. The only people you would see doing well would be the people with blue eyes and blonde hair." Earlier this year the Brazilian Centre for Expression of Marginalised Populations (CEAPM) planned to sue Transport Minister Eliseu Padilha after ahe made a racist remark about one of Brazil's national heroes, footballer Pele. A Brazilian Embassy spokesman told The Voice that it's not racism but rather the distribution of wealth that puts Blacks on the bottom of the pile. The spokeswoman said: "I am not denying that racism exists in Brazil but racism is a universal thing. The UK is more racist than Brazil. The main problem with my country is an economic/class one - the Black people do not have the economic muscle to climb to the top. The roots of this are deep in our history.
A critical analysis of Henry Louis Gates, Jr.'s PBS documentary film series Black in Latin America. The author discusses Gates' exploration of the history of early race mixture, the contemporary valorization of Blackness, and racial inequality in Brazil.
A critical analysis of Henry Louis Gates, Jr.'s PBS documentary film series Black in Latin America. The author discusses the conceptualization of blackness in the Dominican Republic.
Beauty is constantly lived and incorporated as a meaningful social category in Brazil and intersects with racialised and gendered ways of belonging to the Brazilian nation. Article shows how middle-class women self-identifying as black embody and experience beauty and how, through practices and discourses centered on physical appearance, they both reinforce and challenge broader social and racial inequalities in Brazil.
Campinas: Instituto de Estudos da Linguagem da Universidade de Campinas
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
232 p, Cruz e Souza and Lima Barreto works evince similar strategies to face historical circumstantial challenges relevant to the end of the 19th Century. Concerning the racial exclusion processes enrooted in the preceding centuries due to slavery, the authors developed the collective trauma consciousness and its further consequences on daily lives within the poetical and fictional areas.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
Originally presented as the author's (Luiz Silva's) thesis (doctoral)--Universidade Estadual de Campinas, 2005., 294 p, Cruz e Souza and Lima Barreto works evince similar strategies to face historical circumstantial challenges relevant to the end of the 19th Century. Concerning the racial exclusion processes enrooted in the preceding centuries due to slavery, the authors developed the collective trauma consciousness and its further consequences on daily lives within the poetical and fictional areas.
