108 p., Investigate how contemporary fiction written by mixed race North American authors challenges theories of cultural and racial fluidity. Specifically looks at the works of Lawrence Hill, Shani Mootoo, and Danzy Senna, because their work uses similar conditions of hybridity in identity, through the lens of cultural performance. These authors represent my politics of an inclusionary mixed race theory by representing differences amongst themselves that resolve into a focus on language, as it reflects on mixed race literature.
African American Research Center, Library, University of Illinois at Urbana-Champaign
Notes:
216 p, Contents: 1. Beyond Nationalism: Literary Nation-building in the Work of Earl Lovelace and Michael Anthony -- 2. Men Go Have Respect For All O' We: Valerie Belgrave's Invention of Trinidad -- 3. Willi Chen and Carnival Nationalism in Trinidad -- 4. Samuel Selvon and the Chronopolitics of a Diasporic Nationalism -- 5. Neil Bissoondath and Migrant Liberation from the Nation -- 6. V.S. Naipaul and the Pitfalls of Nationalism -- 7. C.L.R. James and Egalitarian Nationalism in the Caribbean -- Conclusion: Mud Mas: Playing Identity.
116 p., Using Trinidadian writer Samuel Selvon's 1956 novel The Lonely Londoners as a textual example, argues that Selvon's presentation of the experiences of migrant working-class Afro-Caribbean men in post-war London opens up space for an unconventional reading of "queer masculinity" as shaped by the intersections of gender, race, class and sexuality under the influence of the socio-political ideology of the period both in the Caribbean and in Britain. The resulting form of masculine identification for these Afro-Caribbean migrants is constructed through an expression of hypersexuality where the pursuit of pleasure becomes an act of resistance to social marginalization.
