220 p., Employs a black feminist diaspora literary lens to identify, define, trace, and speak to the African Diaspora as it functions in black women's diaspora fiction and informs our understanding of black women's diaspora identity. Considers three authors and novels by women of, in, and across the African Diaspora. The study centers on Sandra Jackson-Opoku's The River Where Blood Is Born as a primary site of analysis of diaspora formation and theorization, Dionne Brand's At the Full and Change of the Moon and Maryse Condé's Desirada as comparative textual and theoretical sites.
Dionne Brand's memoir, A Map to the Door of No Return: Notes to Belonging, touches on the author's childhood in Trinidad and adulthood in Canada but is equally concerned with understanding and intervening in the larger histories among which Brand situates her identity. Her sources are rich and varied, and they can be broken down into three general types: the historical archives written during the 'age of exploration' and the slave trade; the contemporary archives of newspapers and journals; and the creative archive of postcolonial writers, or the neo-archive.
Wellesley, Mass.: Calaloux Publications;Amherst : Distributed by the University of Massachusetts Press.
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
First International Conference on the Women Writers of the English-speaking Caribbean, April 1988, 382 p, In 1831, three years before England abolished slavery in the British Caribbean, the narrative of Mary Prince was published in London. It was the first account written by a Caribbean slave to be published. Although narratives and stories of Caribbean women have appeared sporadically in subsequent years, it is only since 1970 that a wave of women's writing has innudated the field, thereby changing the horizons of Caribbean literature.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Journal Title Details:
p. 233 P.
Notes:
This diverse and challenging collection of critical appraisals of Caribbean women fiction writers meets the urgent need for detailed critical analysis in this rapidly expanding field of interest. It includes an extensive bibliography both of relevant criticism and of Caribbean women writers and their fiction list by area.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
201 p, Focuses on the literature of Caribbean women writers in the 1980s and 1990s particularly the fiction of Jamaica Kincaid, Erna Brodber, Marlene Nourbese Philip, and Merle Hodge. (Amazon.com)
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
174 p., Reading the fiction of Jamaica Kincaid, Dionne Brand, Jean Rhys, Erna Brodber, and Michelle Cliff alongside British texts such as Dickens's Great Expectations and Bronte's Jane Eyre, Renk demonstrates how contemporary Anglophone Caribbean women's writing radically subverts the myth of the family as it is constructed in 19th century British and colonial texts. These women writers reconfigure Caribbean identity, family, and nation according to cross-cultural, trans-national and transtemporal paradigms.
Place of publication not identified: CayStreet Publications
Location:
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
164 p., Topics include George Town In the 50's and 60's, The Wights and McTaggarts as the owners of Cayman’s First Supermarket who were pioneers of keeping Caymanian young people employed, Miss Kippy School in George Town, Cayman Prep and Rev.George Hicks, Cayman High and Rev. John R. Gray, Aunt Ione's Fried Fish, Church Girls, Ghosts and Rolling Calf, Dating in the 60's,The Flag Carrier, Cayman Bruce Lee, C.H. Goring and Barbadians in Cayman, A Cayman Summer, and 50’s Christmas in Cayman.
The erasure and denial of the female body and of female sexuality in the fiction of Erna Brodber and Jamaica Kincaid represent the erasure and denial of the colonized Caribbeans by their European colonizers. The female characters of both Brodber and Kincaid, however, retrieve their bodies through various means, from education to a realization of the power of their sexuality. This retrieval of the female body symbolizes freedom of the Caribbean body from colonization.
